Musikgenrer

Five young men in their early twenties, carrying backpacks and guitars, climbed onto the bus in Mendoza, Argentina, that was to take them over the Andes to Santiago de Chile, where they would play the last show of their South American tour, and then board a plane the day after back to their home country of Germany. In spite of the South American winter, the weather in Mendoza was bright and sunny. The ride was supposed to take six hours, after three of which they would cross the border to Chile at a post called Cristo Redentor, at more than 3000 meters above sea level. Not long after the bus had left the station, the weather started to change for the worse. It started raining, and as the road wound itself higher up the Andes, rain soon turned to snow, and before long, white drifts were growing larger on either side of the road. When they finally reached the border crossing, a long line of trucks and cars was standing ahead of them, not moving an inch...Starting a band is a lot like a romantic relationship. You spend time together, find that common spark, and live through emotions and experiences. You create music together. Songs, lyrics, entire records. You find a name for your band. Each member contributes to creating something uniquely your own. Then there's also the other side of the medal: fights, breakups, broken hearts. The entire emotional bandwidth of a relationship is contained within the complicated inner workings of a band.'This Is My Everything' is about one forgotten screamo band's travels into and out of the worldwide DIY hardcore scene in the late nineties and early noughties, with guest appearances by Against Me!, Shelter, Refused, Ink&Dagger, Yaphet Kotto, Snapcase and many more.

Hail Satan and help with your kid’s math homework! It’s the return of everyone’s favorite demon-summoning family next door, the cartoon black-metal band Belzebubs!Sløth is juggling his stay-at-home dad obligations with his lifelong dream of being a black metal icon. His breadwinner wife, Lucy, is fed up with her job and just one meltdown away from sacrificing her colleagues to Satan. Their teenage daughter, Lilith, is wielding the effects of her raging hormones on her boyfriend, Sam—who also happens to be Sløth’s new drummer. And then there’s Leviathan, who appears to be the only one exhibiting some sort of societal normalcy in the family. Unfortunately, he’s only nine.Can Sløth handle his fierce wife, wicked kids, a very lively mother-in-law, a very deceased father-in-law, his dysfunctional band, their mounting debts, and still achieve his dream? Probably not, but that sure as hell won’t stop him from trying.In a matter of years, the comic strip Belzebubs has become a global online phenomenon with half a million fans, a chart-topping album, and animated music videos. No Rest for the Wicked is the second collected edition of the beloved cult sensation, documenting the daily lives of your beloved black-metal BFFs. Featuring an introduction by Max Sarin and an afterword by Mikael Åkerfeldt from Opeth!

This chronological Index covers every issue of the English Harpsichord Magazine andHarpsichord & fortepiano, vols. i-xxviii, and includes all of the content apart from reports,reviews and advertisements. For a Subject Index (including Interviews and Obituaries)and for an Author Index of articles, see below. The history of the magazine can be foundat Francis Knights, '50 years of Harpsichord & Fortepiano', xxviii/1 (Autumn 2023), pp.4-7.

"A cultural phenomenon. A worldwide obsession. An agent of emotional chaos. There's no parallel to Taylor Swift in history: a teenage girl who turns into the world's favorite pop star, songwriter, storyteller, guitar hero, live performer, changing how music is made and heard. ... Rob Sheffield, the ... author of Dreaming the Beatles, On Bowie, and Love Is a Mix Tape ... has chronicled Taylor for every step of her long career, from her early days to the Eras Tour. Sheffield gets right to the heart of Swift and her music, her lyrics, her fan connection, her raw power"--

This volume is the first book-length study of hooks in popular music. Hooks - those memorable musical moments for listeners such as a riff or catchy melodic phrase - are arguably the guiding principle of much modern popular music. The concept of the hook involves aspects of melody, rhythm, harmony, production, lyrical and cultural meaning - and how these interact within a song's topline and backing track. Hooks are also inherently related to the human capacities for memory and attention, and interact with our previous experiences with music. Understanding hooks in popular music requires a new interdisciplinary approach drawing from popular music studies, pop musicology, and music psychology, and this book draws from each of these disciplines to understand the hooks present in a broad range of popular music styles from the last thirty years.

The Resurrection of The Crazed by Paul WainwrightJoin the author as he journeys back to those mutant rockin', venue wreckin', snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80's. His fanzine 'The Crazed' was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.The scene meant so much to so many and 'The Crazed' was there to document it. This book recaptures how it felt at the time.After lying dormant for over 30 years 'The Crazed' has now been resurrected. Foreword by Craig 'Bracko' Brackenridge of Vintage Rock magazine.Club Foot cover art by Paskal Millet.

Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.

This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this second volume, Carr appeals to Monk's tune "'Round Midnight" as the analogical framework for articulating the meaning between Christ, the cantus firmus, and the sociopolitical histories of Karl Barth and James Cone. Monk's encouragement to "improvise on the melody" is heard as the melodic foundation for a new form of christological reflection.

This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this final volume, Carr appeals to Thelonious Monk's tune "Misterioso" as the analogical framework for exploring the freedom of God as the melodic foundation for black liberation. Monk's mode of musical thinking encourages the jazz artist in us all to play in the mystery of God's freedom as the true ground for living freely within the world of the principalities and powers.

Stravinsky's influence on Debussy in 1910-13 is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux.

An exhilarating journey through the subcultures, the occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the Wall Berlin Calling is a never-before-told account of the Berlin Wall's momentous crash, seen through the eyes of the divided city's street artists and punk rockers, impresarios and underground agitators. Berlin-based writer Paul Hockenos offers us an original chronicle of 1989's "peaceful revolution," which upended communism in East Germany, and the wild, permissive years of artistic ferment and pirate utopias that followed when protest and idealism, techno clubs and sprawling squats were the order of the day. This is a story stocked with larger-than-life characters from Berlin's highly political subcultures--including David Bowie and Iggy Pop, the internationally known French Wall artist Thierry Noir, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, and a clandestine cell of East Berlin anarchists. Hockenos argues that the do-it-yourself energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today.

The drama of In Cold Blood meets the stylings of a Coen brothers film in this long-lost manuscript from musicologist Robert “Mack” McCormick, whose research on blues icon Robert Johnson's mysterious life and death became as much of a myth as the musician himself "This is a human and humane book, an insightful exploration of the biographer’s craft. [...] McCormick’s book makes you feel what we lost when Johnson died young." —New York Times "Reads like noir fiction. It's a detective story riddled with fatalism and ambiguity carried out by someone who, like the archetypal noir hero, isn't a detective but an ordinary guy in a dismal, often violent setting searching for what can't be found." —Wall Street JournalWhen blues master Robert Johnson’s little-known recordings were rereleased to great fanfare in the 1960s, little was known about his life, giving rise to legends that he gained success by selling his soul to the devil. Biography of a Phantom: A Robert Johnson Blues Odyssey is musicologist Mack McCormick's all-consuming search, from the late 1960s until McCormick’s death in 2015, to uncover Johnson's life story. McCormick spent decades reconstructing Johnson's mysterious life and developing theories about his untimely death at the age of 27, but never made public his discoveries. Biography of a Phantom publishes his compelling work for the first time, including 40 unseen black-and-white photographs documenting his search.While knocking on doors and sleuthing for Johnson's loved ones and friends, McCormick documents a Mississippi landscape ravaged by the racism of paternalistic white landowners and county sheriffs. An editor's preface and afterword from Smithsonian curator John W. Troutman provides context as well as troubling details about McCormick’s own impact on Johnson’s family and illuminates through McCormick’s archive the complex legacy of white male enthusiasts assuming authority over Black people’s stories and the history of the blues.While Johnson died before achieving widespread recognition, his music took on a life of its own and inspired future generations. Biography of a Phantom, filled with lush descriptive fieldwork and photographs, is an important historical object that deepens the understanding of a stellar musician.

"This deeply researched book explores the life and music of folk legend Lead Belly within the context of the Jim Crow era. The work will appeal to a range of audiences, from Lead Belly fans and historians to readers interested in civil rights, mass incarceration, and the power of narrative"--

Reality TV Behind The Curtain is a fascinating and revealing look at the inner workings of the world of reality television. This unique behind-the-scenes exploration takes viewers on a journey into the captivating and often complex universe of reality TV, where the line between real life and entertainment blurs, and the drama is unscripted.The series delves into the intricate process of creating reality shows, shedding light on the casting, production, and post-production stages. It provides an inside look at how contestants are selected, challenges are designed, and storylines are crafted to keep audiences engaged and entertained."Reality TV Behind The Curtain" also explores the lives of contestants and the impact of fame and scrutiny on their personal and professional lives. It delves into the psychological and emotional toll that the reality TV experience can have on those who participate, as well as the strategies employed by producers to elicit emotional reactions and memorable moments.The show doesn't shy away from the controversies and ethical dilemmas that often surround reality TV. It examines the blurred boundaries between reality and manipulation, addressing topics such as editing, scripting, and the portrayal of contestants.Viewers are given an opportunity to see the often-chaotic production process, with its long hours, intense competition, and the drama that unfolds both on and off the screen. This behind-the-scenes journey provides a comprehensive view of the entertainment industry's most popular and sometimes controversial genre."Reality TV Behind The Curtain" is a thought-provoking and entertaining exploration of the reality TV phenomenon, offering a glimpse into the inner workings of a genre that has become an integral part of contemporary entertainment culture. It encourages viewers to question the authenticity of reality TV while appreciating the artistry and storytelling that goes into creating these captivating shows.

