Musikindustri

JOE COCKER is one of the most dynamic singing stars to emerge from the Twentieth Century, and was one of the most unique, creative, and memorablerockers around. With distinctively huge hits like, "With a Little Help from My Friends," "You Are So Beautiful," and his Number One duet withJennifer Warnes, "Up Where We Belong," Cocker is a one-of-a-kind legend. Although he was relatively unknown in 1969 when he took the stage of the Woodstock Music Festival, he quickly rose to fame for his trademark onstage choreography and anguished blues singing. His album, "Mad Dogs & Englishmen" cemented his international stardom. Though he was an Academy and Grammy Award winner, Cocker's life was not always on an uphill track. He suffered from low self-esteem and bouts of depression. It wasn't until later in his life that he met the love of his life, Pam, who helped him put his personal life back on track before his death in 2014. Cocker's life was one of attaining goals, making disastrous mistakes, and ultimately finding happiness and redemption in the eleventh hour. In Joe Cocker: With a LOT of Help from His Friends, every aspect of Joe's amazinglife and career is examined and explained.--Bego, Mark

Dubbed “the industry bible” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over 30 years, and over half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million dollar sales of artists’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends.

With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies.

Este libro se publicó por primera vez en inglés con el nombre "Work Hard Playlist Hard", y ahora se ha traducido al español. Es la primera vez que se traduce este libro y ésta es la primera revisión.Este libro cubre todo lo que un artista necesita saber para tener una presencia más fuerte en las plataformas de streaming de música, aplicaciones de medios sociales, y en última instancia, para ser colocado en las playlists, para encontrar y llegar a más fans.This book was first released in English under the name Work Hard Playlist Hard, and has now been translated into Spanish. This is the first time this book has been translated and this is the first revision.This book covers everything an artist needs to know to have a stronger presence on music streaming platforms, social media apps, and ultimately to get placed on playlists, to find and reach more fans.

In the mesmerizing fourth volume of the captivating series, The History of the Music Industry: 1930 to 1949, journey back in time to an era where the melodies of change echoed through the airwaves. Immerse yourself in the transformative power of music as you explore an extraordinary period that witnessed the birth of legendary genres, the rise of iconic artists, and the blossoming of trailblazing record labels. Step into the roaring '30s, where the echoes of the Great Depression mingled with the soaring spirits of swing and jazz. Delve into the bustling Harlem Renaissance, where the likes of Duke Ellington and Count Basie revolutionized the very essence of music, introducing syncopated rhythms and improvisation that reverberated through the souls of listeners worldwide. As the chapters unfold year by year, be swept away by the soul-stirring ballads and rhythmic beats that defined the '40s. Experience the emotional intensity of blues masters like Robert Johnson, whose haunting guitar licks became the soundtrack to a generation's deepest sorrows. Marvel at the enchanting vocal prowess of Ella Fitzgerald and Billie Holiday, whose velvety tones painted vivid pictures of love, heartbreak, and resilience. Venture beyond the music itself and uncover the forces shaping the industry. Witness the rise of record labels like Columbia and RCA, whose visionary leaders dared to challenge conventions and reshape the very landscape of popular music. Explore the technological advancements that brought sound recording to new heights, forever altering the way music was consumed and experienced. But the history of the music industry is not without its shadows. Peel back the curtain on the dark underbelly of the era--the racial barriers, the exploitation, and the battles for artistic freedom. Follow the remarkable stories of unsung heroes and heroines who fought against prejudice and adversity to forge their paths to greatness.The History of the Music Industry: 1930 to 1949 invites you on an unforgettable journey into a pivotal period in music history. Immerse yourself in the soul-stirring melodies, unravel the stories of iconic artists and industry giants, and bear witness to a time when music was a beacon of hope, resilience, and cultural revolution. This captivating volume is a tribute to the power of music and a testament to the indomitable spirit of those who dared to shape the soundscape of a generation.

