Musikindustri

ALT OM VINYL er bogen til pladeelskere og alle, der er nysgerrige på at lære mere om vinylpladens verden. Bogen er en 280 sider lang kærlighedserklæring til det analoge format og alle de sære, spøjse og fantastiske anekdoter, der knytter sig til det. Den er spækket med hundredevis af flotte farvefotos og krydret med interviews med en lang række danske pladeentusiaster. Bogen tager dig med helt ind i studiet og ­presseriet, hvor ­pladen bliver født, og fortæller om de mange ­pladeselskab­er og deres mest legendariske udgivelser. Bliv klogere på vinylpladens historie, få ny viden om produktionen i Danmark og find ud af at afkode de mange skjulte budskaber, der gemmer sig i pladernes udløb. ALT OM VINYL lærer dig alt, der er værd at vide, om originaludgaver, covertyper, genoptryk og genudgivelser og hjælper dig med at gøre gode køb på vinylmarkedet og ikke mindst til at passe godt på din egen vinylsamling.

LYDSTUDIE-håndbogen - alt om optagelse, mix & mastering er den mest omfattende indføring i optage-teknik, redigering og mix i lyd- og hjemmestudiet på dansk. Indhold: - stort set alle akustiske og elektriske instrumenter er med - indholder konkrete anvisninger til mikrofonopsætning, equalisering, brug af kompressor, reverb osv. - der er baggrundsteori om akustik, EQ, komprimering, reverb o.l. - og endelig historiske eksempler på brug af lyd-teknologien. MÅLGRUPPE : musikere, hjemmestudiet, studerende, skoler med lydstudie & lydteknikere Forlag: Canta·Libris - 238 sider - 184 farve-illustrationer- - praktisk spiralryg Om forfatteren Karl Pedersen er indehaver af Blue Apple Lyd-design i Odense, hvor han har produceret albums med danske og tyske grupper og lavet lyd til medie- produktioner. Siden 1996 har han undervist i lydstudieteknik ved Aalborg Universitet og i Populærmusik & Lydproduktion.

Sneglzilla, Malk De Koijns andet album, satte nye standarder for, hvor fabulerende, gakket og verbalt akrobatisk det danske sprog kan tage sig ud. Musikalsk fandt Blæs Bukki, Geolo G og Tue Track inspiration i alverdens kilder, med hvilke de skabte et af de mest originale albums på dansk – et kludetæppe af fuldfed funk, cirkus-sax, electro-beats og salsa på skraldespansk. Niels Fez Pedersen fortæller om et af dansk hiphops vildeste albums, et univers af alter ego'er, udsyrede fortællinger, rappoesi og svedige beats.

The Biggest Edition - Revised and Expanded with All New ChaptersA captivating and inspiring guide to building an untouchable empire from mud to marble, no matter what obstacles stand in the wayRick Ross is a hip-hop icon and a towering figure in the business world, but his path to success was not always easy. Despite adversity and setbacks, Ross held tight to his vision and never settled for anything less than greatness. Now, for the first time, he shares his secrets to success, offering his own life as a road map to readers looking to build their own empire. Along the way he reveals: How to turn your ambition into action Tips for managing and investing your money Inside stories from his business and music ventures Why failure is central to success Secrets to handling stressful situations How to build the perfect team As Ross explains, "It doesn't matter what's going on. Even the most dire situation is just another opportunity to boss up."Intimate, insightful and brimming with no-nonsense advice, The Perfect Time to Boss Up is the ideal book for hustlers everywhere.

Pionerer & outsidere – Dansk elektronisk musik 1928-1980 er den samlede fortælling om den elektroniske musiks fremkomst og opblomstring i Danmark. Historien begynder med en række koncerter i Tivoli i København med det russiske Theremin-instrument i 1928 og rundes af i 1980, hvor den elektroniske musik efterhånden er blevet en integreret del af store dele af mainstream-musikken. De mellemliggende 52 år viser en overraskende mangefacetteret historie om teknologisk og kunstnerisk udvikling drevet frem af pionerer med stor nysgerrighed over for nye musikalske produktionsmuligheder og nye klange. I bogen møder vi en række klassisk uddannede komponister som for eksempel Else Marie Pade, Jørgen Plaetner og Fuzzy, der tidligt tog den elektroniske musik til sig, men vi møder også mange ukendte amatørkomponister, der eksperimenterede med spolebåndoptagere og byggede egne instrumenter. Bogen afdækker også, hvordan den tidlige elektroniske musik manifesterede sig langt fra det traditionelle musikliv, blandt andet inden for billedkunsten, i tidlige eksperimentalfilm og i underholdningsbranchen. Her gemmer der sig historier om syngende hunde, der kom til tops på de amerikanske hitlister, om festklædte ingeniører, der dansede til computermusik sidst i 1950’erne, og elektronisk lydterapi, der gjorde patienterne døve. Historien udfoldes på baggrund af et stort reseracharbejde og inddrager interviews med komponister og et væld af datidige kilder. Gennem beskrivelser af de musikalske værker og lydeksperimenter afdækkes en væsentlig og farverig, men stort set glemt og ubeskrevet del af dansk musikhistorie.

