Teaterteknik

Når vi ser en film koncentrerer vi os mest om handlingen og tænker måske ikke så meget på alle de mange detaljer, som bevirker, at helheden er realistisk. Tid og sted og ikke mindst personerne skal fremstå virkelige og en stor del af dette billede er kostumerne. De skal underbygge både handling og personernes karakterer. Det er et stort arbejde at få dette til at passe, og man tænker sjældent på, hvad der er gået forud, før det ”sidder i kassen”. Det er netop, hvad Ulla Houmann gerne vil illustrere i sin bog. Tanker, planlægning og fysisk arbejde, der er blandt det, der får serien til at fremstå som en helhed. Samspillet mellem forfatter, instruktør og skuespillere, som har bidraget til, at Matador er blevet den mest populære serie produceret af Nordisk Film.

”Værktøjer for Scenekunst” er håndbøger skrevet af Kaosteater, som giver jer konkrete værktøjer der går hele vejen rundt om den scenekunstneriske produktion. I denne bog, Idéudvikling, er der introduktion til en række nøje udvalgte værktøjer og modeller, med let afkodelige illustrationer, som vil hjælpe enhver udøvende scenekunstner med at udfolde kunstneriske ideer og skabe succesfuld scenekunst fra bunden. Håndbogen er en hjælp til at videreudvikle scenekunstneriske produktioner med idéer til modeller, tips og tricks i sammenhæng med konkrete projekter. Bogen kan ses som en værktøjskasse til de, som har ambitioner om at udvikle egne scenekunstneriske projekter primært gennem samskabelse og flad struktur.

Create one-of-a-kind outfits with this essential guide to Japanese-style fantasy fashion! Using the authors' unique Costume Matrix, you will learn how to develop new and daring designs for your anime and manga characters and cosplay creations. First, choose a look to serve as your fashion foundation. Then select an alternate style and fuse it with the first fashion theme to create an unexpected ensemble combining elements have never before been seen together! Mixing and matching basic themes and styles in this way results in one-of-a-kind mashups and hybrids, for example: School Uniforms & Military ApparelCasual Basics & Gothic Formal WearJapanese Fashion & Folk CostumesPlant Motifs & Animal MotifsNature Motifs & Mechanical ObjectsSeasonal Motifs & all of the above! Using the Costume Matrix, the fashion mashup possibilities are endless! Here are just some of the unique combos made possible by applying the Costume Matrix technique: A Folk Costume crossed with a snake motif that results in a Scheherazade vixen with veils transforming into slinky scarf-like vipers!A Gothic Lolita paired with a Rabbit for a fun and furry character with fuzzy paws for boots and a crazy carrot-top hairdo!A Sailor Girl School Uniform combined with a Female Ninja fighting outfit--with a throwing star as the perfect accessory!A mashup of Casual Basics and Plant Motifs creates a head-turning Sunflower Girl complete with a green-leaf collar and flared-petal skirtFantasy Costumes for Manga, Anime & Cosplay presents over 55 fantasy fashion mashup examples and provides you with the key to designing your own totally original characters and styles!

The painter Achim Freyer, who was a master student of Bertolt Brecht's, has gained an internationalreputation for his theatre works since the 1970s. However, he always remained first and foremosta visual artist, who made a systematic study of aesthetic and social issues. He escaped fromEast Germany in 1972, whereupon he changed the theatre using the visual arts as his medium. Hetook part in documenta in 1977 and 1987. Stagings like his 1988 Einstein on the Beach embody asynthesis of stagecraft and painting. This monograph is the first to focus on his complete artisticoeuvre, placing it in the context of his theatre work and collection of art. Freyer's late paintingsare a brilliant body of work powered by his undimmed creativity.Achim Freyer, b. 1934 in Berlin, is a visual artist, theatre- and film-maker, university lecturer, collector,and benefactor. Johannes Odenthal, b. 1956 in Cologne, is an art historian and archaeologist.From 2006 to 2022, he was head of programming at the Akademie der Kü nste in Berlin.