Many people would agree that there is no correct way to describe Dominic Goldsack. A constant doubted, underappreciated, and independent soul, faced with profound conflict as such a young age targets pain and channels it into creativity. In More Than Just a Dreamer: The Story, Analytics and Data of a New Name, Goldsack recounts significant experiences both professionally and personally. You will meet Mr. Dominic Goldsack personally in this book and his reasoning as to why he dreams the way he does. Goldsack released a total of ten songs over a course of a fourth month period which started this all. More specifically, in this book he dives into the backstory behind it and what inspired its writing, the process of writing it, the production - studying how long and what it took to make it, editing, marketing, releasing, and the analytics gathered from everything. He does this for each song he produces exclusively to YouTube, nine of which being original pieces and one being a cover of Engelbert Humperdinck's, A Man Without Love. Academically, Dominic set a plan to study three components in addition. In order to make up the overall research, he wrote on the basis of music, business law, and business (marketing & accounting), melting all components into this book. Seeking much confusion from peers, friends and family, Goldsack is pursuing this all in hopes for future education. From the execution of ten songs start to finish, to writing this very book - Dominic does this all to show his level of musicianship and professional business studies.Written with such grace, respect and humility, More Than Just a Dreamer: The Story, Analytics and Data of a New Name, is a heartfelt book that showcases how a seventeen year old boy from New Hampshire achieved professional growth within his community.

Rude Boys Racism and the Soundtrack of a Generation.

Watch the presentation video @ https://MusicBusinessMystery.comIt may surprise you to learn that most people who claim they are in the music business (i.e., managers, agents, scouts, etc.) are not. As a matter of fact, they really don't even know what the music business is. At least, not exactly. Even worse, the aspiring recording artist knows even less. This being the case, the aspiring recording artist is not equipped to recognize the dangers of pretend sharks that fester around the music business.Actually, sharks run the music business. But this is not the problem. At least not the immediate one. The main problem the aspiring recording artist will encounter is the myriad of sharks that pretend they are in the music business. The main difference between the real sharks and the pretend sharks is that you can make legitimate record deals with the real sharks. The pretenders are on the front lines, patiently waiting to take advantage of unsuspecting naïve starry-eyed dreamers.Unfortunately, most aspiring recording artists are so attracted to the pursuit of fame and fortune that they completely neglect the business side of the music business. And they are easy targets for pretend sharks to trick into wasting valuable time and money that lead to nowhere. Granted, plenty of one hit wonders have come and gone over the decades leaving a false impression of how to make it.The real sharks who run the music business are businessmen who control all those lucrative record deals; and they operate in a certain format. Unfortunately, the aspiring recording artist has no idea what that format is. And neither do those pretend sharks who only serve to waste your time and money.THE ONLY WAY for the aspiring recording artist to make it in the music business is to first understand what exactly the music business is and how it works. This alone is enough information to help you instantly recognize and avoid all the pretend sharks. And second, understand the format of how the businessmen who run the music business operate.Aspiring recording artists who don't follow the proper music business format at most will become a one hit wonder. But those who do follow the proper music business format are offered the most lucrative record deals. Every aspiring recording artist should arm themselves with this crucial information.

A PECULIAR gap exists between the accepted theoretical basis of instruction in singing and the actual methods of vocal teachers. Judging by the number of scientific treatises on the voice, the academic observer would be led to believe that a coherent Science of Voice Culture has been evolved. Modern methods of instruction in singing are presumed to embody a system of exact and infallible rules for the management of the voice. Teachers of singing in all the musical centers of Europe and America claim to follow a definite plan in the training of voices, based on established scientific principles. But a practical acquaintance with the modern art of Voice Culture reveals the fact that the laws of tone-production deduced from the scientific investigation of the voice do not furnish a satisfactory basis for a method of training voices. Throughout the entire vocal profession, among singers, teachers, and students alike, there is a general feeling of the insufficiency of present knowledge of the voice. The problem of the correct management of the vocal organs has not been finally and definitely solved. Voice Culture has not been reduced to an exact science. Vocal teachers are not in possession of an infallible method of training voices. Students of singing find great difficulty in learning how to use their voices. Voice Culture is generally recognized as entitled to a position among the exact sciences; but something remains to be done before it can assume that position.