Komponisten Axel Borup-Jørgensen (1924-2012) blev født i Vendsyssel, men voksede op i Sverige. Som 22-årig flyttede han til København og blev uddannet pianist på Det Kgl. Musikkonservatorium. Som komponist var han autodidakt, og han arbejdede hele livet på at skabe en individuel musik, som var rendyrket modernistisk og helt hans egen. En meget perfektionistisk musik, hvor hver lille detalje har stor betydning, både i gennemsigtige miniaturestykker på kanten af stilhed og i et storværk som MARIN for symfoniorkester. Axel Borup-Jørgensens svenske baggrund fyldte meget i den private del af hans liv. Det tætte samhørighedsforhold til naturen, som han havde med sig fra Sverige, holdt han fast i hele livet, og det satte tydelige spor i hans værker. Det er nærliggende at sammenligne hans musik med lyrik. Værker, hvor form og indhold er vævet sammen til et uadskilleligt hele.

"SubmitHub: Submit to SubmitHub in a Desperate World" by Bitchin' Indie" is a riveting exploration of the trials and tribulations faced by independent musicians as they navigate the unpredictable landscape of SubmitHub, delving deep into the challenges and successes of the platform while offering practical tips and inspiring stories of redemption. From the relentless pursuit for attention to the enigmatic curators and the power of community, this book is a must-read for any artist seeking to make their mark in the digital music industry.

"SubmitHub: Submit to SubmitHub in a Desperate World" by Bitchin' Indie" is a riveting exploration of the trials and tribulations faced by independent musicians as they navigate the unpredictable landscape of SubmitHub, delving deep into the challenges and successes of the platform while offering practical tips and inspiring stories of redemption. From the relentless pursuit for attention to the enigmatic curators and the power of community, this book is a must-read for any artist seeking to make their mark in the digital music industry.

At rose sine kunstnere er rart og nemt, men det bliver svært, når kunstnersjæle modtager kreativ kritik.Han har været manden bag store navne som Allan Olsen, Lis Sørensen, Gnags, Runrig, Flemming ”Bamse” Jørgensen, Johnny Madsen, Danser med Drenge og Lars Lilholt.Han har bidraget til album, der tilsammen har solgt mere end ti millioner eksemplarer, hvilket gør ham til en af de mest succesrige musikbagmænd i Danmark gennem tiderne.Nu fortæller Jens Ove Friis, bedre kendt som JOF, alt om arbejdet i kulissen med nogle af de største pladesuccesser fra slutningen af 80èrne frem til i dag. Både i medgang og modgang. JOF var den første til at modtage den ærefulde Danish Music Awards’ branchepris, men nu har den jyske musikdirektør trukket sig tilbage på grund af en uhelbredelig kræftsygdom.Det har aldrig været vigtigt for JOF at være populær. Som han siger: ”Jeg skal ikke være populær og kendt, den slags har jeg kunstnere til.”

If you belong to a band and love the art of your job, but sing the blues when it comes to the business side, you need Music Law. Composed by musician and lawyer Richard Stim, the book explains how to:find the right managerbuy, insure and maintain equipmentget gigs and get paidtour on a budgetuse samplesdo covers legallyprotect your copyrighttrademark your bands namechoose a recording studiosell your musicmanage your websiteunderstand record contractsdeal with taxesMusic Law provides all the legal information and practical advice musicians need. This edition is thoroughly updated with the latest changes in copyright and trademark law, including guidance on filling out "e;Form CO."e; Plus, find expanded information on musical collaborations between DJs and other musicians. You'll also get the most up-to-date legal forms available. Interactive forms are downloadable.

The Guidebook to Self-Releasing Your Music is a must-have resource for anyone looking to release their music-equally valuable for first timers as well as for seasoned experts who want the latest information on technology and industry developments. Matthew Whiteside focuses on the areas that musicians can manage themselves, and highlights-with humour and encouragement-the potential benefits and pitfalls along the way.

