Musikindustri

Watch the presentation video @ https://MusicBusinessMystery.comIt may surprise you to learn that most people who claim they are in the music business (i.e., managers, agents, scouts, etc.) are not. As a matter of fact, they really don't even know what the music business is. At least, not exactly. Even worse, the aspiring recording artist knows even less. This being the case, the aspiring recording artist is not equipped to recognize the dangers of pretend sharks that fester around the music business.Actually, sharks run the music business. But this is not the problem. At least not the immediate one. The main problem the aspiring recording artist will encounter is the myriad of sharks that pretend they are in the music business. The main difference between the real sharks and the pretend sharks is that you can make legitimate record deals with the real sharks. The pretenders are on the front lines, patiently waiting to take advantage of unsuspecting naïve starry-eyed dreamers.Unfortunately, most aspiring recording artists are so attracted to the pursuit of fame and fortune that they completely neglect the business side of the music business. And they are easy targets for pretend sharks to trick into wasting valuable time and money that lead to nowhere. Granted, plenty of one hit wonders have come and gone over the decades leaving a false impression of how to make it.The real sharks who run the music business are businessmen who control all those lucrative record deals; and they operate in a certain format. Unfortunately, the aspiring recording artist has no idea what that format is. And neither do those pretend sharks who only serve to waste your time and money.THE ONLY WAY for the aspiring recording artist to make it in the music business is to first understand what exactly the music business is and how it works. This alone is enough information to help you instantly recognize and avoid all the pretend sharks. And second, understand the format of how the businessmen who run the music business operate.Aspiring recording artists who don't follow the proper music business format at most will become a one hit wonder. But those who do follow the proper music business format are offered the most lucrative record deals. Every aspiring recording artist should arm themselves with this crucial information.

A PECULIAR gap exists between the accepted theoretical basis of instruction in singing and the actual methods of vocal teachers. Judging by the number of scientific treatises on the voice, the academic observer would be led to believe that a coherent Science of Voice Culture has been evolved. Modern methods of instruction in singing are presumed to embody a system of exact and infallible rules for the management of the voice. Teachers of singing in all the musical centers of Europe and America claim to follow a definite plan in the training of voices, based on established scientific principles. But a practical acquaintance with the modern art of Voice Culture reveals the fact that the laws of tone-production deduced from the scientific investigation of the voice do not furnish a satisfactory basis for a method of training voices. Throughout the entire vocal profession, among singers, teachers, and students alike, there is a general feeling of the insufficiency of present knowledge of the voice. The problem of the correct management of the vocal organs has not been finally and definitely solved. Voice Culture has not been reduced to an exact science. Vocal teachers are not in possession of an infallible method of training voices. Students of singing find great difficulty in learning how to use their voices. Voice Culture is generally recognized as entitled to a position among the exact sciences; but something remains to be done before it can assume that position.

Before you start reaching out to labels, you have to get clear on what you want from a prospective deal. You also have to understand what partnering with a label can do for you - and what it can't. That way, when you're offered an opportunity you'll be able to advance towards your dream from a truly informed place. If you're offered a deal and what you want isn't included - you'll now know how to ask for it, or you'll have the confidence to walk away.As the artist Manafest, Chris Greenwood has sold hundreds of thousands of albums and millions of singles worldwide. With a career spanning over twenty years, he's got the awards - and the scars - to prove it.Starting out alone and then getting signed to a prominent US label, Chris learnt the hard way that a record deal isn't always the dream you think it will be, and it's not the only route to international fame and fortune.Now proudly independent again, Chris is in a unique position to offer his perspective on both sides of the story. He understands the opportunities a great record deal can bring, and he knows how to forge an incredible and fulfilling career without one.And he's sharing it all in this book.Expect insider insights, expert advice, lessons learnt, and practical suggestions you can use right away to accelerate your journey and demystify the world of record deals.Some of the topics covered:The pros and cons of being signed ... and the risks and rewards of going it aloneWhat record labels are looking for in an artistWhat you need to do to give yourself the best chance of being offered a dealHow to send your demo off - and get a responseUnderstanding the terms of a contractHow to negotiate the highest advance and best deal possibleWalking out if a deal you're being offered is the right one for youThis is a book to empower you on your journey to sharing your music with the world - whether you learn how to strike a dynamite deal to do that, or choose to create your own label by treading the independent path.

The third volume of the Solo Acoustic Musician series expands on the booking chapter in SAM 1. Michael Nichols has done a deep dive into the business side of booking a gig by interviewing managers, owners, and agents who are in charge of hiring Solo Acoustic Musicians. This book reveals the perspectives of the people who handle the calendar of events and tells you what they think, what they want to know, and how to approach them, all of which is vital to success as a Solo Acoustic Musician. Michael once again strives to give you a truthful and transparent look into the lifestyle of a Solo Acoustic Musician by sharing the knowledge and wisdom of people in the business. He hopes to open your eyes to the other side of the exchange, and offer some understanding of what the person who might hire you is thinking. There are lots of music business books out there, but none of them have shared interviews with the people who can actually put you on the calendar and write you a check. The interviews in this book will give you a sense of why the person in charge might hire a musician, but also why they will keep them on the roster - or the opposite, when they stop hiring someone and why. Gaining this perspective will help you understand how to build long-lasting professional relationships with venue owners, managers, and agents.

