Film og biografer

This is a reference book on the 1975 television series Quiller. The book includes all episodes in original date of transmission order, complete cast listings, numerous photographs, directorial credits, and a story synopsis for each episode. The 1966 film The Quiller Memorandum is also included.

Celebrate Middle-earth, LOTR, The Hobbit, The Rings of Power, and all things Tolkien with an adventure-heavy book filled with thrilling things to do and experiences every fantasy lover will rejoice in. The fantastic realms created by J. R. R. Tolkien keep readers enchanted all over the world. The Lord of the Rings and The Hobbit are among the most famous and popular tales ever written. Now you can take your love for Middle-earth even further with a Tolkien-themed bucket list! This book offers a great selection of 250 ideas and projects every committed Tolkien follower should check off before headed to The Halls of Waiting, including: Explore real hobbit caves Learn to speak the Elvish tongue Try a slice of lembas bread And more exciting and fun ideas! One Bucket List to Rule Them All brings fantasy into the real world and is the perfect gift for any devoted fantasy and adventure fan.

“You probably haven’t encountered many books like You Are What You Watch. It convinced me that we take pop culture too much for granted, and the footprint it leaves in everything from our bodily health to how we name our kids.”                                      --Nate Silver, founder of acclaimed data site FiveThirtyEight The average American spends more than a fifth of their life watching movies and TV, reading books, and listening to music. Consuming media, in other words. We tend to dismiss this as mere diversion, as if when we walk out of a theater we go back to being exactly who we were. In fact, the opposite is the case. The media we consume, and the act of consuming it, has incontrovertible effects on people, on culture—on the world—that are complex, fascinating, profound, and unexpected. In You Are What You Watch, Pulitzer Prize–winning author Walt Hickey explores exactly how this thing we blithely call “entertainment” has such a tremendous effect on us. Through compelling reporting and research and the creation of dozens and dozens of colorful data visuals, Hickey shows how something like a movie or TV show not only has a direct physical effect on the viewer—how the chemistry of our breath changes with a movie’s ups and downs, or a scary scene can be literally bloodcurdling—but also has a measurable impact on society, politics, the economy, and even the future. Some effects are simply happy—look at the correlation between characters’ names and the trends in baby names. Some quite sad—shark populations sharply decreased after Jaws. Some prove that there’s a blurry line between fiction and reality—both British and American spy services have poached ideas from the James Bond franchise. Some are so direct that the film feels like an advertisement—navy recruitment rates shot up after Top Gun. And some are so counterintuitive that they bring fresh insights to the deeper currents in our world—like how violent movies can actually lead to less real-world violence (because people who sit in theaters watching violent movies aren’t out on the streets committing crimes). From how media, and not NASA, got Americans to believe in space travel to the surprising light professional wrestling sheds on creative work environments, You Are What You Watch tells truths that are even more compelling than the made-up stories that inspired them.

Uncover the theories behind Dame Agatha Christie's most thrilling mysteries: Murder on the Orient Express, Death on the Nile, The A.B.C. Murders, and so much more!

"In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: It's as fabricated as it is ubiquitous. In The Authenticity Industries, journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"--and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters"--

A chronological overview of one of modern cinema’s most celebrated directors, featuring interviews with Jane Campion herself.Awarded Best Cinema Album by the French Syndicate of Film CriticsJane Campion on Jane Campion offers a unique perspective on the creative process of one of cinema’s greatest contemporary film directors. Through a series of interviews beginning in the early days of Campion’s career and conducted by award-winning cinema historian Michel Ciment, each chapter contains the study of a film, starting with the short films that Campion made during her studies at the Australian Film Television and Radio School, then moving through the Academy Award–winning The Piano, The Portrait of a Lady, Holy Smoke, In the Cut, Bright Star, the TV series Top of the Lake, and ending with the Academy Award–winning The Power of the Dog. Organized chronologically, film by film, the interviews are illustrated with film stills and photographs taken on set, as well as with annotated scripts, storyboards, and personal documents lent by Campion. The book also reproduces three short stories and a text about the poet John Keats written by the director, along with actress Holly Hunter’s “Scattered Memories” of their collaborations on The Piano and Top of the Lake. A detailed bibliography and filmography of the filmmaker complete this volume, which contains more than 300 color and black-and-white illustrations.Includes Color and Black-and-White Images

A definitive account of Blaxploitation cinema-the freewheeling, often shameless, and wildly influential genre-from a distinctive voice in film history and criticism