In 'The End of Music,' author Matti Charlton explores the transformative impact of digital platforms and the democratization of music production, distribution, and the music services sector. With an unflinching examination of the challenges faced by musicians and artists today, this eye-opening book delves into the overwhelming oversupply of music content, the negligible revenue streams from streaming platforms, and the industry's relentless pursuit of meaningful return on investment (ROI).Charlton navigates the landscape of market saturation, deftly examining the struggles of emerging artists amidst the COVID-19 pandemic's detrimental impact on live performances. Shedding light on the DIY culture and the emerging trends in musician consumer behavior, the book uncovers the unrealistic expectations surrounding ROI in the music industry.Drawing from expert opinions and concrete proof, 'The End of Music' uncovers the stark reality of market saturation and the dwindling viability of traditional revenue streams. It explores innovative strategies and the urgent need for diversified revenue streams as musicians navigate this ever-evolving industry.With a laser focus on revenue, streaming, and the evolving music industry, this essential read compels musicians, industry professionals, and music enthusiasts to confront the industry's challenges head-on. 'The End of Music' offers a thought-provoking call to action for musicians, underscored by emerging trends, market saturation, and the urgent need for adaptation. Brace yourself for a captivating journey through the music services sector, where the quest for meaningful return on investment confronts the undeniable reality of industry transformation.

The music industry is a dynamic and ever-evolving environment that offers both immense opportunities and formidable challenges to aspiring musicians and artists. In this digital age, where access to music is easier than ever, breaking through the noise and establishing a lasting career in the music industry demands a unique blend of talent, persistence, adaptability, and an unwavering work ethic. It's a journey marked by countless highs and lows, but with the right strategies and mindset, you can carve a path to success.This comprehensive guide aims to provide you with a deep understanding of what it takes to thrive in the highly competitive world of music. From honing your craft and building valuable relationships to staying true to your artistic vision, we'll explore the key pillars that underpin a successful music career. By the end of this extensive exploration, you'll be equipped with the knowledge and tools to navigate the challenges and seize the opportunities that come your way.The music industry, an ever evolving and dynamic field, has been a relentless battleground for artists, record labels, and all stakeholders involved. In an era of streaming platforms, digital revolutions, and global connectivity, the competition has reached unprecedented levels. We will delve deep into the multifaceted aspects that make the landscape of the music industry so intensely competitive, exploring the historical, technological, economic, and artistic dimensions that shape its contours.To understand the competitiveness of the music industry, it's crucial to explore its historical evolution. Over centuries, music has transformed from localized folk traditions to a global phenomenon. Here are some key historical factors contributing to its competitiveness:

This is the true story of Universal Music Russia's first CEO and his quest to bring Western popular music to post-Soviet Russia. With many wild twists--from political chaos to the launch of t.A.T.u., Russia's biggest pop act--it shows how an American built cultural bridges and how that would all shatter with Putin's rise and the invasion of Ukraine.

Discover a game-changing resource for indie musicians - "A Fair Record Label Contract for Independent Musicians." Unveil the secrets of a fair contract tailored for sync licensing, offering insights into the music industry's inner workings. Authored by Matti Charlton, this guide empowers musicians with knowledge, industry standards, and safeguards against exploitation. Knowledge is power in the music industry; equip yourself today.

The fourth volume of the Solo Acoustic Musician series expands on subjects only touched upon in earlier volumes. Michael Nichols chooses in this book to focus on a unique musical environment and subculture - the "open mic" event, at which performers sign up to play. Some are amateurs, some are professionals, and many are Solo Acoustic Musicians.Michael once again strives to give you a truthful and transparent look into a Solo Acoustic Musician's lifestyle by sharing his experiences at various types of open mics, as a performer, as a host, and as a member of the audience. In the book's second half, he goes "undercover" to a broad range of open mic events around Florida, in the process exploring the difference between an open mic and an open jam, describing (and providing real-life examples of) good and bad open mic etiquette, and listing factors that can make an event successful or unsuccessful.Reading this book will show you the value of playing open mic events, whether you're using them to overcome stage fright in a low-stakes environment, test new original songs on an audience, or bring yourself to the attention of a venue. You'll discover the value of being part of a local music community. You'll even learn what it takes to host an open mic yourself.

"Hip-hop artists and entrepreneurs are famous for working their way from the bottom to the top. Their beginnings in pimping, slinging, and performing frequently led to huge personal incomes and eye-popping album sales ... [The] figures highlight just a portion of the money made in hip-hop, but they also invite the business reader to delve deeper to ask, 'What is the secret of these artists' success? What lessons can I learn and apply in my own life?'"--Amazon.com.