A groundbreaking collection of inspiring and instructive conversations about the beauty, brutality, discipline, and technique of being a successful singer.

How to Start a Record Label OnlineFor indie musical artists of every kind, there's nothing quite the same as the allure of artistic control. Music labels are notoriously tight-fisted and controlling. They can keep you from enjoying artistic freedom, to say nothing of how they can impinge upon your ability to claim royalties and make money off your own music. Indie labels allow artists the artistic control, freedom, and dignity that they deserve. Thankfully, creating and releasing your own music label online has never been easier and with this guide to how to start a record label, you can: Develop Your Label's Concept and Identity Even before you start to post material for your record label online, you need to have a record label to begin with. That means developing a clear-cut concept for your label's identity, the type of music that you wish to produce, and your target audience.In this book, you'll learn how to nail the basics of indie record label development and branding as well as how to score hits when you post things online. Vital online music business branding tips include: Think about what makes your label special. Why should someone choose to support your label? What type of art do you make or stances do you take that music fans cannot get with other labels, indie or otherwise?What type of musical genres are you targeting? The audience for Taylor Swift is very different than the audience for Kanye West.Buzz is key. Whatever you think about either in their long-standing feud, its very existence has fueled their popularity with fans and their status within their own genres even further. While you may not want to strike such a feuding tone, most attention is good attention and audiences love a good bit of juicy drama.What they love even more, though, is relatability. What truly makes an artist or label last is not getting first-time buyers but loyal, regular followers who come back, buy, and support them time after time. This is a huge aspect of the music industry and this book can teach you how to craft an image and concept with broad appeal while still feeling authentic and relatable.Develop an Online PresenceThe revolution may be televised and it will definitely be Tweeted. An effective online presence is essential for music labels, especially indie online labels.Among music industry books, this is one of the best when it comes to analyzing strategies for developing and increasing your online presence, such as:SEO strategies for indie music labels for attracting views and clicksHow to convert those clicks into salesThe ins and outs of online distributionEffective social media music label marketing strategiesHow to build a loyal social media followingThe metrics to pay attention to in order to measure and boost online exposureHow to translate an online presence into real-world successYou're online right now. And so is your future The dream of owning your own indie music label is closer than ever before. With this guide to indie label creation, you can create the next great music sensation online a smarter, savvier way.

Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians.

The Island Book of Records brings the early years of this iconic record label to life.

'Hilarious, heart-wrenching and packed with British music history.' - COLDPLAY A Virgin Radio Book of the Year It's a life-and-near-death story. But whose life? And whose near-death?As a one-time NME journalist, former Xfm radio presenter, toilet-circuit promoter and the founder of enduring homespun British record label Fierce Panda, Simon Williams has been at the cutting, cutting, cutting edge of all things 'indie' for over thirty years. During his tenure as managing director of Fierce Panda (a role he holds to this day), Simon was responsible for tripping over bands such as Coldplay, Keane, Placebo and countless other acts of independent hue - some of whom have gone on to achieve earth-shattering musical superstardom, while others have merely baffled the crowd at the Bull & Gate in north London on a wet Wednesday evening.Unfiltered and unflinching, Pandamonium! is the story of Simon's time at the indie coalface, filled with insider anecdotes to entertain music enthusiasts everywhere - from the origins of a bootlegged Oasis release to Chris Martin's delight at reaching number ninety-two in the charts. But it is also the story of how Simon tried to bring a premature end to proceedings, documenting in blunt, matter-of-fact detail his longstanding mental-health struggles.Yet, despite his raw and often poignant honesty, Simon writes with the warmth, wit, self-deprecation and wide-eyed good fortune of someone who has stared into the abyss and survived, bounding down a few indie rabbit holes along the way.

Dubbed “the industry bible” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over 30 years, and over half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million dollar sales of artists’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends.

I Danmark er jeg født blev nærmest en nyklassiker ved udgivelsen. Med dancehall-albummet, Natasjas første på dansk, anviste hun en ny retning i dansk musik. Med en tåre på kinden efter hendes pludselige død og protestsangen Gi' mig Danmark tilbage på læberne erklærede Danmarks ungdom sin kærlighed til reggaepioneren Natasja.Nanna Balslev fortæller om naturtalentet Natasjas mod, modgang og lange vej til anerkendelse, men også om en integritet ud over det sædvanlige, der førte til et af 00'ernes mest markante albums.

