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The Path of a Character - Yana Meerzon - Bog

- Michael Chekhov's Inspired Acting and Theatre Semiotics

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Nephew of Anton Chekhov and a disciple of Konstantin Stanislavskii, Russian émigré actor Michael Chekhov (1891-1955) created one of the most challenging and inspiring acting theories of the 20 century. This book is a reinterpretation of Chekhov¿s theory both in the context of the cultural and political milieu of his time and in the light of theatre semiotics: from Prague Structuralism to French Poststructuralism and contemporary performance theory. This work presents Chekhov¿s understanding of the actor¿s stage product ¿ stage mask ¿ as a psychological, psychophysical and cultural construct engaged with the mysteries of the actor/character or, what Mikhail Bakhtin describes as the author/hero, dialectical relationships. It offers new horizons in interdisciplinary and intercultural visions on theatre acting described by Chekhov as a most liberating and cathartic process.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783631530962
  • Indbinding:
  • Paperback
  • Sideantal:
  • 338
  • Udgivet:
  • 22. juni 2005
  • Størrelse:
  • 210x151x19 mm.
  • Vægt:
  • 440 g.
  • 2-3 uger.
  • 22. januar 2025
Forlænget returret til d. 31. januar 2025
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Beskrivelse af The Path of a Character

Nephew of Anton Chekhov and a disciple of Konstantin Stanislavskii, Russian émigré actor Michael Chekhov (1891-1955) created one of the most challenging and inspiring acting theories of the 20 century. This book is a reinterpretation of Chekhov¿s theory both in the context of the cultural and political milieu of his time and in the light of theatre semiotics: from Prague Structuralism to French Poststructuralism and contemporary performance theory. This work presents Chekhov¿s understanding of the actor¿s stage product ¿ stage mask ¿ as a psychological, psychophysical and cultural construct engaged with the mysteries of the actor/character or, what Mikhail Bakhtin describes as the author/hero, dialectical relationships. It offers new horizons in interdisciplinary and intercultural visions on theatre acting described by Chekhov as a most liberating and cathartic process.

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