Film og biografer

IT WAS A DIFFERENT TIME... I was seven when I sat enthralled in a dark theatre watching The Land That Time Forgot. Three years later I was on a car roof watching a double bill of The People That Time Forgot and At the Earth's Core, in our town's last drive-in. I watched Motel Hell in that same drive-in three years later and it kept me awake for weeks after. These were just some of the films of legendary director KEVIN CONNOR and there would be more.His work was the great stuff of late summer night HBO. Explore how these classics were made from Connor's own accounts and thrill to a time in filmmaking when things were fun, films were fun and we had a good time with dinosaurs, beautiful primitive women and fantastical creatures. An era that time forgot... B Harrison Smith is the filmmaker known for The Fields, Camp Dread, Death House, The Special and Where the Scary Things Are. He is the author of The Making of Leprechaun, Making the Last Dinosaur and the personal history of horror with This Time It's Personal.

Eastern Heroes presents the Bruce Lee Enter the Dragon Scrapbook Volumes 11 (part 1) Collector's Hardback Edition more photos to Immerse yourself in the world of this iconic film through over 80 pages of captivating images, delving deep into the essence of Enter the Dragon. Elevate your Eastern Heroes scrapbook collection with this exclusive collector's edition

Barbara Roisman Cooper's fifth book looks at a group of distinguished artists and creators behind the scenes of theatre and film productions. Great Britons of Stage and Screen: Volume III, Behind the Scenes features a dozen interviews with the most honored filmmakers and theatrical professionals of the past 75 years. All of these interviews were personally conducted by Roisman Cooper in Los Angeles, London, and New York over a period of five years. Great Britons of Stage and Screen, Volume III, examines the artistic processes of these stage and screen professionals, many whom have received Oscars, BAFTAs, Oliviers, and Tonys. In the interviews, they reveal what they do and how they do it. Among the interviewee subjects are: Production Designer Sir Ken Adam (seven James Bond films; Dr. Strangelove...; and Barry Lyndon); the doyenne of script supervisors, Angela Allen (fourteen films with John Huston, including The African Queen; and The Third Man); Julie Harris (Oscar for Darling and both films with The Beatles, Help! and A Hard Day's Night). Among others who shared their stories are: Choreographer Sir Matthew Bourne, Playwright Sir Ronald Harwood, Editor Anne V. Coates, and Composer Rachel Portman, the first woman to win an Oscar for Best Music Score.Readers who are interested in what goes on behind the scenes will find this book an outstanding introduction to how these artists create great films and theatrical experiences. This is the third of four books in Roisman Cooper's Great Britons series featuring in-person interviews with film and stage professionals. [Part II: Behind the Scenes will be published by BearManor in summer 2024.]

«This volume locates itself neatly in the growing collection of publications on intermediality by relating such practices to Roland Barthes. Barthesian motifs and writerly concerns are found within a variety of intermedial practices, as the analysis moves, historically and globally, across visual, aural and literary cultures. Such an approach is both appropriate and innovative within Barthes Studies and in cultural theory more generally.»(Andy Stafford, Professor of French and Critical Theory, University of Leeds)The essays in this collection reconsider Roland Barthes as a crucial figure in intermedia studies, arguing that the concepts and forms of analysis he pioneered are of continuing importance for students and scholars working in the field. These essays utilize an interdisciplinary methodology, drawing on Barthes's own intermedial critical practice, to examine the multiple relationships between art, literature, music and performance and across different languages. The collection places Barthes's writing in critical dialogue with other theorists, including Gilles Deleuze and Félix Guattari, Dick Higgins and Emmanuel Levinas, investigating the work of figures as varied as André Breton, Giordano Bruno, Alain Cavalier, Alfred Hitchcock, Marcel Schwob, W. G. Sebald, Steven Spielberg, Yoko Tawada and Lev Tolstoy. The collection demonstrates that Barthes's intermedial critical and theoretical practice provides a means of challenging fixed critical narratives and exploring crucial intermedial issues, including how narrative crosses media, the close relationship between image and text throughout history, and how twentieth-century consumer capitalist culture transformed the relationship between image and text.

"David Graham is one of the best location managers in the business. But this book confirms my long held suspicion that on any given film set, if you scratch beneath the surface of titles on a crew list, you just might find a visionary artist." TONY GOLDWYNGraham's unique photography style blends the formal perspective of a location scout with the intuitive skill of a street photographer, shaped by collaborations with top filmmakers and photographers-including PAUL GREENGRASS, PETER LINDBERGH, MICHAEL MANN, CHRISTOPHER NOLAN, STEVEN SPIELBERG.

This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel. Chapter(s) ¿Chapter 1.¿ is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

To movie critics, a bomb is unequivocally bad-something that failed artistically, failed at the box office, or both. John Vetto, who describes himself as a cinephile but (most assuredly) NOT a professional movie critic, defines the term more broadly. To Vetto, a bomb may have bombed at the box office or become a cult classic. It may be genuinely terrible or merely silly. The one thing all bombs have in common? They're fun to watch.In Bombs Away: Fifty Old, Often Bad, and Mostly Forgotten Films, in No Particular Order, Vetto takes a deep dive into these works not to make light of them (well, not just to make light of them) but to explore their history and themes, draw connections, provide insight into human nature, and enlighten us as to how and why these cheaply-made films were created.So, grab some popcorn, dim the lights, and settle back for an edifying, entertaining journey through an underexplored corner of pop culture.

