Musikindustri

The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.

Hvilken metafor kan man bruge til at beskrive Den Jyske Opera? Forfatteren til denne bog tænker kompagniet som et lille rederi, hvis moderskib sejler rundt mellem nære og fjerne havne med en skrøbelig og ret uhåndterbar last af kostbare kuriositeter fra de seneste fire århundreder. Vejrlig og strømforhold kan være vanskelige at forudsige, og det er da også et faktum, at det gode skib Den Jyske Opera er løbet ind i voldsomme storme undervejs, er gået på grund her og der, men alligevel altid er kommet på ret køl og har kunnet sejle videre, nogle gange med lods ombord, andre gange med frisk vind i sejlene. Det smalle, mytologiske stræde mellem Skylla og Charybdis kunne være et billede på den vanskelige sejlads mellem publikums forventninger, de bevilgende myndigheders krav og den mulige bemanding af moderskibet og mindre fartøjer. Det er ikke nok, at kaptajnen kan sit fag, han eller hun må være meget dygtig til at manøvrere i ukendt farvand, især hvis der sigtes mod fjerne havne langt ude i horisonten, og når passagerdækket er under ombygning.Bogen her skildrer sejladsen gennem de seneste 25 år – men med udblik helt tilbage til 1947, hvor skuden blev sat i vandet af en lille håndfuld sejlere med vovemod, og med glimt fra den ofte farefulde sejlads i de efterfølgende fem årtier. Kaptajner og repræsentanter for besætningen i de seneste 25 år fortæller personligt og farverigt om deres oplevelser med at bringe hele landets opera ud til små og store destinationer.

In this candid biography, Francis Dumaurier explores the incredible life of Giorgio Gomelsky, whose influence on musicians from the Stones to Magma to Jesse Malin, has had a lasting impact on the rock music we know and love today.

Studienarbeit aus dem Jahr 2017 im Fachbereich Medien / Kommunikation - Medienökonomie, -management, Note: 1,7, FOM Essen, Hochschule für Oekonomie & Management gemeinnützige GmbH, Hochschulleitung Essen früher Fachhochschule, Veranstaltung: Changemanagement, Sprache: Deutsch, Abstract: Die vorliegende Arbeit beschäftigt sich mit dem digitalen Wandel und der daraus resultierenden wirtschaftlichen, aber auch organisatorischen Transformation am Beispiel der Musikindustrie. Es wird erläutert, was unter dem Begriff digitaler Wandel oder auch Digitalisierung generell zu verstehen ist und welche schwerwiegenden Folgen ein extremer Wandel bzw. eine sogenannte Disruption mit sich bringt.Bezogen auf die Musikindustrie und damit besonders interessant für alle in dieser Branche arbeitenden Personen, gilt es auf der einen Seite zu klären welche Vorteile, aber auch welche Nachteile, der besagte Wandel mit sich gebracht hat und auf welche Herausforderungen sich der besagte Industriezweig in den kommenden Jahren einzustellen hat. Hierzu wird sowohl Literatur heran gezogen, als auch ein Experteninterview mit einem bekannten Musiker und Label-Inhaber geführt, wodurch ein hohes Maß an qualitativ hochwertigen Informationen geliefert werden kann.Im Ergebnis wird deutlich, welchen extremen Wandel diese Industrie bereits durchlebt hat, wie darüber hinaus disruptiv ein neuer Markt entstanden ist und inwiefern sich die Arbeitsweise innerhalb der Branche angepasst und verändert hat, um einerseits präsent zu bleiben und andererseits die Potenziale der Transformation für das eigene wirtschaftliche Wachstum positiv zu nutzen. Darüber hinaus werden bereits heute spürbare Zukunftsvisionen verdeutlicht und diskutiert.

(Vocal). Teaching young vocal students presents unique joys and challenges. This reference book explores the physical differences in children's sound production, a Five-Step System for child vocal technique, lesson structure in both solo and group settings, and more. Includes breathing exercises with accompanying photos, notated vocalizations, and evaluation forms to help track student progress. This guide to child vocal pedagogy should be a staple of any voice studio!

Today's higher education music faculty and administrators are faced with extraordinary pressure to adapt, innovate, and change. But what change is most critical to pursue - and how can it be brought about effectively? This concise volume brings together four seasoned thought leaders with distinct voices, each providing a complementary glimpse into how music faculty and administrators can help lead changes that truly matter. Making the case for transformations to better align music training in higher education with our culturally diverse society and the actual marketplace facing graduates, the perspectives collected here provide essential change management leadership strategies for music departments in the 21st century.Covering topics such as diversity and inclusion, institutional transformation, and preparing students for contemporary music careers, each chapter includes an outline of specific steps that can be taken individually and collectively towards needed change. Illuminating issues and providing practical suggestions, this book will enable both music faculty and administrators to confidently navigate change together with their communities.

