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The Problem Of Form In Painting And Sculpture (1907) - Adolf Von Hildebrand - Bog

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The Problem of Form in Painting and Sculpture is a book written by Adolf von Hildebrand in 1907. The book explores the concept of form in art, specifically in painting and sculpture. Hildebrand argues that form is the most important aspect of art, as it is what gives a work its structure and meaning. He discusses the differences between form in painting and form in sculpture, and how each medium has its own unique challenges and opportunities. Hildebrand also delves into the philosophical implications of form, discussing how it relates to our perception of the world around us. The book is an important work in the history of art theory, and is still widely read and studied today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781104335236
  • Indbinding:
  • Hardback
  • Sideantal:
  • 144
  • Udgivet:
  • 13. april 2009
  • Størrelse:
  • 152x229x13 mm.
  • Vægt:
  • 386 g.
  • 2-3 uger.
  • 16. december 2024
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Forlænget returret til d. 31. januar 2025

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Beskrivelse af The Problem Of Form In Painting And Sculpture (1907)

The Problem of Form in Painting and Sculpture is a book written by Adolf von Hildebrand in 1907. The book explores the concept of form in art, specifically in painting and sculpture. Hildebrand argues that form is the most important aspect of art, as it is what gives a work its structure and meaning. He discusses the differences between form in painting and form in sculpture, and how each medium has its own unique challenges and opportunities. Hildebrand also delves into the philosophical implications of form, discussing how it relates to our perception of the world around us. The book is an important work in the history of art theory, and is still widely read and studied today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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