Eastern Heroes presents the Bruce Lee Enter the Dragon Scrapbook Volumes 11 Collector's Hardback Edition! Immerse yourself in the world of this iconic film through over 80 pages of captivating images, delving deep into the essence of Enter the Dragon. Elevate your Eastern Heroes scrapbook collection with this exclusive collector's edition

Eastern Heroes presents the Bruce Lee Enter the Dragon Scrapbook Volumes 12 (part 2) Collector's Hardback Edition more photos to Immerse yourself in the world of this iconic film through over 80 pages of captivating images, delving deep into the essence of Enter the Dragon. Elevate your Eastern Heroes scrapbook collection with this exclusive collector's edition

This book presents a unique framework for the inclusion of ecomedia in the English language classroom to help learners cultivate global citizenship. Foregrounding learner agency in a world at risk, the author proposes a framework that hinges on human rights and critical eco-cosmopolitanism to help learners position themselves in discourses on climate change and act for transformation. The book discusses eco-documentaries as multimodal, factional texts against the background of cutting-edge research, refuting a definition based on the binary of fiction and non-fiction. Translating the insights gained from this discussion to the language education context, learners are conceptualised as active designers of meaning making when engaged with eco-documentaries. Based on this discussion, the book puts forth an innovative, multiliteracies-informed concept which is embedded in a sustainability-oriented pedagogy of hope, which encourages learners to learn and practice languages of hope and advocacy. The book will be of interest to scholars in the fields of ecopedagogy, sustainability education, global citizenship education and cultural learning, film pedagogy and language education, as well as language educators.

Experience the Terrifying Journey of Horror Movies Through the AgesStep into the haunting world of "Dark Cinema: The Evolution of Scare Tactics in Hollywood", a chilling exploration and thought-provoking analysis of the horror genre in film. With each suspense-riddled chapter, you'll delve into a different era and unravel the intricate craftsmanship that goes into invoking fear on the silver screen.This gripping book takes you back to the silent era, when the first pioneers of horror rendered audiences speechless. Imagine being present at the birth of the Golden Age of Hollywood Monsters, diving deep into the macabre brilliance of Universal's iconic creatures and Hitchcock's mastery in psychological horror. As you transition from the eerie black and white frames to technicolor terror, you'll gain newfound respect for the artists behind the grotesque makeup and spine-chilling special effects that still inspire awe today."Dark Cinema" gives you an exclusive seat at the most controversial turn of horror - the rise of psycho-social themes influenced by societal upheaval and moral panic. From the rise of slasher films to heart-pounding psychological thrillers, witness how filmmakers pushed the envelope to redefine what it means to be scared.As you reach more recent times, you'll explore the authenticity that the new millennium's horror genre strives for. With the birth of found footage films to the remakes, reboots, and emerging technologies, get a candid look into modern horror's strive for reality that chaotically blends nostalgia with novelty.Fancy a hair-raising adventure? Allow the evolution of scare tactics in "Dark Cinema" to pull back the curtain on an iconic genre interwoven with our shared cultural anxieties and darkest fears - making for an unforgettable journey. Ready to face your fears?

"A guide to the horror movie genre for people too afraid to watch horror movies, including plot summaries and key scene descriptions for twenty-five influential films, as well as analysis of each film's role in the genre and in pop culture"--

A collection of original essays and previously untranslated critical writings on the renowned Brazilian documentary filmmaker, Eduardo Coutinho.

Atmosphere, Cinema, Architecture: Thematic Reflections on Ambiance and Place explores cinema and architecture as ambient and affective settings or circumstances that can enable the emergence of atmosphere. This book is an interdisciplinary reading of cinematographic practice which develops useful implications for spatial composition in art and architectural design. The way a film is set up, directed, composed, framed, and technically constructed can provide parallels, analogies and metaphors for the spatial organisation of cities, landscapes and buildings.  Likewise, the way a built setting is conceived and devised can inform approaches to framing and spatial organisation in cinematography. The book begins on a personal note with a series of recollected atmospheric experiences, leading to an investigation of ambiguity and consilient discrepancy as circumstantial conditions necessary for the production of atmosphere. The mood of melancholia is explored to show the pivotal role that ambiguity, discrepancy and irresolution play in its distinctive ambiance. Atmosphere is then defined as an emergent condition arising between an ambient, affective circumstance and a mooded human being. The book then moves to analyse the inherent conditions in the setup of filmic and architectural settings that render them atmospheric. Reference is made to the cinema of Bresson, Resnais, Lynch, Tarr, Malik and Campion, and to Romanesque tympanae, the architectonic scenography of Franz Kafka's novel The Castle and the work of Spanish architects Flores Prats. The concluding section, Anatomy of Atmosphere, is a lexicon of concepts, themes and tactics around atmosphere that might usefully inform creative practice. 

