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Road Film - Ernest Loesser - Bog

Bag om Road Film

Framed as a cinematic odyssey, "Road Film" owes its debt to the famous road movies from the 1960s-80s. Every reader rides shotgun on a trajectory into an American imagination full of joy and angst. Loesser's mix of prose and verse displays the best of the tradition of the New Sentence--and his work as a journalist in New York as a young man, post 9/11. The result reassembles all the broken episodes collected along the lost highways of America: discarded and violent news reports, local and violent rumors, and the unverifiable stories passed from one traveler to the next. Much like his previous work, "Touched by Lightning," Loesser uses a reportorial instinct to transfigure the recurrent patterns he finds as a poet in the isolated corners of our homeland. Throughout "Road Film," the driver races between two coasts; he jumps from the city into the wilderness--always skirting the moribund American suburbs, and though there be familiar faces, the author's route never leads toward that simple place called home.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780988569423
  • Indbinding:
  • Paperback
  • Sideantal:
  • 55
  • Udgivet:
  • 5. november 2013
  • Størrelse:
  • 127x10x198 mm.
  • Vægt:
  • 91 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK WEEK

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Road Film

Framed as a cinematic odyssey, "Road Film" owes its debt to the famous road movies from the 1960s-80s. Every reader rides shotgun on a trajectory into an American imagination full of joy and angst. Loesser's mix of prose and verse displays the best of the tradition of the New Sentence--and his work as a journalist in New York as a young man, post 9/11. The result reassembles all the broken episodes collected along the lost highways of America: discarded and violent news reports, local and violent rumors, and the unverifiable stories passed from one traveler to the next. Much like his previous work, "Touched by Lightning," Loesser uses a reportorial instinct to transfigure the recurrent patterns he finds as a poet in the isolated corners of our homeland. Throughout "Road Film," the driver races between two coasts; he jumps from the city into the wilderness--always skirting the moribund American suburbs, and though there be familiar faces, the author's route never leads toward that simple place called home.

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