An intimate, clever, and ultimately gut-wrenching graphic memoir about the daily decision women must make between being sexualized or being invisible-now in paperback

"Jean Gabin was more than just a star of iconic movies. To many, he was France itself. This biography traces his involvement in the râealisme poâetique and film noir movements of the 1930s and 1940s, his Hollywood years, his role in the World War II liberation of France, his affairs and his real-life role as a farmer"--

The auteur theory - the belief that a director's personal influence and artistic control over a movie are so great that the filmmaker is regarded as the key artist in making a film - was first popularized in America by film critic Andrew Sarris. In the New Hollywood Era of the 1960s and 1970s, as weakening studio control granted directors more artistic freedom, the theory gained traction, embraced by both the media and by directors themselves, and it came to be a significant factor in the filmmaking process. With its almost ubiquitous acceptance, the auteur theory also had, in hindsight, a negative effect. It undeniably played a role in establishing and romanticizing the dominance of the white heterosexual male point of view while ignoring the contributions of screenwriters and cinematographers, and worse, excluding marginalized aspiring filmmakers from the industry.  Mavericks: Interviews with the World's Iconoclast Filmmakers amplifies the voices of a wide-ranging group of groundbreaking filmmakers whose identities, perspectives, and works don't conform to typical Hollywood standards. Author Gerald Peary, whose experience as a film studies professor, film critic, arts journalist, and director of documentaries culminates in a lifetime of film scholarship, presents a riveting collection of interviews with idiosyncratic directors - including Black, queer, female, and non-Western filmmakers-whose unconventional work is marked by their unique artistic points of view and molded by their social and political consciousness. Beginning in the 1970s and ending at the dawn of the new millennium, the collection includes Peary's talks with more than twenty film pioneers. Prior to Kathryn Bigelow's 2010 win as the first woman to receive an Oscar for best director, Peary interviewed cutting-edge female directors, including Iran's Samira Makhmalbaf (Blackboards, 2000), Poland's Agnieszka Holland (Europa, Europa, 1990), Norway's Liv Ullmann (Sofie,1992), and America's Roberta Findlay (Snuff, 1975), who is the first female director of pornographic films. While some of the collection's conversations focus on a single film, other interviews are an ambitious discussion of the filmmaker's whole career. Interviews with a disparate range of male filmmakers are also included: Howard Alk (The Murder of Fred Hampton, 1971), Ousmane Sembéne (Mandabi, 1968 and Emitai, 1971), Mel Brooks (The Producers, 1967, Young Frankenstein, 1974, and Blazing Saddles, 1974), Gus Van Sant (My Own Private Idaho, 1991, Good Will Hunting, 1997, and Milk, 2008), and John Waters (Pink Flamingos, 1972, Hairspray, 1988, and Pecker, 1998). With contextualizing introductions and insightful questions, Peary reveals the brilliance of these maverick directors and offers readers a lens into the minds of these incredible and engaging artists.

"For decades, James Bawden and Ron Miller have established themselves as maestros of provocative interviews, giving fans unmatched insights into the lives of Hollywood A-listers. In their fourth collection, the authors pay tribute to film pioneers who lit up Tinseltown from the 1930s through the 1960s. They Made the Movies features conversations with legendary directors who created many of film's all-time classics, including Frank Capra (It's A Wonderful Life, 1946), Richard Fleischer (20,000 Leagues Under the Sea, 1954), Alfred Hitchcock (Psycho, 1960), Ralph Nelson (Lilies of the Field, 1963), Robert Wise (The Sound of Music, 1965), and Chuck Jones (How the Grinch Stole Christmas! 1966). Tantalizing firsthand details about many acclaimed films are revealed, such as the revelation of Mervyn LeRoy's first-choice of lead actress for The Wizard of Oz ("Shirley Temple . . . but Shirley couldn't sing like Judy [Garland]"), Billy Wilder's insights on directing ("You have to be a sycophant, a sadist, a nurse, a philosopher"), and how megaproducer Hal B. Wallis purchased an unproduced play titled Everyone Comes to Rick's and transformed it into Casablanca ("The part [of Sam] almost went to Lena Horne, but I thought she was too beautiful"). The authors also celebrate the contributions of marginalized filmmakers such as Ida Lupino, James Wong Howe, Oscar Micheaux, and Luis Valdez, who prevailed in Hollywood despite the discrimination they faced throughout their careers. They Made the Movies appeals to film and television enthusiasts of all ages"--

