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Choreographing Agonism - Goran Petrovic-Lotina - Bog

- Politics, Strategies and Performances of the Left

Bag om Choreographing Agonism

In Choreographing Agonism, author Goran Petrovi¿ Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovi¿ Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ¿agonistic choreo-political practice,¿ a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a boldand innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783030794453
  • Indbinding:
  • Hardback
  • Sideantal:
  • 186
  • Udgivet:
  • 16. oktober 2021
  • Udgave:
  • 12021
  • Størrelse:
  • 216x153x20 mm.
  • Vægt:
  • 380 g.
  • 8-11 hverdage.
  • 26. november 2024

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  • BLACK NOVEMBER

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Choreographing Agonism

In Choreographing Agonism, author Goran Petrovi¿ Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovi¿ Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics.
Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ¿agonistic choreo-political practice,¿ a powerful strategy for mobilising alternative ways of living together and invigorating democracy.
Choreographing Agonism makes a boldand innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.

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