Musikindustri

In this candid biography, Francis Dumaurier explores the incredible life of Giorgio Gomelsky, whose influence on musicians from the Stones to Magma to Jesse Malin, has had a lasting impact on the rock music we know and love today.

The Best Music Resources Online: Musician's Directory to the Web MUSIC RESOURCES ONLINE is a collection of the best websites online for entrepreneurial musicians. If you're trying to leverage Web 3.0 to promote and sell your music, connect with fans, teach online, write books, sell merchandise, and just make a living as a musician, then this is for you. Collected here is THE list of the most amazing sites, tools, and -- in some cases -- largely untapped resources that can change your career as a musician forever.

Studienarbeit aus dem Jahr 2017 im Fachbereich Medien / Kommunikation - Medienökonomie, -management, Note: 1,7, FOM Essen, Hochschule für Oekonomie & Management gemeinnützige GmbH, Hochschulleitung Essen früher Fachhochschule, Veranstaltung: Changemanagement, Sprache: Deutsch, Abstract: Die vorliegende Arbeit beschäftigt sich mit dem digitalen Wandel und der daraus resultierenden wirtschaftlichen, aber auch organisatorischen Transformation am Beispiel der Musikindustrie. Es wird erläutert, was unter dem Begriff digitaler Wandel oder auch Digitalisierung generell zu verstehen ist und welche schwerwiegenden Folgen ein extremer Wandel bzw. eine sogenannte Disruption mit sich bringt.Bezogen auf die Musikindustrie und damit besonders interessant fu¿r alle in dieser Branche arbeitenden Personen, gilt es auf der einen Seite zu klären welche Vorteile, aber auch welche Nachteile, der besagte Wandel mit sich gebracht hat und auf welche Herausforderungen sich der besagte Industriezweig in den kommenden Jahren einzustellen hat. Hierzu wird sowohl Literatur heran gezogen, als auch ein Experteninterview mit einem bekannten Musiker und Label-Inhaber gefu¿hrt, wodurch ein hohes Maß an qualitativ hochwertigen Informationen geliefert werden kann.Im Ergebnis wird deutlich, welchen extremen Wandel diese Industrie bereits durchlebt hat, wie daru¿ber hinaus disruptiv ein neuer Markt entstanden ist und inwiefern sich die Arbeitsweise innerhalb der Branche angepasst und verändert hat, um einerseits präsent zu bleiben und andererseits die Potenziale der Transformation fu¿r das eigene wirtschaftliche Wachstum positiv zu nutzen. Daru¿ber hinaus werden bereits heute spu¿rbare Zukunftsvisionen verdeutlicht und diskutiert.

This concise volume brings together four seasoned thought leaders with distinct voices, each providing a complementary glimpse into how music faculty and administrators can help lead changes that truly matter.

Imagine you've made it. You and your friends have hit the big time in music and you're going to be a star. But then, quite suddenly, it's over. Your best friends don't want you anymore, and you're on the outside. Perhaps they're tired of your bad habits, they think you're not good enough, or they sense you just don't want it as much as they do. Whatever the cause, you're a reject. So, what do you do next?Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.Coming from a writer with twenty years' music industry experience, The Rejects is a sympathetic study of some of music's most fascinating characters, and what happens when the dream comes crashing to an end. The result is a compelling alternative history of popular music.

After surviving a near death car crash, Benny Pough was inspired to share the knowledge he has acquired over a multi-decade career as a music industry executive in On Impact.

With a breadth of coverage unrivalled by any other resource, the Tenth Edition of the Music Business Handbook and Career Guide maintains the tradition of this classic text as the most comprehensive, up-to-date guide to the music industry.

Bandalism [ban-d¿l-i-z¿m] n .: the willful or malicious destruction of, or damage to, the fabric of a rock/pop/indie group brought about by one or more of its membersAxl Rose's monumental meltdowns . . . Kurt Cobain's tragic band-slaying suicide: The long history of platinum-selling überband implosions is more dramatic than a Russian novel. But even local cover bands can suffer the ill effects of the limelight.Multi-rock-band veteran Julian Ridgway's Bandalism is a can't-miss guide to rock 'n' roll survival, offering sage advice on how to avoid the pitfalls that can doom your group. Here's how to: Find nonpsycho band membersCraft the perfect band imageChoose a name that doesn't suckAnd much more, including the handy Healthy Band Checklist, an ideal MySpace profile generator, and the Second Album Venn Diagram.

HEY THAT'S MY MUSIC! MUSIC SUPERVISION LICENSING AND CONTENT ACQUISITION

An indispensable step-by-step guide to releasing your own records and beginning a working independent label. Since the boom of homemade records and independently-minded musicians in the 1980s, the alternative music industry has grown from strength to strength, driven by a policy that privileges the music itself over the aggressive marketing and branding strategies of the majors. You can retain all control and rights to the music you release, allowing you to showcase and sell the music that you believe should be heard. There has never been a better time to begin a label for yourself, and this comprehensive title shows you exactly how it's done, including:Devising a business planFinding and choosing talentCreating and manufacturing records themselvesAll aspects of promotion and marketingDistribution and radioGet your company organised and get those records out there right now with the help and advice of this informative guide.

Get the inside scoop on breaking into the music industry from the bassist of MEGADETH, David Ellefson.