Farvestoffer, pigmenter og malingsteknologi

Volume 1 of the Handbook of Colorants Chemistry comprehensively covers the fundamentals of color as well as the underlying scientifi c principles, via the presentation of molecular compositions of inorganic and organic pigments. The author explains the chemical and physical production of color and the infl uence of the physical-geometric pigment parameters on the color shade. This volume also deals with historical and modern pigments, dyes, and binders, as well as their mode of action. The complementary "Volume 2: in Painting, Art and Inks" (ISBN 978-3-11-077700-0) focuses on paints, painting and drawing systems used by the painter and craftsman. The book is supplemented by a comprehensive bibliography with references to standard works, monographs, and original papers. The reader is provided with a unique overview of the fi eld of color chemistry.

2019 begann Stefan Marx mit seiner Serie von Monotypien. In Zusammenarbeit mit dem Berliner Siebdrucker Björn Wiede entwickelte er seine eigene Arbeitsweise: In drei Arbeitsgängen entstehen drei Einzelbilder - ein positives, ein negatives und ein »Geisterbild«, der ghost. An diesem neuen Ansatz faszinierten ihn zunächst der fette Farbauftrag und die Intensität der Pigmente. Beim Farbauftrag wird die Bildoberfläche selbst nicht berührt - die Bildfindungen ergeben sich über die Bearbeitung des Drucksiebs. Ein großer Teil dieser Monotypien sind Schriftbilder, doch es gibt ebenso figürliche Bildmotive, darunter Tierzeichnungen und andere Zeichen aus dem Motivinventar von Stefan Marx.Dieses Buch schließt an den Band Schriftbilder an: Auch Monotypien hat Stefan Marx als Künstlerbuch entwickelt und arbeitet mit einer faszinierenden Verschränkung zwischen den Abbildungen der Werke und den Entwurfskizzen aus seinen Notizbüchern.STEFAN MARX (*1979 Schwalmstadt, Hessen) ist Zeichner, Skateboarder und Kulturphilosoph. Seine unverwechselbare Handschrift findet sich auf Papier, Leinwand, Porzellan und Textilien. Er entwirft für verschiedene Labels, veröffentlicht im Eigenverlag Zines, zeigt seine Arbeiten bei zahlreichen internationalen Ausstellungen, Art Book Fairs und in Galerien. Marx lebt und arbeitet in Berlin.

Cosmetics manufacture is a dynamic and vibrant industry with companies varying from the very small scale, working in their own home, to much larger enterprises. With such variable companies there is the risk of equally variable quality in manufacturing. The International Organization for Standards (ISO) provides guidelines on good manufacturing processes for the cosmetics industry. However, not everyone working in cosmetics has a scientific or engineering backgrounds and understanding and meeting the ISO requirements can be daunting. Whether you are a small business just starting out or an established company looking to expand, Making Quality Cosmetics will guide you through the requirements of the ISO standard. Calling on more than 35 years of experience in the cosmetics sector the author covers every aspect of the manufacturing set up and process, as well as discussing other regulations that may need to be considered, especially in larger facilities. With technical advice ranging from choosing equipment and raw materials, to assessing and auditing contractors this book will help you make sure your products are of the highest quality.

Handbook of Natural ColorantsSecond EditionA detailed survey of a variety of natural colorants and their different applications including textiles, polymers, and cosmeticsColorants describe a wide range of materials such as dyes, pigments, inks, paint, or chemicals, which are used in small quantities but play an important role in many products such as textiles, polymers, food, and cosmetics. As the effects of climate change begin to be felt, there has been a shift in focus in the field to renewable resources and sustainability, and an interest in the replacement of oil-based products with greener substitutions. As the push to adopt natural resources grows, there have been significant developments in the research and application of natural colorants as a step in the transition to a bio-based economy.The second edition of Handbook of Natural Colorants provides a detailed introduction to natural colorants in a marriage of theory and practice, from seed of plant to consumer demand. Presenting a wide range of viewpoints, the book briefly discusses the history of coloration technology and the current position of natural colorants before highlighting detailed information on regional plant source availability, colorant production and properties, as well as analytical methods for isolation, identification, and toxicity aspects. It also presents key applications in technical use and consumer products, including the use of natural colorants in textiles, hair dyeing, printing, and packaging. Finally, the text considers environmental and economic aspects of natural colorants.Handbook of Natural Colorants is a useful reference for dyers, textile producers, and researchers in the evolving field of sustainable chemistry, environmental sciences, agricultural sciences, and polymer sciences.* Revised and updated content throughout to reflect developments in research and applications over the past decade* New content on biotechnology in natural colorant production, natural colorants for mass coloration polymers, natural colorants in printing/packaging, and plant-based pigments* Discusses strategies for scale-up, including consideration of energy, waste, and effluentsFor more information on the Wiley Series in Renewable Resources, visit www.wiley.com/go/rrs

Dieses Buch beschreibt moderne Erkenntnisse der Farbwahrnehmung, die auf physikalischen und physiologischen Phänomenen basiert. Dargestellt werden die Vorgänge vor unserem Auge und die Umsetzung hinter unserem Auge (Gehirn). Dabei spielen Pigmente eine große Rolle bei der Manipulation der Lichtstrahlen. Diese Manipulation kann unterschiedlich sein und durch Absorption, Spiegelung oder Interferenz erfolgen. Allerdings ist es dem Auge egal, wie diese Manipulation stattfindet. Ein grünes Buntpigment erzeugt den gleichen Farbeindruck wie eine Mischung aus einem gelben und einem blauen Buntpigment. Das Buch führt populärwissenschaftlich an das Thema heran und spricht hierdurch einen großen Leserkreis an, der Interesse an naturwissenschaftlichen Themen zeigt. http://lila.wrcramer.de/

Offers information on the important parameters which determine ink performance. This book covers the conventional use of inkjet technology on graphic applications, and also the extension of this method to print various functional materials, such as the use of conductive inks to print light-emitting diodes (LEDs) and three-dimensional structures.