Nefarious Artists: The Evolution and Art of the Punk Rock, Post-Punk, New Wave, Hardcore Punk and Alternative Rock Compilation Record 1976 - 1989 by Welly Artcore.Long before online streaming and even TV music videos, that were beyond the reach of many new bands outside of a lucky spin on the radio, the compilation became the most effective way to access, and be accessed by, the eager new ears and inquisitive minds of the then new punk generation. 'Nefarious Artists' is a field study of over 500 punk rock, post- punk, new wave, hardcore punk, and alternative rock compilations from their beginnings in 1976 as major label samplers and live showcases of the 'new wave' through their rapid evolution into a documentary art form of D.I.Y. punk rock creativity and expression.424 pages packed with full colour alternative rock and punk compilation covers, and the stories behind these important releases.

ADVERTENCIA: Regalar este libro al Swiftie de tu vida por su cumpleaños puede provocar oleadas de amor, abrazos y sonrisas hacia la persona que entrega el regalo :)¿Estás buscando un regalo especial de cumpleaños para un fan de Taylor Swift? ¡Lo has encontrado!En este maravilloso libro a todo color, encontrarás páginas para apuntar tus deseos para el año que comienza, las lecciones que has aprendido, las personas que quieres que estén muy cerca de ti... todo ello a partir de citas y canciones de Taylor Swift y con coloridas y modernas ilustraciones de la maravillosa cantante que ha robado los corazones de tanta gente.Este es un regalo muy especial y original para el Swiftie de tu vida!

Im November 2020 wurden Depeche Mode in die "Rock & Roll Hall of Fame" aufgenommen. Bei der Annahme der Ehrung sagte David Gahan: "Ich möchte mich bei Anton Corbijn bedanken, der Gott sei Dank zur richtigen Zeit zu uns stieß und uns tatsächlich cool aussehen ließ." Ebenfalls im Herbst 2020 brachte TASCHEN den limitierten und von Depeche Mode und Anton Corbijn signierten Band Depeche Mode by Anton Corbijn (81-18) heraus, der sich zu einer der am schnellsten verkauften Collector's Editions in der Geschichte des Verlags entwickelte. Diese günstige und aktualisierte Ausgabe im handlichen Hosen-TASCHEN-Format gibt Zeugnis von Corbijns einzigartiger Vision und ist in der Tat so "cool", wie Gahan in seiner Rede würdigte. In der reich illustrierten Geschichte erfährt man, wie Corbijn, der 1986 de facto Kreativdirektor der Band wurde, dazu beitrug, Depeche Modes Ruf als größter Kultband der Welt zu untermauern. Der Band enthält über 150 Fotos aus Corbijns umfangreichem Archiv, darunter sowohl offizielle als auch privatere Bandporträts, aufgenommen in Madrid, Hamburg, der Wüste Kaliforniens, Prag oder Marrakesch; dazu eine Vielzahl von spontanen, ungestellten Bildern und atemberaubende Live-Aufnahmen von sämtlichen Tourneen von 1988 bis 2023 . Entstanden in enger Zusammenarbeit mit der Band gewährt Depeche Mode by Anton Corbijn eine Vielzahl von Einblicken in die Arbeit mit Corbijn und zeigt auf eindrucksvolle Weise, wie die einzigartige Ästhetik eines Mannes, von dem sämtliche Fotografien, die meisten Musikvideos, Albumcover und Setdesigns stammen, die anhaltende Popularität der Band prägten. In der Einleitung erinnert sich Corbijn an seine vielschichtige Rolle bei Depeche Mode: "Vieles hing von mir ab. Ich wollte einfach der Richtige für sie sein, für sie mitdenken und aus mir das Allerbeste herausholen." Der Band zeugt von der Tiefe und Breite dieser Großartigkeit und feiert eine der kreativsten und beständigsten Kooperationen der Musikgeschichte.