"JOE COCKER is one of the most dynamic singing stars to emerge from the Twentieth Century, and was one of the most unique, creative, and memorablerockers around. With distinctively huge hits like, "With a Little Help from My Friends," "You Are So Beautiful," and his Number One duet withJennifer Warnes, "Up Where We Belong," Cocker is a one-of-a-kind legend. Although he was relatively unknown in 1969 when he took the stage of the Woodstock Music Festival, he quickly rose to fame for his trademark onstage choreography and anguished blues singing. His album, "Mad Dogs & Englishmen" cemented his international stardom. Though he was an Academy and Grammy Award winner, Cocker's life was not always on an uphill track. He suffered from low self-esteem and bouts of depression. It wasn't until later in his life that he met the love of his life, Pam, who helped him put his personal life back on track before his death in 2014. Cocker's life was one of attaining goals, making disastrous mistakes, and ultimately finding happiness and redemption in the eleventh hour. In Joe Cocker: With a LOT of Help from His Friends, every aspect of Joe's amazinglife and career is examined and explained."--

With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies.

Este libro se publicó por primera vez en inglés con el nombre "Work Hard Playlist Hard", y ahora se ha traducido al español. Es la primera vez que se traduce este libro y ésta es la primera revisión.Este libro cubre todo lo que un artista necesita saber para tener una presencia más fuerte en las plataformas de streaming de música, aplicaciones de medios sociales, y en última instancia, para ser colocado en las playlists, para encontrar y llegar a más fans.This book was first released in English under the name Work Hard Playlist Hard, and has now been translated into Spanish. This is the first time this book has been translated and this is the first revision.This book covers everything an artist needs to know to have a stronger presence on music streaming platforms, social media apps, and ultimately to get placed on playlists, to find and reach more fans.

Many people would agree that there is no correct way to describe Dominic Goldsack. A constant doubted, underappreciated, and independent soul, faced with profound conflict as such a young age targets pain and channels it into creativity. In More Than Just a Dreamer: The Story, Analytics and Data of a New Name, Goldsack recounts significant experiences both professionally and personally. You will meet Mr. Dominic Goldsack personally in this book and his reasoning as to why he dreams the way he does. Goldsack released a total of ten songs over a course of a fourth month period which started this all. More specifically, in this book he dives into the backstory behind it and what inspired its writing, the process of writing it, the production - studying how long and what it took to make it, editing, marketing, releasing, and the analytics gathered from everything. He does this for each song he produces exclusively to YouTube, nine of which being original pieces and one being a cover of Engelbert Humperdinck's, A Man Without Love. Academically, Dominic set a plan to study three components in addition. In order to make up the overall research, he wrote on the basis of music, business law, and business (marketing & accounting), melting all components into this book. Seeking much confusion from peers, friends and family, Goldsack is pursuing this all in hopes for future education. From the execution of ten songs start to finish, to writing this very book - Dominic does this all to show his level of musicianship and professional business studies.Written with such grace, respect and humility, More Than Just a Dreamer: The Story, Analytics and Data of a New Name, is a heartfelt book that showcases how a seventeen year old boy from New Hampshire achieved professional growth within his community.

Watch the presentation video @ https://MusicBusinessMystery.comIt may surprise you to learn that most people who claim they are in the music business (i.e., managers, agents, scouts, etc.) are not. As a matter of fact, they really don't even know what the music business is. At least, not exactly. Even worse, the aspiring recording artist knows even less. This being the case, the aspiring recording artist is not equipped to recognize the dangers of pretend sharks that fester around the music business.Actually, sharks run the music business. But this is not the problem. At least not the immediate one. The main problem the aspiring recording artist will encounter is the myriad of sharks that pretend they are in the music business. The main difference between the real sharks and the pretend sharks is that you can make legitimate record deals with the real sharks. The pretenders are on the front lines, patiently waiting to take advantage of unsuspecting naïve starry-eyed dreamers.Unfortunately, most aspiring recording artists are so attracted to the pursuit of fame and fortune that they completely neglect the business side of the music business. And they are easy targets for pretend sharks to trick into wasting valuable time and money that lead to nowhere. Granted, plenty of one hit wonders have come and gone over the decades leaving a false impression of how to make it.The real sharks who run the music business are businessmen who control all those lucrative record deals; and they operate in a certain format. Unfortunately, the aspiring recording artist has no idea what that format is. And neither do those pretend sharks who only serve to waste your time and money.THE ONLY WAY for the aspiring recording artist to make it in the music business is to first understand what exactly the music business is and how it works. This alone is enough information to help you instantly recognize and avoid all the pretend sharks. And second, understand the format of how the businessmen who run the music business operate.Aspiring recording artists who don't follow the proper music business format at most will become a one hit wonder. But those who do follow the proper music business format are offered the most lucrative record deals. Every aspiring recording artist should arm themselves with this crucial information.