Fotografering og fotografier

The first amateur motion picture camera was massively produced in 1923, shortly after the introduction of 9,5 mm film by the Pathé Frères in France 101 years ago, in December 1922, and of 16 mm film by the Eastman Kodak Company in America a month later. The present collection depicts 101 movie cameras manufactured between the 1920s and the 1980s, most using 8 mm perforated celluloid film. A full-page 'portrait' of each model is accompanied by an exposé of its main technical specifications on the facing page. The guided tour leafs through a range of makes and companies from an era when novelty, aesthetics, industrial design, and competition for the commercial home market propelled the creation of sculptures out of metal and glass for the wide use by individuals and families who aspired to preserve their visual impressions in motion. The book is a useful source for hobbyists and collectors.

From the authors of Beauty in Decay: Photos from Chernobyl comes another photo book, this time set in the wilderness of South Africa.Included within are stunning vistas, radiant sunsets, wild animals, curious birds, strange bugs and colorful plants, as well as a few signs of civilization here and there, along with various interesting facts.Although South Africa can be breathtakingly beautiful, it can also be quite brutal, as is illustrated by the inclusion of a few more morbid subjects that the authors came across on their journey.

Do you know where your food comes from? To find out, acclaimed photojournalist George Steinmetz spent a decade traveling to over 30 countries and 24 US states documenting global food systems. In striking aerial photographs, he captures the awesome scale of 21st-century agriculture that has sculpted 40 percent of the Earth's landmass. He explores the farming of staples like wheat and rice, the cultivation of vegetables and fruits, fishing and aquaculture, and meat production, in situations ranging from traditional farms in diverse cultures to vast agribusinesses, on every continent except Antarctica.

The Manhattan skyline has always held a unique allure in the world's imagination. At street level the scale of the city is dynamic and shifting, from towering skyscrapers to intimate pocket parks and older side streets. At a certain distance, the outline of the city is revealed. Traveling the length of Manhattan by boat, along the two rivers that surround the island, photographer Laurent Dequick shows us the city unfurling in a spectacular accordion-folded book.

For more than 80 years, Glamour has been the preeminent women's empowerment brand in America. But until now, no one has told the extraordinary story of its origins and the famous names who helped shape the magazine into the global powerhouse it is today, and Glamour's many historic firsts. Glamour was the first American fashion magazine to feature a Black cover star, the first to present Gloria Steinem's writing, and the first to feature groundbreaking reporting on reproductive rights

When Janet Evans took one look at her new born son, she had no idea how short of time she had left. Little did the little boy know that a promise he would make to his mother when she sat him down one day would carry him through his life through all the pain and suffering. Read the journey of how the little boy shed his past and emerged from his shell as Foster Evans.

"California's Salton Sea region is home to some of the worst environmental health conditions in the country. Recently, however, it has also become ground zero in the new "lithium gold rush"--the race to power the rapidly expanding electric vehicle and renewable energy storage market. Experts Chris Benner and Manuel Pastor stress that getting the lithium out from under the earth is just a first step: the real question is whether the region and the nation will get out from under the environmental degradation, labor exploitation, and racial injustice that have been as much a part of the landscape as the Salton Sea itself"--

The darkly comic tale of three generations of a Jewish family, from one of Poland's most renowned contemporary authors "A novel sparing only in words and form, not in emotion."--Vogue (Poland) Confidential follows on the success of acclaimed photographer, psychologist, and writer Mikolaj Grynberg's highly acclaimed short story collection, I'd Like to Say Sorry, but There's No One to Say Sorry To, which was a finalist for numerous awards, including Poland's most prestigious literary prize, the Nike, a National Jewish Book Award, the Sami Rohr Prize, and the National Translation Award in Prose for Sean Gasper Bye's excellent translation. This powerful new novella is a darkly comic portrait of a Jewish family in today's Poland, struggling to express their love for one another in the face of a past that cannot and will not be forgotten. The grandfather is a doctor, a Holocaust survivor who has now vowed to live only for pleasure. His son, born at the start of the war, becomes a well-respected physicist, but finds himself emotionally unable to attend the medical conferences in Germany, despite the benefit it would give his career. The mother is loving but firm, though she has a secret habit of attending strangers' funerals so that she can cry. A masterpiece of concision, Confidential expands on one of the stories in I'd Like to Say Sorry . . ., tackling themes of memory and care, trauma and memory, as well as enduring anti-Semitism, with unforgettable power, emotional complexity, and Grynberg's trademark black humor.