The name of French composer and musician Charles Tournemire (1870-1939) is familiar to organists. From 1898 to 1939, Tournemire was the titular organist at the Parisian Basilica of Sainte-Clotilde, a post once held by César Franck, his organ professor at the Paris Conservatoire. However, beyond the world of organists, Tournemire has been largely neglected and forgotten. This volume of collected essays, the first book on Tournemire available in English, aims at making Tournemire known to a wider audience. A number of essays investigate Tournemire's best-known work, a monumental organ cycle entitled L'Orgue mystique (The Mystic Organ) composed between 1927 and 1932. Related topics include Gregorian chant, improvisation, and performance practice. Tournemire's legacy is also considered in the careers of later musicians, including (among others) Joseph Bonnet (1884-1944), Maurice Duruflé (1902-1986), Jean Langlais (1907-1991), Olivier Messiaen (1908-1992), and Naji Hakim (1955-). Finally, beyond the organ, Tournemire's literary world is examined: in terms of influences on his thought (especially Ernest Hello [1828-1885] and Léon Bloy [1846-1917]); and in his own librettos and commentaries written for numerous instrumental, symphonic, and operatic compositions. The portrait of Tournemire drawn in this collection is that of an unexpectedly complex and prolific thinker, teacher, and composer.

The Yale Russian Chorus (YRC) is a unique phenomenon-part singing group, part fraternity, part discussion group-that started in 1953 at Yale at the height of the Cold War, a time when exhibiting a strong interest in matters Russian and Soviet could be seen as suspect in the USA. It developed into a respectable tenor-bass chorus, which has participated in and won prizes at major international choral festivals. In celebration of the 70th anniversary of the Chorus's founding, the YRC Alumni Association has published this new songbook, to document music that the Chorus has sung in the past and to provide a resource for the future. We hope that it will also prove useful for other singing groups that wish to incorporate this music into their repertoire.

The Yale Russian Chorus (YRC) is a unique phenomenon-part singing group, part fraternity, part discussion group-that started in 1953 at Yale at the height of the Cold War, a time when exhibiting a strong interest in matters Russian and Soviet could be seen as suspect in the USA. It developed into a respectable tenor-bass chorus, which has participated in and won prizes at major international choral festivals. In celebration of the 70th anniversary of the Chorus's founding, the YRC Alumni Association has published this new songbook, to document music that the Chorus has sung in the past and to provide a resource for the future. We hope that it will also prove useful for other singing groups that wish to incorporate this music into their repertoire.

Harmoni, kontemplativ meditation og en altomfavnende ro er nøglebegreber i disse 13 minimalistiske og yderst billedskabende klaverstykker af den unge færøske komponist Eli Tausen á Lava (f. 1997).Tausen á Lava debuterede som komponist i 2015 og har komponeret omkring 40 større og mindre musikværker for forskellige besætninger - soloinstrumenter, kammerensembler samt større orkesterbesætninger.Tausen á Lava skriver musik i en post-klassisk, ofte minimalistisk stil, og klaverstykkerne i denne udgivelse - komponeret i perioden 2019-2023 - er måske de mest miniumalistiske af hans minimalistiske værker.Tolv af stykkerne findes udgivet på komponistens digitale albums "Impressions" (Tutl, 2020) og "In a field" (Tutl, 2022), som er tilgængelige på diverse online musiktjenester.

The Parish Book of Motets is the flexible answer for Catholic choirs across America to build a practical repertoire of sacred polyphony. The book contains fifty-four motets of varying difficulty in English and Latin specially curated for the average parish choir.54 motets in English and LatinEucharistic motets, Marian hymns, and motets for general use on SundaysAccompaniment book with closed scores for easy rehearsalsOnline Practice Recordings for Each MotetSpiral Bound for Easy UseThis version includes piano reductions for each motet.The choral version is also available.

The Parish Book of Motets is the flexible answer for Catholic choirs across America to build a practical repertoire of sacred polyphony. The book contains fifty-four motets of varying difficulty in English and Latin specially curated for the average parish choir. 54 motets in English and Latin Eucharistic motets, Marian hymns, and motets for general use on Sundays Accompaniment book with closed scores for easy rehearsals Online Practice Recordings for Each Motet Spiral Bound for Easy UseThe companion book of piano reductions for rehearsal and accompaniment is also available.

Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre¿s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. Itis, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre¿s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.