Do you love cinema and want to know more about its history? Are you a film fan looking for an informative yet light-hearted review of the last one hundred and thirty years of the silver screen? If so, you've found what you're looking for!In this book, TV and movie star David Barry takes us on a journey through the history of cinema, from the silent movies at the time of the birth of the industry all the way up to today's CGI-fuelled blockbusters. The author guides us through this huge subject in an easy-to-follow fashion, with amusing facts and hilarious anecdotes peppered throughout the book. Quotes from some of the movie world's best-known lines of dialogue are used to illustrate the narrative, and some amazing trivia is supplied, enabling the reader to impress their friends and acquaintances with little-known geek-level movie facts.With something here for everyone, you'll never be at a loss when answering - or even setting - quiz questions! Whether you're already a movie-buff with plenty of knowledge, or a film fan seeking an understanding of how we got to where we are today, this is the perfect book for you.

Filmen er det mest substantielt tvetydige, man kan forestille sig. Af denne grund: Film er en uendelig sekvens, der udtrykker virkeligheden med virkeligheden. Der er altid foran enhver af os et muligt og virtuelt filmkamera, med uudtømmeligt chassis, som “filmer” vores liv, fra vi fødes, til vi dør. For hele vores FØRSTE OG RENE sprog er vores væren, virkelighed i virkeligheden.

This is a study of the adaptations of Ghost In the Shell by Masamune Shirow.

Contemporary screen industries such as film and television have become primary sites for visualizing borders, migration, maps, and travel as processes of separation and dislocation, but also connection. Migration, Dislocation and Movement on Screen pulls case studies in film and television industries from throughout Europe, North Africa, and Asia to interrogate the nature of movement via moving images. By combining theoretical, interdisciplinary engagements with empirical research, this volume offers a new way to look at screen media's representations of our contemporary world's transnational and cosmopolitan imaginaries.

Once dismissed as a fading genre with little to say to contemporary audiences, the giant monster movie roared back to life in the new millennium. In one of modern cinema's most surprising turnarounds, a wave of 21st-century kaiju films has delivered exciting and thought-provoking viewing to global audiences. In a variety of works that range from action-packed CGI spectacles to more personal, introspective productions commenting on real-world issues of the day, the new millennium has witnessed some of the most intriguing films in any genre, including movies from such acclaimed directors such as Guillermo del Toro, Bong Joon-ho and Peter Jackson. This book takes a sober, multidimensional look at the new class of giant monster movies. It examines the making of these films and their sometimes-obscure meanings. It also covers efforts to reinvent storied kaiju characters from the past, including Godzilla and King Kong, and to transform the genre with movies such as Cloverfield, The Mist, Colossal, and Pacific Rim that feature all-new creatures.

This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (BigNight) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture.

This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.

March of the Wooden Soldiers, the 1934 Laurel and Hardy film originally titled Babes in Toyland, has been a holiday classic on TV since the early 1950s. The annual showing on WPIX in New York has kept this film alive in American popular culture, when for many years that film was all but unavailable anywhere else.The film exudes warmth, charm, happiness and a wish for love to conquer evil. The hundreds of people who contributed to making the movie certainly shared those emotions. But, as with any creative collaboration, there were conflicts.Behind the scenes, there were injuries, a divorce, a not-quite-legal marriage, a secret romance, a barroom fistfight, illnesses and a rift that nearly spelled the end of the Laurel and Hardy team. The film was made at great cost - and not just financial. The Laurel and Hardy film is an enduring classic, but it's only part of the fascinating story of Babes in Toyland.Featuring nearly 400 rare photographs, March of the Wooden Soldiers: The Amazing Story of Laurel & Hardy's Babes in Toyland brings the whole story to life.

During the last three decades, Europe has undergone numerous periods of economic and political instability. The process of European integration, once hailed as a beacon of a peaceful co-operation between many, if not all, European nations appears to be stagnating, giving rise to notoriously more frequent manifestations of xenophobic violence, nationalism and right-wing fundamentalism. This book evaluates the portrayal of the migrant Other in selected examples of contemporary French and German cinema from the period 1989¿2020 in the context of the ongoing debate about European identity and its socio-political significance. It focuses on the films of some of Europe¿s most prolific contemporary filmmakers, such as Michael Haneke, Claire Denis and Fatih Akin. It examines cinemäs importance not only in reference to various theoretical evaluations of the concept of European identity, but also many notable events that have taken place in Europe in the last thirty years, such as the collapse of the ¿Iron Curtain¿ in 1989, the historical expansion of the European Union in 2004, the migration ¿crisis¿ of 2015, ¿Brexit¿ and the war in Ukraine.

Explores the "torture" of mannered behavior and the prevalence of etiquette as a theme in classical and contemporary Hollywood and European cinema.

Considers how popular Haitian films not only provide entertainment but also help audiences in Haiti and the diaspora think through daily challenges.