"In this lavish celebration authored by the icon himself, Elton John shares his fondest memories, most unforgettable moments, and previously untold stories of his record-breaking final tour. Readers will get a behind-the-scenes glimpse into every aspect of this globe-spanning spectacle, including Elton's legendary touring wardrobe by Gucci, official photography, and more. As the tour weaves across the world, Elton reaches back in time to reflect on key moments from his life on the road while sharing never-before-seen images, costumes, and memorabilia. Join Elton on his remarkable, career-affirming farewell"--

"An ecologically minded collection of essays in the vein of Rebecca Solnit and Susan Sontag-covering everything from the equipment of photography to the difficulties of perception itself. In an age when most of us carry a device seemingly capable of freeze-framing the world, Benjamin Swett writes with refreshing clarity on the way of the true photographer. Combines cultural criticism with personal revelation to examine how the lived experience of photography can endow the mundane with meaning while bringing attention to the beauty of both the natural world and the world we build. Having photographed trees of Manhattan, Shaker dwellings, and the landscapes of upstate New York, award-winning photographer and writer Swett brings an ecological sensitivity to these expansive and profound meditations on how to document the world around us. Accompanied by nearly three dozen black-and-white photographs and illustrations, the essays take us from Coney Island in the early 70s to Paris and Prado at the turn of the last century. By turns literary criticism, art history, and memoir, they draw from writers such as Eric Sanderson, Max Frisch, and John Berger to uncover truths about a life spent in pursuit of art. In essays such as "The Picture Not Taken," "The Beauty of the Camera," and "My Father's Green Album" Swett gives us a picture of photography over generations and how we can or should relate to the mechanical devices so often fetishized by those interested in the subject. In "What I wanted to Tell You About the Wind" we understand photography's importance in understanding our place in larger environmental and social systems; and in "VR" and "Some Observations in the Galapagos" Swett challenges us to think through problems of perception and knowing central to the experience of photography, looking to the past and into our future for answers. Poignant and deftly crafted, The Picture Not Taken brings to mind the fearless ambition of Annie Dillard and the grand scope of Rebecca Solnit's Field Guide to Getting Lost. Swett's writing will appeal to readers who have enjoyed Geoff Dyer's work, and Susan Sontag's writing on photography"--

"The extraordinary and surprising life of Piet Mondrian, whose unprecedented geometric art revolutionized modern painting, architecture, graphic art, dress design, and much more"--

Traummaschinen für einen Ritt durch Raum und Zeit: Von der deutschen Hildebrand & Wolfmüller aus dem Jahr 1894 bis zur britischen Aston Martin AMB 001 von 2020 würdigt dieser Band 50 der aufsehenerregendsten Krafträder, die je eine Rennstrecke umrundet oder Landstraße erobert haben. Das prachtvolle Meisterwerk umfasst dabei bahnbrechende Rekordjäger ebenso wie luxuriöse Tourer, bejubelt legendäre Grand-Prix-Sieger, technische Meilensteine und extravagante Einzelanfertigungen, die Form und Funktion auf höchstem Niveau vereinen. Viele Exemplare stammen aus exklusiven Privatsammlungen und sind äußerst selten zu sehen. Andere stehen sonst in renommierten Motorradmuseen als unbestrittene Stars - wie die 1938er Brough Superior "Golden Dream" oder die MV Agusta 500 4C von 1956, die der Weltmeister John Surtees steuerte. Neben einigen Exponaten der Frühzeit, die in einem erstaunlich originalen Zustand überlebten, findet sich hier ein ganzer Stall voll spektakulärer Rennmaschinen, mit denen Piloten wie Tarquinio Provini, Mike Hailwood, Giacomo Agostini oder Barry Sheene antraten. Die faszinierenden Geschichten hinter diesen fabelhaften Fahrzeugen werden en détail erzählt, illustriert mit großartigen Bildern, die eigens für dieses Buch von führenden Motorradfotografen aufgenommen wurden. Ebenfalls enthalten sind seltene archivarische Fundstücke, seien es historische Plakate oder packende Action-Aufnahmen. Ein Buch voller Motorradschätze und ein absolutes Must-have für alle Motorrad-Enthusiasten!

