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Deconstructing True Crime Literature - Charlotte Barnes - Bog

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This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work¿s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication¿s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works ¿ those that fit into True Crime and those that defy categorisation within the genre as it exists ¿ are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783031410444
  • Indbinding:
  • Hardback
  • Sideantal:
  • 228
  • Udgivet:
  • 12. September 2023
  • Udgave:
  • 23001
  • Størrelse:
  • 153x17x216 mm.
  • Vægt:
  • 413 g.
  • 2-3 uger.
  • 4. Juni 2024
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Beskrivelse af Deconstructing True Crime Literature

This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work¿s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication¿s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works ¿ those that fit into True Crime and those that defy categorisation within the genre as it exists ¿ are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it.

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