Before you start reaching out to labels, you have to get clear on what you want from a prospective deal. You also have to understand what partnering with a label can do for you - and what it can't. That way, when you're offered an opportunity you'll be able to advance towards your dream from a truly informed place. If you're offered a deal and what you want isn't included - you'll now know how to ask for it, or you'll have the confidence to walk away.As the artist Manafest, Chris Greenwood has sold hundreds of thousands of albums and millions of singles worldwide. With a career spanning over twenty years, he's got the awards - and the scars - to prove it.Starting out alone and then getting signed to a prominent US label, Chris learnt the hard way that a record deal isn't always the dream you think it will be, and it's not the only route to international fame and fortune.Now proudly independent again, Chris is in a unique position to offer his perspective on both sides of the story. He understands the opportunities a great record deal can bring, and he knows how to forge an incredible and fulfilling career without one.And he's sharing it all in this book.Expect insider insights, expert advice, lessons learnt, and practical suggestions you can use right away to accelerate your journey and demystify the world of record deals.Some of the topics covered:The pros and cons of being signed ... and the risks and rewards of going it aloneWhat record labels are looking for in an artistWhat you need to do to give yourself the best chance of being offered a dealHow to send your demo off - and get a responseUnderstanding the terms of a contractHow to negotiate the highest advance and best deal possibleWalking out if a deal you're being offered is the right one for youThis is a book to empower you on your journey to sharing your music with the world - whether you learn how to strike a dynamite deal to do that, or choose to create your own label by treading the independent path.

"Music Marketing Guide" is a must-read for any musician or band looking to build a successful career in the music industry, it is not just beginners.This book offers a comprehensive guide to music marketing that covers all aspects of the industry, from identifying your target audience to building a loyal fanbase. It includes practical tips and real-life examples.The book starts by explaining the basics of music marketing, including the importance of branding, promotion, and building a strong online presence. It then delves into more advanced topics such as social media marketing, email marketing, and how to use analytics to measure the success of your campaigns.One of the book's most valuable sections is its coverage of music streaming platforms such as Spotify, Apple Music, and Tidal. Another key feature of this book is its focus on live performance. The author explains how to book gigs, how to promote your shows, and how to use your live performances to build your brand and grow your fanbase.Throughout the book, the author emphasizes the importance of building relationships with your fans. He provides guidance on how to engage with your audience on social media and how to create a community around your music.Overall, "Music Marketing Guide" is a comprehensive and practical guide to music marketing that is essential reading for any musician or band looking to succeed in today's competitive music industry. Whether you are just starting out or are a seasoned professional, this book will provide you with the knowledge and tools you need to build a successful career in music.

The third volume of the Solo Acoustic Musician series expands on the booking chapter in SAM 1. Michael Nichols has done a deep dive into the business side of booking a gig by interviewing managers, owners, and agents who are in charge of hiring Solo Acoustic Musicians. This book reveals the perspectives of the people who handle the calendar of events and tells you what they think, what they want to know, and how to approach them, all of which is vital to success as a Solo Acoustic Musician. Michael once again strives to give you a truthful and transparent look into the lifestyle of a Solo Acoustic Musician by sharing the knowledge and wisdom of people in the business. He hopes to open your eyes to the other side of the exchange, and offer some understanding of what the person who might hire you is thinking. There are lots of music business books out there, but none of them have shared interviews with the people who can actually put you on the calendar and write you a check. The interviews in this book will give you a sense of why the person in charge might hire a musician, but also why they will keep them on the roster - or the opposite, when they stop hiring someone and why. Gaining this perspective will help you understand how to build long-lasting professional relationships with venue owners, managers, and agents.

A groundbreaking collection of inspiring and instructive conversations about the beauty, brutality, discipline, and technique of being a successful singer.

Are you an entrepreneur or music industry professional looking to break into the world of NFTs? Our latest ebook, "Launching Your NFT Music Label: A Step-by-Step Guide," is the ultimate resource for anyone looking to build a successful NFT music label. In this comprehensive guide, you'll learn everything you need to know about NFTs and the music industry, including:The benefits of starting an NFT music labelPlanning your NFT music label from the ground upBuilding a team of professionals who can help you succeedLegal and financial considerations when starting an NFT music labelCreating and minting NFTs that will stand out in the marketMarketing and promotion strategies to build and establish your brandRevenue opportunities and pricing strategies for NFT releasesSupporting artists and fostering the growth of your NFT music labelEach chapter provides valuable insights and useful tips to help you navigate the complex world of NFTs and build a successful music label. Our ebook also includes a glossary of key terms, recommended resources and tools, and a summary of the key steps to launching a successful NFT music label.If you're a music industry professional with interest in NFTs, "Launching Your NFT Music Label" is the ultimate guide to help you succeed. Get your copy today and take the first step toward building your own NFT music label!