Seit sie in den späten 70er-Jahren zur Fotografie fand, hat Bettina Rheims gängige Erwartungshaltungen torpediert. Von ihrer Serie über die Stripperinnen vom Pigalle (1980) bis zum Zyklus über das Leben Jesu in I.N.R.I. (1998), von ihrer Chanel-Werbung bis hin zu Gender Studies (2011): In ihrer Arbeit hat sie die traditionelle Ikonografie gehörig durchgerüttelt und unermüdlich die Bruchstelle zwischen zwei Gebieten ausgelotet, die die Menschen seit jeher faszinieren - die Schönheit und die Unvollkommenheit. Für diesen Band hat Rheims über 300 ihrer Lieblingsaufnahmen aus den letzten 35 Jahren zusammengestellt - couragierte und provokante Fotografie aus berühmten Fotoreihen wie Chambre close, Héroïnes und Rose, c'est Paris (in Zusammenarbeit mit Serge Bramly). Die Modefotografien wie auch die künstlerischen Aufnahmen in diesem Buch zeigen Bettina Rheims' besonderen Blick für die Fragilität und die Stärke der Frauen. Die magische Begegnung zwischen der Künstlerin und ihren Modellen bricht mit den traditionellen Codes der Erotik und führt zu einer ganz neuen Bildsprache der Weiblichkeit.

The third issue of Solomiya is as desperate as it is full of love, beauty, courage, and an unsettling longing for "a journey, an escape, and freedom," as Yevhen, a young soldier from Odesa, puts it in War Dreams, a poignant series of portraits by Italian photographers Caimi&Piccini. While raising thought-provoking questions about masculinity in war through the recent work of Vsevolod Kazarin, Alex Mashtaler's yet unpublished photographs juxtapose the innocence of youth with the unforgiving harshness of reality - a reality shaped by Ukraine's colonial past and a present challenged by ongoing militarization. In interviews with the Solomiya Editors Andrii Ushytskyi, Ivanna Kozachenko and Sebastian Wells, Asia Bazdyrieva, Maxim Dondyuk, and Henrike Naumann further explore these complexities through their own perspectives and artistic practices. While Ivanna Kozachenko and the artist collective Commercial Public Art dissect the spatial strategies of the architecture built by Russian forces in the occupied territories of Ukraine, the writings of Lucy Zoria and Sebastian Wells offer diverse insights into the lived experiences of young Ukrainians abroad.

In this book, Hong Kong is seen as a labyrinth, a postmodern site of capitalist desires, and a panoptic space both homely and unhomely. The author maps out various specific locations of the city through the intertwined disciplines of street photography, autoethnography and psychogeography. By meandering through the urban landscape and taking street photographs, this form of practice is open to the various metaphors, atmospheres and visual discourses offered up by the street scenes. The result is a practice-led research project informed by both documentary and creative writing that seeks to articulate thinking via the process of art-making. As a research project on the affective mapping of places in the city, the book examines what Hong Kong is, as thought and felt by the person on the street. It explores the everyday experiences afforded by the city through the figure of the flâneur wandering in shopping districts and street markets. Through hisown street photographs and drawing from the writings of Byung-Chul Han, Walter Benjamin and Michel de Certeau, the author explores feelings, affects, and states of mind as he explores the city and its social life.