"Celebrating the 40th anniversary of Scarface starring Al Pacino--Brian DePalma's 1983 gangster film that shook the world, shocked the critics, and shot bullet holes through the American dream--this explosive Hollywood tell-all charts not only the phenomenon of this controversial classic but also the equally controversial legacy of the original 1932 Scarface that inspired it"--

"Covering more than 130 films, spanning more than 100 years--from Cecil B. DeMille's 1915 film The Cheat to Wayne Wang's The Joy Luck Club to the Danielses' Everything Everywhere All at Once in 2022--this groundbreaking book explores how these iconic films have shaped how America sees Asians and how Asian Americans see themselves"--

This wide-ranging encyclopedia covers all the characters, places and objects included in the seminal book that first introduced the world of Middle-earth, highlighting the legendary sources from which Tolkien took inspiration.

Eastern Heroes is excited to announce the release of the Bruce Lee Green Hornet Special Edition, an exclusive collectible that you won't want to miss.With over 120 pages, this edition is packed with fascinating content, including an in-depth article by Chris Poggiali, author of "These Fists Break Bricks: How Kung Fu Movies Swept America and Changed the World," delving into the legacy of Bruce Lee's ground-breaking portrayal of Kato in the Green Hornet television series.In addition, Chris Poggiali also explores the story of how the Green Hornet TV series found its way to becoming two full-length features. Mike Nesbitt's "The Bruce Lee Column" delves into the letters Bob Baker sent to Bruce Lee and provides an intriguing glimpse into the relationship between the two martial arts legends.For collectors, the German connection feature looks at all the rare memorabilia that the Green Hornet collected from collector Thomas Gross, and the Bruce Lee Green Hornet photo gallery is sure to delight any fan of the iconic actor and martial artist.John Negron shares some very rare articles that were printed as Bruce Lee promoted the "Green Hornet" plus rare memorabilia from his personal collectionBruce Lee as "Kato" Gallery and a complete episode breakdown

A penetrating new reading of Murnau's classic silent film that shows its transitional status, both historically and stylistically, while emphasizing its innovative camerawork and the ethical stakes of its story.

The Tragedy at Cambria, a three-act play written in rhyming iambic pentameter, tells a story of love, deception, and power. In the medieval kingdom of Cambria, aging King John faces a grave decision. His forebearers created extremely strict laws regarding unwed pregnancy, and now a sixteen-year-old girl, Plain Jane, is guilty of being with child. Either Jane or the baby must die. At Queen Beatrice's urging, King John assigns their teenage son and only heir, their beloved Prince Scott, to determine Jane's fate as a test of his maturity, but what should be a simple task becomes complicated when the compassionate prince attempts various schemes to try to save both mother and child. As his plans go awry, the prince sinks into deep despair, and his odds for ascending the throne wane. But Jane isn't the only Cambrian who's been breaking morality laws. As infidelities are revealed that directly affect his family, King John must reconcile his knowledge with his position of power in order to save the future of his kingdom.Behold a land where ancient statutes rule,Where laws that once served well have since waxed cruel,Where lovers are confined to marriage bed,And babies got by those who are unwedAre oftentimes forsaken-or born dead. What good can come from such a place as this?Where citizens can see what is amissBut turn their heads pretending all is well?A child, a bastard child, I do foretell- But not before our king knows royal hell. ~ Soothsayer

Named to Kirkus Review's List of "Best Indie Books of 2023""A documentarian revisits the funkiest musical byways in this scintillating memoir...A vibrant, entertaining panorama of music-making and the picaresque struggle to capture it on film." -Kirkus* Starred ReviewIn Notes from the Road: A Filmmaker's Journey through American Music, Mugge describes the genesis of his twenty-five key music films, the methods employed in making them, and the experiences shared by him, his crews, and his subjects. This retrospection is organized not so much chronologically as thematically, in order to reveal connective tissue among efforts made over multiple decades.As William Reynolds Ferris writes in the foreword to the book, "Mugge both thrills and exhausts us as he describes the process of making his films. He shifts his camera lens deftly from classical music to bluegrass to jazz to Tex-Mex to gospel to reggae to Hawaiian slack-key guitar. A gifted filmmaker and a fine writer, Mugge introduces us to musicians, record producers, and his trusted film crew, which at times includes his wife, Diana. This book offers an intimate view of his struggles as a filmmaker and his determination to capture our nation's music on film."Notes from the Road is a fascinating exploration of the visual documentation of musical creation-a separate and distinct form of documentary filmmaking, as practiced by one of its chief proponents. The resulting "notes from the road" provide a lyrical introduction to his personal musical odyssey.