Rude Boys Racism and the Soundtrack of a Generation.

Imagine you've made it. You and your friends have hit the big time in music and you're going to be a star. But then, quite suddenly, it's over. Your best friends don't want you anymore, and you're on the outside. Perhaps they're tired of your bad habits, they think you're not good enough, or they sense you just don't want it as much as they do. Whatever the cause, you're a reject. So, what do you do next?Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.Coming from a writer with twenty years' music industry experience, The Rejects is a sympathetic study of some of music's most fascinating characters, and what happens when the dream comes crashing to an end. The result is a compelling alternative history of popular music.

After surviving a near death car crash, Benny Pough was inspired to share the knowledge he has acquired over a multi-decade career as a music industry executive in On Impact.

The autobiography of Tippa Irie, Stick To My Roots tells the reggae musician's incredible story - from his trail-blazing beginnings in Saxon Sound International to the Grammy Award-nominated "Hey Mama" with the Black Eyed Peas.Titled after his 1980s hit single, the book will cover 35 years of Tippa's prestigious career: from the first sign of talent as a child in South London and family members encouraging him to enter local talent competitions, to making his first record and becoming the powerhouse and Reggae-scene legend he is now.It's a story full of dreams, music and hope, but also the deep traumas and tribulations that Tippa experienced throughout his life, and how music helped him to move forward.

With a breadth of coverage unrivalled by any other resource, the Tenth Edition of the Music Business Handbook and Career Guide maintains the tradition of this classic text as the most comprehensive, up-to-date guide to the music industry.

HEY THAT'S MY MUSIC! MUSIC SUPERVISION LICENSING AND CONTENT ACQUISITION

An indispensable step-by-step guide to releasing your own records and beginning a working independent label. Since the boom of homemade records and independently-minded musicians in the 1980s, the alternative music industry has grown from strength to strength, driven by a policy that privileges the music itself over the aggressive marketing and branding strategies of the majors. You can retain all control and rights to the music you release, allowing you to showcase and sell the music that you believe should be heard. There has never been a better time to begin a label for yourself, and this comprehensive title shows you exactly how it's done, including:Devising a business planFinding and choosing talentCreating and manufacturing records themselvesAll aspects of promotion and marketingDistribution and radioGet your company organised and get those records out there right now with the help and advice of this informative guide.

MAKING MUSIC YOUR BUSINESS

In Bootleg: The Secret History of the Other Recording Industry, Clinton Heylin examines the entire modern history of this underground culture: from what defines a bootleg and its complex and protean legal status, to a full history of bootlegs' production and distribution, to what's contained on some of the most notorious bootlegs and how to find them. Along with many illustrations of the creative packages, this is the whole story of the $250 million industry that sustains itself on the great figures of rock music and their biggest admirers.

Die Digitalisierung, insbesondere das Internet rund um Tauschbörsen, Videokanäle und Streamingportale, aber auch z.B. die extreme Reduzierung von Produktions- und Distributionskosten für Tonaufnahmen haben in vielen Bereichen des Musiklebens einen substantiellen Strukturwandel ausgelöst, aber auch allerlei saisonale Aufgeregtheiten provoziert. Ein Hauptkampfplatz auch des öffentlichen Diskurses ist dabei die Aneignung von Musik Dritter, von Sound Sampling bis Filesharing. Kreative Aneignungsstrategien finden sich, als »illegal« gebrandmarkt, allenthalben unter gesteigertem Rechtfertigungsdruck. Dabei gilt ungebrochen die Diagnose von Carl Dahlhaus: »Die Formel, daß Musik über Musik gemacht werde, drückt nicht eine Ausnahme, sondern die Regel aus.« Mittels exemplarischer Fallstudien von Klassik und Avantgarde bis Jazz und Pop beleuchtet der vorliegende Band, wie sich Kreativität in Gegenwartsmusik aus zweiter Hand manifestiert.

David Bowie, Nick Cave, Westbam: West-Berlin hatte sie alle. Von Punk bis zur Love Parade - die Achtzigerjahre in West-Berlin waren wild und voll von Musik, Kunst und Chaos. B-Book dokumentiert die einzigartige Mischung aus Künstlern und Kommunarden, Hausbesetzern und Hedonisten jeder Couleur und erzählt von der letzten Dekade Berlins hinter dem Eisernen Vorhang. Mark Reeder ist in den Achtzigern von Manchester nach Berlin gezogen. Der Musiker, Produzent, Labelinhaber, Schauspieler und Autor erzählt hier seine Berliner Geschichte - aus der Sicht eines "Fremden" und mit unnachahmlichem britischem Charme.