Marquis de Sade detonerede som en bombe, da pladen udkom. Anne Linnet, allerede kendt for sin afdæmpede folk- og imødekommende poprock, udgav nu et album med hårde, uforsonlige tekster om at sprænge rammer – og om sadomasochisme! I et nyt, mørkt lydunivers blev længsler og magtbalancer undersøgt i et 80'er-elektronisk tonesprog kombineret med Linnets stensikre tæft for at skrive pop-ørehængere.Michael Gonzalez gør os klogere på det banebrydende albums tilblivelse og modtagelse i en tid præget af omvæltninger.

Minutes To Go er det senere så berømte rockband Sort Sols debutplade, udgivet under navnet Sods. Som den første danske punk-lp var albummet inspireret af navnlig den engelske scene, og de korte, højenergiske sange var ulig noget andet, der før var skabt på dansk jord. Meningen var blot at lave rav i den, men de fire unge mænds album blev ikke bare startskuddet til en helt ny musikbølge, men også en ny ungdomsbevægelse. Jan Poulsen fortæller historien om, hvordan et af de vigtigste nybrud i dansk musik blev til.

Værsgo, Kim Larsens første soloplade, var tænkt som et lille frikvarter uden for Gasolin's fastere rammer, og Larsen havde selv ingen større forventninger til albummet. Hurtigt viste det sig dog, at hans sprudlende og legende fusion af folkesang, viser, beat og blues skulle skrive sig direkte ind i den danske folkesjæl – med evergreens som Joanna og Det er et i dag et vejr. Henrik Marstal ser nærmere på, hvordan Christianshavn, dansk sangtradition og løssluppen jam skabte en milepæl i musikhistorien i 1973.

Whether you’re an aspiring artist, a new college grad, or a seasoned professional, Scott Brickell’s The Business Behind the Song is a must-have handbook for helping you navigate the often-confusing, seemingly unapproachable world of the music industry.Drawing on his years of experience as a manager for numerous record-breaking artists and bands, Scott Brickell explains the nitty gritty details of what it takes to be an artist, a manager, a promotor, a booking agent, and much more. He shares industry secrets on the formula to a successful song, and he gives invaluable tips on how to put on a successful show and tour. No matter your goal—whether that’s to be on stage behind a microphone or behind the scenes promoting shows—The Business Behind the Song will help you • Understand the industry before you get started • Learn the insider terminology • Identify the goals you need to set for yourself • Create a clear path for your future career • And start your own journey in the music business You can break into an exciting and fulfilling career in the music industry, and Scott Brickell’s go-to guide will show you how.

Making It Happen is a comprehensive guide to navigating the modern music industry, that redefines what `Making It¿ means for musicians in the modern music industry, and inspires and educates musicians on the different options for generating revenue from their art.

Rich Redmond, drummer for superstar Jason Aldean, provides a shot of inspiration for those interested in jump-starting a music career. Filled with practical advice, stories of how Redmond did it himself, and insights from a chorus of other musicians, this is the ultimate behin...

The Road to Riverdance by Bill Whelan is a skilfully attuned record of one of Ireland's most famous and influential composers.

A second chance to realise her dreams... A classically trained pianist, Steph works as a recording engineer for a small studio when she's offered the job of a lifetime - travel to the Italian Riviera to help world-famous band, Royalty, record their reunion album after a decades-long hiatus. Steph could definitely do with the distraction. Her boyfriend - who also happens to be her boss - is increasingly unreliable and erratic, and she's awaiting news from her doctor after a recent biopsy. So an all-expenses-paid trip to Italy is the perfect escape. What she doesn't expect is an instant connection with Rob, the son of Royalty's lead singer. With her career - and her heart - at a crossroads, what path will Steph follow?A wonderfully escapist romance for fans of Sue Moorcoft, Rosanna Ley and Erica James. Praise for Never Too Late 'A delightful escape to the Italian Riviera, woven with music, food, friendship and a gentle romance. Just lovely!' Kate Frost'An emotional read - full of hope, love and growth, and I devoured every word.' ????? Reader review'It really hooked me and I read a good amount of it in one sitting. I loved all the characters, and the delicious sounding food that was being served for every meal had my mouth watering. Another truly fabulous story from this talented author.'????? Reader review'I love the lyrical description and sensory imagery that brings Italy to life. The characterisation and contemporary issues are well-written, and the romance is lovely.' ????? Reader review'Absolutely loved this novel like I do every other book by T.A. Williams. Loved the setting, the characters and the storyline.' ????? Reader review

"This book is a critical history of Sub Pop Records, the Seattle independent rock label that launched the careers of countless influential grunge bands in the late 1980s and early 1990s. It focuses in particular on the languages and personas of the 'loser,' a term that encompassed the label's founders and personnel, its flagship bands (including Mudhoney, TAD, and Nirvana), and the avid vinyl-collecting fans it rapidly amassed. The loser became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism, and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success."