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Reading Fragments and Fragmentation in Modernist Literature - Rebecca Varley-Winter - Bog

Bag om Reading Fragments and Fragmentation in Modernist Literature

This book begins with the question: How are literary fragments defined as such? As a critical term, fragment is more of a starting-point than a definition: Is part of the manuscript missing? Is it grammatically incomplete, using unfinished sentences? Is it made to look unfinished? Fragment and fragmentation have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled Fragment regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity, exploring difficulties in speaking, writing and translating; spasmsof laughter; and disr

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781845199609
  • Indbinding:
  • Paperback
  • Sideantal:
  • 256
  • Udgivet:
  • 1. september 2019
  • Størrelse:
  • 153x226x18 mm.
  • Vægt:
  • 386 g.
  • 8-11 hverdage.
  • 13. december 2024
Forlænget returret til d. 31. januar 2025

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  • BLACK WEEK

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Beskrivelse af Reading Fragments and Fragmentation in Modernist Literature

This book begins with the question: How are literary fragments defined as such? As a critical term, fragment is more of a starting-point than a definition: Is part of the manuscript missing? Is it grammatically incomplete, using unfinished sentences? Is it made to look unfinished? Fragment and fragmentation have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled Fragment regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity, exploring difficulties in speaking, writing and translating; spasmsof laughter; and disr

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