" ... Les biographes ont malheureusement cru d'ordinaire qu'ils étaient historiens. Et ils nous ont privés ainsi de portraits admirables. Ils ont supposé que seule la vie des grands hommes pouvait nous intéresser. L'art est étranger à ces considérations. Aux yeux du peintre le portrait d'un homme inconnu par Cranach a autant de valeur que le portrait d'Érasme. Ce n'est pas grâce au nom d'Érasme que ce tableau est inimitable. L'art du biographe serait de donner autant de prix à la vie d'un pauvre acteur qu'à la vie de Shakespeare. C'est un bas instinct qui nous fait remarquer avec plaisir le raccourcissement du sterno-mastoïdien dans le buste d'Alexandre, ou la mèche au front dans le portrait de Napoléon. Le sourire de Monna Lisa, dont nous ne savons rien (c'est peut-être un visage d'homme) est plus mystérieux. Une grimace dessinée par Hokusaï entraîne à de plus profondes méditations. Si l'on tentait l'art où excellèrent Boswell et Aubrey, il ne faudrait sans doute point décrire minutieusement le plus grand homme de son temps, ou noter la caractéristique des plus célèbres dans le passé, mais raconter avec le même souci les existences uniques des hommes, qu'ils aient été divins, médiocres, ou criminels..."

... La spécialisation tactile, la science qui en est comme le prolongement instrumental, nous apprennent que le monde est en réalité discontinu. L'espace interstellaire ne diffère de l'espace intermoléculaire que parce que nous sommes placés entre les deux et que nous mesurons leurs rapports. La notion de temps qui est engendrée par celle de l'espace n'est pas plus exacte sous son premier aspect continu. Il peut y avoir de l'infini entre les moments d'un temps divisé à l'infini. On perçoit très bien que le temps psychologique (et le temps astronomique se mesure par des différences de position dans l'espace) est essentiellement variable. Notre notion du temps se transforme du sauvage à l'homme civilisé, de l'enfant à l'adulte, du rêve à la veille...

"The Photographer's Eye: Developing an Artistic Vision for Architectural Photography" offers a comprehensive guide for photographers looking to elevate their architectural photography skills. Through practical tips and inspiring examples, this book explores how to cultivate a unique artistic vision and capture the beauty of architectural subjects. Ideal for photographers seeking to hone their craft and unleash their creativity in architectural photography.

The shorter version of this book contains 14 photographs and 14 stories about the flowers and their locations from my travels. This expanded version contains the same 14 photos and stories but adds about thirty more pages of flowers for true floral lovers. I've wandered around the world for my entire adult life. Along the way, my best memories are the people I meet along my pathway. But, in this book, I focus on some of the beautiful flowers that have also grown up along my way. Each flower is beautiful, but they also come with stories that I've also shared.

This unique book of photography is filled with pictures of clouds, with whimsical drawings superimposed onto them.Who, as a child, has stared up at the clouds, trying to see the shapes in them? This book brings those images to life.What started as a hobby, is now a collection of photographs meant to spark the imagination of the reader; to encourage people to never fully grow up, and to continue to see the shapes in the sky.

Gary Friedman es el autor más vendido, conocido por sus completísimos libros sobre las cámaras Sony, escritos en un lenguaje accesible para todos. Su nuevo libro sobre la Sony Alpha 6700 aborda todas las funciones de cada menú de la cámara, y lo explica con el estilo accesible y didáctico que ha hecho famoso al Sr. Friedman.Entre las nuevas características que se tratan, podemos encontrar:* Encuadre automático * Uso de la Toma Log y las LUTs* La nueva app "Creators' App"* Transmisión USB * Explicación de todas las funciones de vídeo * Cómo extraer imágenes de nuestra cámara aunque esté apagada Y muchas otras.

The shorter version of this book contains 14 photographs and 14 stories about the flowers and their locations from my travels. This expanded version contains the same 14 photos and stories but adds about thirty more pages of flowers for true floral lovers. I've wandered around the world for my entire adult life. Along the way, my best memories are the people I meet along my pathway. But, in this book, I focus on some of the beautiful flowers that have also grown up along my way. Each flower is beautiful, but they also come with stories that I've also shared.

