Nyhedsmedier og journalistik

"A favorite shelf in my bookcase leads with By-Line: Ernest Hemingway, a compendium of journalism the great novelist wrote to support himself as he worked on his fiction. Right next to it is Ernie's War, dispatches by Ernie Pyle, the most famous of World War II correspondents. Milton Nieuwsma's fine volume joins this shelf of honor." -From the foreword by Tom Stites, two-time Pulitzer Prize-winning editor/journalist"Compassion and humility radiate from Milt's pen. I followed him to Auschwitz twenty-five years after he wrote his evocative account of the 50th anniversary of the camp's liberation. His exhortation to listen to the stories of the survivors is a sample of his great writing: 'To turn away is to kill them a second time. But to listen is to confront the monster that lurks in the human soul.' A must read."-Malcolm Brabant, correspondent, PBS NewsHour; author, The Daughter of Auschwitz Before he turned to writing for public television, Milton Nieuwsma traveled the world covering stories for the Chicago Tribune and other major newspapers. This book is a compendium of 21 of his best pieces-20 from the earth and one from hell. He takes you to the Arctic and the Antarctic; to the Amazon and the Nile; to Auschwitz, the scene of humanity's greatest crime, and to a rural Mississippi courtroom where the acquittal of Emmett Till's killers sparked the civil rights movement. "Milt Nieuwsma is a master of his craft," writes Tom Stites. "Its value still leaps out of the page at the reader."MILTON NIEUWSMA is a two-time Emmy Award-winning writer and creator of the acclaimed PBS programs Surviving Auschwitz: Children of the Shoah and Inventing America: Conversations with the Founders.TOM STITES is a former editor at the Chicago Tribune and New York Times.

This book addresses current threats to citizenship and democratic values posed by the spread of post-truth communication. The contributors apply research on moral, civic, and epistemic virtues to issues involving post-truth culture.The spread of post-truth communication affects ordinary citizens' commitment to truth and attitudes toward information sources, thereby threatening the promotion of democratic ideals in public debate. The chapters in this volume investigate the importance of helping citizens improve the quality of their online agency and raise awareness of the risks social media poses to democratic values. This book moves from two initial chapters that provide historical background and overview of the present post-truth malaise, through a series of chapters that feature mainly diagnostic accounts of the epistemic and ethical issues we face, to the complexities of virtue-theoretic analyses of specific virtues and vices.Virtues, Democracy, and Online Media will be of interest to scholars and advanced students working in virtue ethics, epistemology, political philosophy, and media studies.

This volume provides engaging accounts with transmedia practices in the long nineteenth century and offers model analyses of Victorian media (e.g., theater, advertising, books, games, newspapers) alongside the technological, economic, and cultural conditions under which they emerged in the Anglophone world.By exploring engagement tactics and forms of audience participation, the book affords insight into the role that social agents - e.g., individual authors, publishing houses, theatre show producers, lithograph companies, toy manufacturers, newspaper syndicates, or advertisers - played in the production, distribution, and consumption of Victorian media. It considers such examples as Sherlock Holmes, Kewpie Dolls, media forms and practices such as cut-outs, popular lectures, telephone conversations or early theater broadcasting, and such authors as Nellie Bly, Mark Twain, and Walter Besant, offering insight into the variety of transmedia practices present in the long nineteenth century.The book brings together methods and theories from comics studies, communication and media studies, English and American studies, narratology and more, and proposes fresh ways to think about transmediality. Though the target audiences are students, teachers, and scholars in the humanities, the book will also resonate with non-academic readers interested in how media contents are produced, disseminated, and consumed, and with what implications.

This wide-ranging, comparative, and multidisciplinary collection addresses the significance of books in creating the idea of home. The chapters present cases that reveal the affective and sensory dimensions of books and reading in the practice of everyday life of individuals, in communities, and in society. The complex relationship of books, reading, and home is explored through American and European case studies both in bourgeois and middle-class homes, and in working-class and immigrant families and communities with limited possibilities for reading. The volume combines the conceptions and representations of domesticity, the materiality of reading, and library as a place, drawing on book history and material culture studies as well as anthropology and sociology of the home.

This book reflects on the development of Nigeria's intellectual property law and outlines the urgent need for reform.Bringing together expert contributors from around the world, the book identifies and discusses the inadequacies and lacunas in current intellectual property law, and how it is practiced and applied in Nigeria. The book argues that the revision and reform of Nigeria's intellectual property law will be vital for the country's development and national interests, whilst also recognising that Nigeria's legal provisions must sit within a broader global context. Divided into three parts, the book discusses patents, trademarks, and copyright in the context of broad overarching themes affecting all aspects of intellectual property law.Honouring Professor Adebambo Adewopo SAN, the pioneering thinker in Nigerian intellectual property law, this book will be an important resource for researchers working on African Law.

The issue of socio-economic inequality has become an increasingly important question for journalism and the academy. The 2008 economic crisis and the years of austerity which followed exasperated class and regional division and as an even greater economic shock emerges from the aftermath of the Covid 19 pandemic, the role of journalism and the wider media in the production and reproduction of inequality assumes greater importance.This edited collection includes eight chapters examining instances of where inequality is examined in the media, for example coverage of Thomas Piketty, precarity, corporate tax rates and race-, class- and gender-related issues, in order to address the following questions:Does journalism treat the issue of inequality in a satisfactory fashion?Does journalism challenge powerful interests, or does journalism play an ideological role in the reproduction of structures of inequality itself?How do increasingly poor working conditions of journalists impact on the coverage of inequality?The chapters in this book were originally published as a special issue of the Critical Discourse Studies journal.

This volume offers a critical and creative analysis of the innovations of Deathscapes, a transnational digital humanities project that maps the sites and distributions of custodial deaths in locations such as police cells, prisons and immigration detention centres.