Udvidet returret til d. 31. januar 2025

Shakespeare's Theatre: A History - Richard (Ohio State University) Dutton - Bog

Bag om Shakespeare's Theatre: A History

Shakespeare's Theatre: A History examines the theatre spaces used by William Shakespeare, and explores these spaces in relation to the social and political framework of the Elizabethan era. The text journeys from the performing spaces of the provincial inns, guild halls and houses of the gentry of the Bard's early career, to the purpose-built outdoor playhouses of London, including the Globe, the Theatre, and the Curtain, and the royal courts of Elizabeth and James I. The author also discusses the players for whom Shakespeare wrote, and the positioning--or dispositioning--of audience members in relation to the stage. Widely and deeply researched, this fascinating volume is the first to draw on the most recent archaeological work on the remains of the Rose and the Globe, as well as continuing publications from the Records of Early English Drama project. The book also explores the contentious view that the 'plot' of The Seven Deadly Sins (part II), provides unprecedented insight into the working practices of Shakespeare's company and includes a complete and modernized version of the 'plot'. Throughout, the author relates the practicalities of early modern playing to the evolving systems of aristocratic patronage and royal licensing within which they developed Insightful and engaging, Shakespeare's Theatre is ideal reading for undergraduates, postgraduates, and scholars of literature and theatre studies.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781405115131
  • Indbinding:
  • Hardback
  • Sideantal:
  • 384
  • Udgivet:
  • 9. marts 2018
  • Størrelse:
  • 236x160x22 mm.
  • Vægt:
  • 678 g.
  • 8-11 hverdage.
  • 11. december 2024
Forlænget returret til d. 31. januar 2025

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Beskrivelse af Shakespeare's Theatre: A History

Shakespeare's Theatre: A History examines the theatre spaces used by William Shakespeare, and explores these spaces in relation to the social and political framework of the Elizabethan era. The text journeys from the performing spaces of the provincial inns, guild halls and houses of the gentry of the Bard's early career, to the purpose-built outdoor playhouses of London, including the Globe, the Theatre, and the Curtain, and the royal courts of Elizabeth and James I. The author also discusses the players for whom Shakespeare wrote, and the positioning--or dispositioning--of audience members in relation to the stage.
Widely and deeply researched, this fascinating volume is the first to draw on the most recent archaeological work on the remains of the Rose and the Globe, as well as continuing publications from the Records of Early English Drama project. The book also explores the contentious view that the 'plot' of The Seven Deadly Sins (part II), provides unprecedented insight into the working practices of Shakespeare's company and includes a complete and modernized version of the 'plot'. Throughout, the author relates the practicalities of early modern playing to the evolving systems of aristocratic patronage and royal licensing within which they developed
Insightful and engaging, Shakespeare's Theatre is ideal reading for undergraduates, postgraduates, and scholars of literature and theatre studies.

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