The shorter version of this book contains 14 photographs and 14 stories about the flowers and their locations from my travels. The expanded version contains the same 14 photos and stories but adds about thirty more pages of flowers for true floral lovers. I've wandered around the world for my entire adult life. Along the way, my best memories are the people I meet along my pathway. But, in this book, I focus on some of the beautiful flowers that have also grown up along my way. Each flower is beautiful, but they also come with stories that I've also shared.

This book presents over four decades of Ken Lum's multidisciplinary practice, which spans conceptual art to installation and delves into universal themes of identity and urban life. Lum's influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally-be it painting, sculpture, photography, or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. Shaped by a keen sense of humanity and a wide knowledge of history and literature, Lum is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors which we continue to inflict upon each other. This publication presents a sweep of Lum's photographic series, at once descriptive and disruptive, personal and political, including "Portrait/Logos" (1984-86), "Portrait/Repeated Text Works" (1993 to present) and "Image Mirrors" (2021); as well as his work with Monument Lab, a public art project he co-founded with urban geographer Paul Farber which fosters critical conversation around the past, present and future of monuments.Co-published with Scotiabank Photography Award, Toronto

Joel Sternfeld entwines two personal stories in this book that together reveal the roots and evolution of color theory in his work over the past five decades. In the summer of 1975, facing surgery with a risk of paralysis, Sternfeld went in search of a last idyll-and found it in Nags Head on North Carolina's Outer Banks. From June to August he photographed the seaside town floating in time, capturing a dreamlike sense of solace. Sternfeld's images show beachgoers of all ages in various scenes of leisure and recreation in this, his first body of work addressing a season. At the time, Sternfeld was already committed to color as the basis of photographic expression and fascinated by Josef Albers' Interaction of Color: "Any time that I saw a color phenomenon in the landscape that somehow coincided with an Albers-type exercise in the perceptual properties of color, I made a photograph."Yet this summer sojourn was tragically broken by the death of Sternfeld's brother; the photographer returned to New York, never to go back to Nags Head. Eventually Sternfeld resumed working and one day headed to Rockaway Beach, Queens. Here he took a picture in which "All at once the ugly scene appeared beautiful to me"-the hues of sand, apartments and sky fused into a cohesive whole: finally, content had been transcended through color. This photo, made in despair and with its perceptual foundation in the Nags Head series, would lead, a few years later, to the color structures of Sternfeld's magnum opus American Prospects, his ambitious realization of what he had always wanted to do: follow the seasons across America.

¿Das menschliche Gesicht gilt einerseits als subtiler, ¿schwacher Code¿, das sich im Alltag den Deutungen der menschlichen Wahrnehmung immer wieder zu entziehen scheint. Andererseits wird gerade in Medien wie dem Film das Gesicht strategische eingesetzt, um unterschwellig Botschaften zu vermitteln. Die Bild-Werdung des Menschen hat, wie diese Arbeit zeigt, nicht erst mit dem Aufkommen von Diktaturen seine ¿Unschuld¿ verloren. Aber erst im Modus seiner Lesbarmachung, als still gestelltes Bild wie es in Form der Großaufnahme im Film zur Geltung kommt, kann es als scheinbare Evidenz seine manipulierende Funktion einnehmen.Ob in Deutschland, Italien oder Russland ¿ alle diese Diktaturen wollen sich zu Beginn des 20. Jahrhunderts der Arbeiterschaft versichern, um ihre ideologischen Ziele zu verwirklichen. Das kulturell und symbolisch vorgeprägte Gesicht, muss daher für die Propaganda umcodiert werden. Dem immer noch weit verbreiteten Verdikt der ¿Gleichschaltung¿ wird jedoch in diesem Buch differenziert gegenübergetreten: Die Möglichkeiten des Gesichts, es für unterschiedlichen historischen Konstellationen und Herausforderungen anzupassen und zu instrumentalisieren, machen es zu einem facettenreichen Medium für rhetorische Strategien.