Denne bog er nummer to i en række af håndbøger for scenekunstneriske produktioner. Håndbøger, som går hele vejen rundt om et projekt - fra den første idéfase til premieren. Vores første bog fokuserede på den spæde ide fase af dit projekt, og er et godt sted at starte hvis du drømmer om at skabe scenekunst, men mangler hjælp til at konkretisere din idé. Bogen du står med her er dedikeret til projektledelse, økonomi og fundraising. Den er sprængfyldt med værktøjer og metoder som kan hjælpe dig med at opstille dit projekt, finde potentielle samarbejdspartnere og til at overskue et projekts økonomi. Alle er vigtige punkter som skal forstås for at du kan opnå funding og derved realisere dit projekt.Håndbogen akkompagneres af digitale downloads. De findes på www.kaosteater.dk

Meseria ¿arhitectului de teatru" care imagineaz¿, deseneaz¿ ¿i apoi înal¿¿ decoruri este plin¿ de contradic¿ii. Pe cât de solicitante ¿i am¿nun¿ite sunt planurile sale, pe atât de trec¿toare sunt volumele asamblate conform acestora. Ele dureaz¿ cât dureaz¿ ¿i spectacolele. În vreme ce me¿te¿ugul artistului plastic nu are nicio leg¿tur¿ cu artele performative (actoria, regia, coregrafia), scenograful trebuie s¿ le st¿pâneasc¿ pe toate acestea. El este artistul din afara cercului actorilor condüi de regizor, fiind în aceläi timp mereu în mijlocul lor. Nedescurcându-se deloc în lumina reflectoarelor, pe o scen¿ expus¿ unei s¿li pline, scenograful este artizanul întregului späiu al acesteia înaintea intr¿rii publicului. De¿i niciun spectator nu-l va z¿ri vreodat¿ printre volumele închipuite de el, aerul colorat de filtrele profilurilor ¿i fresnelurilor, care-i inund¿ construc¿iile înf¿¿i¿ându-le, va fi cel pe care toat¿ lumea îl va respira, actori ¿i spectatori, pe toat¿ durata spectacolului. De aceea, artistul cel mai püin b¿gat în seam¿ ¿i c¿ruia i se spune de multe ori ¿scenarist" este primul invitat de c¿tre regizor s¿ fac¿ parte din distribüie, mai înainte chiar de împ¿r¿irea rolurilor principale. Scenograful este primul chemat la atribuirea sarcinilor ¿i ultimul primit la culesul laurilor.¿Manualul" de fä¿ este mai degrab¿ al me¿te¿ugarului decât al artistului profesionist. Meseria de scenograf doar se bazeaz¿ pe cunoäterea me¿te¿ugului. Întrucât ea pretinde ¿i talentul, inspiräia, ¿i exerci¿iul constant al c¿ut¿rii. Iar dac¿ ultimul se poate înv¿¿a, primele se distribuie (sau nu) gratis ¿i complet nedemocratic.Cosmin Ardeleanu

Tan largo me lo fiáis, popularizado como El burlador de Sevilla, es la versión original del mito de Don Juan. Su autor, Andrés de Claramonte, escribió otra comedia dramática ambientada en la misma época (mediados del siglo XIV) publicada indistintamente a nombre de Lope de Vega y de Calderón, que editamos también en este volumen como complemento.El tema de un gran señor que seduce y engaña a varias doncellas bajo promesa de matrimonio es típico del teatro de Claramonte. En ambos casos se juega con elementos metateatrales que refuerzan el sentido ejemplarizante de las obras. Trasladar la acción al siglo XIV permite distanciar un problema moral y político alejándolo de la actualidad de su tiempo.La importancia del mito de Don Juan, en estas dos obras emparentadas, permite comprender los orígenes del mito del seductor.

The A.R.T. System is a major step in the clarity of Actor Training. Its Action-Response-Thought cycle is a sequence of three distinct modes of activity that are fundamental to all human interaction

Introduction to Show Control explains the practice of interconnecting and synchronizing entertainment technology systems such as lighting, lasers, audio, video, stage machinery, animatronics, special effects, and pyrotechnic systems for live shows such as concerts, theater productions, theme park attractions, themed-retail installations, cruise ship shows, immersive art experiences, museum exhibits,and traditional performing arts.Designed to be read along with Huntington's companion volume Introduction to Show Networking, this book covers topics including cue concepts, triggers and synchronization, cueing systems, show types, and system architectures before moving onto methods of connecting entertainment systems together.An easy to understand set of system design principles is explored, and then a cohesive show control system design approach is introduced and then explored through realistic example systems drawn from the world of live show production.This new book-along with the companion Introduction to Show Networking volume-are the successors to Huntington's now-retired Show Networks and Control Systems (previously Control Systems for Live Entertainment), the industry standard since 1994.