This is a reference book on the TV series The Champions, which ran for 30 hour-long episodes from 1968-69. The book includes all the episodes in order of their original transmission dates, complete cast listing, numerous photographs, directorial credits, and a story synopsis for each episode.

This volume explains how graphic designers can adapt their designs to this world that lives and changes rapidly by using animation and storytelling to transmit contents faster.In the information explosion age, where there is a shift from static printed information to digital media, designs that can convey information faster, more convincingly and, thanks to mobile phones, ubiquitously, are likely to gain the public's favor. As a result, graphic designers are increasingly including animation in their work to enhance their storytelling, making it more functional on the one hand and livelier on the other, increasing interest by appealing to people's emotions and desire to be entertained. This book showcases the current state of motion graphics in light of new media such as touch, mobile, outdoor and digital video media. Divided into three chapters, it first posits how a "rethinking" of motion graphics is essential in the context of new media to ensure that graphic design remains dynamic and able to engage people in both an appealing and informative way. The second chapter consists of exclusive interviews with animation designers who discuss the nature of contemporary animated graphics and their work, while the final chapter includes selected projects from across the world. Featuring the newest ideas and work of the world's most advanced designers, the book is a valuable source of inspiration and information for professional graphic designers and students.

Accidental Genius features intimate and laugh-out-loud commentary from The Room cast and crew, including interviews from its star Greg Sestero. What a story indeed! A rollicking recollection of experiences from the legendary "so bad it's good" film. This comprehensively chronicled book offers a fascinating glimpse into the cultural phenomenon that brings together die-hard fans and newcomers alike.Everything you could have possibly wondered about The Room all in one book! Take a look at Tommy Wiseau's infamous 2003 release through the eyes of the people who made it. Get the low-down on bizarre audition calls, film set antics, and accounts from the very first fans who experienced The Room at its earliest screenings. Also including interviews focusing on the aftermath of the movie: Sestero's The Disaster Artist, where are they now, and its lasting legacy.Here you will get a glimpse of how it all began, why it remains popular, and just what audiences still get out of this unusual film that people love to hate.

Put yourself in the movie! Step inside dozens of real-life locations with this gloriously geeky, map-filled compendium.Locations are everything. They transport us to far-flung worlds and dystopian futures, and provide the backdrop to intergalactic battles and rampaging monsters. Our most obsessed-about stories would be nothing without them.Meticulously researched and compiled by self-proclaimed superfans and travel experts, The Screen Traveler's Guide maps the real-life locations behind your favorite shows and scenes. Follow the Avengers' battle of New York, discover the Croatian location for Game of Thrones' King's Landing, find out how New Zealand transformed into Lord of the Rings' Middle Earth, uncover exactly where the magical world of Harry Potter is set - and much more.Along the way, you'll discover the landmarks to avoid during an alien invasion, the strangest location stand-ins (did you know, for example, that Liverpool stood in for Brooklyn in Captain America?), the place that's doubled as more countries than any other, and lots of travel inspiration from your pop culture cornerstones. Welcome to the ultimate travel guide for every screen geek.

"Alfred Hitchcock was fixated--not just on the dark, twisty stories that became his hallmark, but also by the blond actresses who starred in many of his iconic movies. ... The lengths he went to in order to showcase (and often manipulate) these women would become the stuff of movie legend. But the women themselves have rarely been at the center of the story--until now. In [this book], bestselling biographer Laurence Leamer offers an intimate journey into the lives of eight legendary actresses whose stories helped chart the course of the troubled, talented director's career--from his early days in the British film industry, to his triumphant American debut, to his Hollywood heyday and beyond. Through the stories of June Howard-Tripp, Madeleine Carroll, Ingrid Bergman, Grace Kelly, Janet Leigh, Kim Novak, Eva Marie Saint, and Tippi Hedren--who starred in fourteen of Hitchcock's most notable films and who bore the brunt of his fondness and sometimes fixation--we can finally start to see the enigmatic man himself"--

"Matt Singer eavesdrops on [Siskel & Ebert's] iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he'd kept secret from everyone outside his immediate family--including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day"--