How to Start a Record Label OnlineFor indie musical artists of every kind, there's nothing quite the same as the allure of artistic control. Music labels are notoriously tight-fisted and controlling. They can keep you from enjoying artistic freedom, to say nothing of how they can impinge upon your ability to claim royalties and make money off your own music. Indie labels allow artists the artistic control, freedom, and dignity that they deserve. Thankfully, creating and releasing your own music label online has never been easier and with this guide to how to start a record label, you can: Develop Your Label's Concept and Identity Even before you start to post material for your record label online, you need to have a record label to begin with. That means developing a clear-cut concept for your label's identity, the type of music that you wish to produce, and your target audience.In this book, you'll learn how to nail the basics of indie record label development and branding as well as how to score hits when you post things online. Vital online music business branding tips include: Think about what makes your label special. Why should someone choose to support your label? What type of art do you make or stances do you take that music fans cannot get with other labels, indie or otherwise?What type of musical genres are you targeting? The audience for Taylor Swift is very different than the audience for Kanye West.Buzz is key. Whatever you think about either in their long-standing feud, its very existence has fueled their popularity with fans and their status within their own genres even further. While you may not want to strike such a feuding tone, most attention is good attention and audiences love a good bit of juicy drama.What they love even more, though, is relatability. What truly makes an artist or label last is not getting first-time buyers but loyal, regular followers who come back, buy, and support them time after time. This is a huge aspect of the music industry and this book can teach you how to craft an image and concept with broad appeal while still feeling authentic and relatable.Develop an Online PresenceThe revolution may be televised and it will definitely be Tweeted. An effective online presence is essential for music labels, especially indie online labels.Among music industry books, this is one of the best when it comes to analyzing strategies for developing and increasing your online presence, such as:SEO strategies for indie music labels for attracting views and clicksHow to convert those clicks into salesThe ins and outs of online distributionEffective social media music label marketing strategiesHow to build a loyal social media followingThe metrics to pay attention to in order to measure and boost online exposureHow to translate an online presence into real-world successYou're online right now. And so is your future The dream of owning your own indie music label is closer than ever before. With this guide to indie label creation, you can create the next great music sensation online a smarter, savvier way.

Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians.

The Island Book of Records brings the early years of this iconic record label to life.

I Danmark er jeg født blev nærmest en nyklassiker ved udgivelsen. Med dancehall-albummet, Natasjas første på dansk, anviste hun en ny retning i dansk musik. Med en tåre på kinden efter hendes pludselige død og protestsangen Gi' mig Danmark tilbage på læberne erklærede Danmarks ungdom sin kærlighed til reggaepioneren Natasja.Nanna Balslev fortæller om naturtalentet Natasjas mod, modgang og lange vej til anerkendelse, men også om en integritet ud over det sædvanlige, der førte til et af 00'ernes mest markante albums.

Marquis de Sade detonerede som en bombe, da pladen udkom. Anne Linnet, allerede kendt for sin afdæmpede folk- og imødekommende poprock, udgav nu et album med hårde, uforsonlige tekster om at sprænge rammer – og om sadomasochisme! I et nyt, mørkt lydunivers blev længsler og magtbalancer undersøgt i et 80'er-elektronisk tonesprog kombineret med Linnets stensikre tæft for at skrive pop-ørehængere.Michael Gonzalez gør os klogere på det banebrydende albums tilblivelse og modtagelse i en tid præget af omvæltninger.

Minutes To Go er det senere så berømte rockband Sort Sols debutplade, udgivet under navnet Sods. Som den første danske punk-lp var albummet inspireret af navnlig den engelske scene, og de korte, højenergiske sange var ulig noget andet, der før var skabt på dansk jord. Meningen var blot at lave rav i den, men de fire unge mænds album blev ikke bare startskuddet til en helt ny musikbølge, men også en ny ungdomsbevægelse. Jan Poulsen fortæller historien om, hvordan et af de vigtigste nybrud i dansk musik blev til.

Værsgo, Kim Larsens første soloplade, var tænkt som et lille frikvarter uden for Gasolin's fastere rammer, og Larsen havde selv ingen større forventninger til albummet. Hurtigt viste det sig dog, at hans sprudlende og legende fusion af folkesang, viser, beat og blues skulle skrive sig direkte ind i den danske folkesjæl – med evergreens som Joanna og Det er et i dag et vejr. Henrik Marstal ser nærmere på, hvordan Christianshavn, dansk sangtradition og løssluppen jam skabte en milepæl i musikhistorien i 1973.