Stages of Theater: The Dramatic Criticism of Stanley Kauffmann, 1951-2006 is a collection of 100 pieces of dramatic criticism by the late Stanley Kauffmann (1916-2013). Kauffmann's creative life spanned seven decades: starting in 1951 and continuing until 2013, he was a drama (and film) critic for the New Republic, the New York Times, and Saturday Review. He was also an actor, stage manager, playwright, novelist, professor, and editor. Along with John Simon, Robert Brustein, and Richard Gilman, Kauffmann was one of the most potent, influential critics included in the New York school of twentieth-century American theater criticism.With style and erudition Kauffmann discusses plays and productions from the following countries in Stages of Theater: England, the United States, France, Spain, Russia, Ireland, Germany, Sweden, Greece, South Africa, Norway, and Spain. Among the many works discussed are Phaedra, by Jean Racine; The Caucasian Chalk Circle, by Bertolt Brecht; The Dance of Death, by August Strindberg; All's Well That Ends Well, by William Shakespeare; The Three Sisters, by Anton Chekhov; Old Times, by Harold Pinter; The Master Builder, by Henrik Ibsen; The Misanthrope, by Molière; The Bacchae, by Euripides; and Strange Interlude, by Eugene O'Neill.Also included in Stages of Theater are essays and articles on the following subjects: theater versus film; the idea of repertory; recorded drama; Shakespeare and the cinema; Broadway and Off-Broadway; the genre of comedy; and bio-criticism concerning such figures as Edmund Kean, Jean-Paul Sartre, and Bernard Shaw. Once again, the precision, wit, and wisdom of Kauffmann's writing chime in Stages of Theater, as he reveals his sense of cultural mission-and love of all the arts-by applying to theater and drama the same high standards he applied during his long career to fiction, poetry, music, and film.

Legendary Creations Comfortable Enough to Wear and Wield!Become the character you were destined to be! Joyce van den Goor, founder of Pretzl Cosplay, is here to guide you on your epic cosplay journey. Learn all the best tools, materials and trade techniques-such as sanding, shaping, detailing, painting and so much more-to craft standout armor and lightweight props out of EVA foam. Both cheap and easy-to-handle, this material is perfect for total newbies!With 22 different projects to test your skills, you're sure to impress at your next comic-con, Renaissance faire or live action role-playing event. From a medieval warrior's armor to a woodland elf's iconic ears to an enchantingsorcerer's handy spellbook, these pieces will serve as the perfect addition to your work-in-progress costume, or you can combine them all to create three full cosplay looks. Joyce provides traceable patterns for each project as well as detailed step-by-step images and plenty of ideas for variation. You'll find all of the large fold-out patterns conveniently included in the back envelope, while the rest are the perfect size for printing at home.Remember: It's dangerous to go alone! Take this comprehensive guide, and you'll have everything you need to bring your nerdiest dreams to life.

Seit 40 Jahren prägen die vielfach ausgezeichneten Bühnenwelten des Österreichers Martin Zehetgruber die europäische Theaterszene. Es sind Bilder, die auf der Netzhaut nachbrennen. Erinnerungen. Keine Abbilder. Keine Vorlagen. Keine realen Räume. Reste von Eindrücken, die sich abgelagert haben im Gedächtnis - in seinem, in dem der Gesellschaft. Emotional begriffene Situationen, Bilder, Texte, Begegnungen. Sie türmen sich zur Abraumhalde in seinem Kopf. Dass sich seine Bilder aus dem persönlichen Erleben speisen, ist unverkennbar. Die Landschaften, die er auf die Bühnen setzt, sind ihm vertraut, auch die Nachtalben, die sie bevölkern. In allen Bühnen steckt er selbst. Und mit jedem seiner Räume fordert er den Dialog ein, zwingt zum Umgang mit ihnen.Das Buch zeichnet den Werdegang von Martin Zehetgruber nach und versammelt Stimmen von künstlerischen Wegbegleiter:innen aus den verschiedenen Gewerken.Mit Beiträgen von Barbara Frey, Judith Gerstenberg, Heide Kastler, Christoph Klimke, Alexander Koppelmann, Martin KuSej, Georg Nigl, Nicholas Ofczarek, Andreas Schlager, Elisabeth Schweeger und Klaus von Schwerin.