Based on interviews and archival research, this book explores how media is implicated in Black women¿s lives in Britain. From accounts of twentieth-century activism and television representations, to experiences of YouTube and Twitter, Sobande's analysis traverses tensions between digital culture¿s communal, counter-cultural and commercial qualities.
Chapters 2 and 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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