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Spring - Dafy Hagai - Bog

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Dafy Hagai''s Spring sees the young Israeli photographer offer a new layer of complexity and fluidity to the visual languages and queer motifs she established in her first two publications for Perimeter Editions. Where the faux-idyllic landscapes, beach scenes and unusual architectures of 2015''s Sunset shone with a playful, sexually curious take on the the female gaze, 2016''s Golden Showers pulsed with a kind of charged, innuendo-heavy sexuality, veering toward the realm of the smut-flecked outtake. Spring catches the London-based Hagai at another point of transition. Shot amid the marginal urban spaces that punctuate Tel Aviv, Jaffa, Arad and Furadis - and punctuated with images from the more lush surrounds of Sakhne and the Dead Sea - the series lends a vantage on a gender dynamic that is as equally hard to define as its socio-geographical context. Here, Hagai juxtaposes members of Israel''s drag community against public passersby, and gender-ambiguous models against candid, more traditional visions of masculinity. We''re left in a kind of flux - a position that feels refreshingly authentic to our contemporary dynamic.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780648262831
  • Indbinding:
  • Paperback
  • Sideantal:
  • 28
  • Udgivet:
  • 1. December 2023
  • Størrelse:
  • 301x214x6 mm.
  • Vægt:
  • 152 g.
  • Ukendt - mangler pt..

Normalpris

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Spring

Dafy Hagai''s Spring sees the young Israeli photographer offer a new layer of complexity and fluidity to the visual languages and queer motifs she established in her first two publications for Perimeter Editions. Where the faux-idyllic landscapes, beach scenes and unusual architectures of 2015''s Sunset shone with a playful, sexually curious take on the the female gaze, 2016''s Golden Showers pulsed with a kind of charged, innuendo-heavy sexuality, veering toward the realm of the smut-flecked outtake. Spring catches the London-based Hagai at another point of transition. Shot amid the marginal urban spaces that punctuate Tel Aviv, Jaffa, Arad and Furadis - and punctuated with images from the more lush surrounds of Sakhne and the Dead Sea - the series lends a vantage on a gender dynamic that is as equally hard to define as its socio-geographical context. Here, Hagai juxtaposes members of Israel''s drag community against public passersby, and gender-ambiguous models against candid, more traditional visions of masculinity. We''re left in a kind of flux - a position that feels refreshingly authentic to our contemporary dynamic.

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