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In Search of the Black Fantastic - Richard (Associate Professor of African American Studies and Political Science Iton - Bog

- Politics and Popular Culture in the Post-Civil Rights Era

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In Search of the Black Fantastic is the most authoritative work available on black culture in the post-Civil Rights era. Prior to the 1960s, when African Americans had little access to formal political power, popular culture functioned as a highly visible and important means of political expression. From Billie Holiday to Ralph Ellison, African American art was often explicitly political. Unexpectedly, though, despite the Civil Rights revolution of the 1960sthat opened up the world of formal politics, black artists in film, literature, and music continue to have an outsized voice in black institutional politics. Marvin Gaye, George Clinton, Toni Morrison, Chuck D, Spike Lee, Tina Turner, Bill Jones, Lauren Hill, and many others speak to the power of thistradition. Richard Iton offers a comprehensive and novel portrait of this powerful and durable relationship, locating its modern roots in the Jazz Age and taking readers through the Hip Hop era.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780199733606
  • Indbinding:
  • Paperback
  • Sideantal:
  • 434
  • Udgivet:
  • 30. september 2010
  • Størrelse:
  • 235x156x30 mm.
  • Vægt:
  • 696 g.
  • 8-11 hverdage.
  • 10. december 2024
På lager

Normalpris

  • BLACK WEEK

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af In Search of the Black Fantastic

In Search of the Black Fantastic is the most authoritative work available on black culture in the post-Civil Rights era. Prior to the 1960s, when African Americans had little access to formal political power, popular culture functioned as a highly visible and important means of political expression. From Billie Holiday to Ralph Ellison, African American art was often explicitly political. Unexpectedly, though, despite the Civil Rights revolution of the 1960sthat opened up the world of formal politics, black artists in film, literature, and music continue to have an outsized voice in black institutional politics. Marvin Gaye, George Clinton, Toni Morrison, Chuck D, Spike Lee, Tina Turner, Bill Jones, Lauren Hill, and many others speak to the power of thistradition. Richard Iton offers a comprehensive and novel portrait of this powerful and durable relationship, locating its modern roots in the Jazz Age and taking readers through the Hip Hop era.

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