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YOUR GUIDE TO SLAYING THE BEASTS OF THE WRITING WORLD, PART 2!When we think we've won the battle against the "beasts" of the writing world, more appear. The Indie Author Bestiary I taught you how to win the war against yourself. Part 2 will teach you how to thrive in a world that doesn't always understand or appreciate writers.Learn how to: ¿Banish uncertainty from your life¿Avoid bad advice¿Defeat the stigma of being a writer (especially an indie)¿And more!If you struggle with the "emotional" part of being a writer, The Indie Author Bestiary II will be your armor as you climb the ladder of success. This unique series continues the tradition of taking the emotional challenges of writing, converting them into monsters, and teaching you how to defeat them.Are you ready to conquer the beasts of the writing world?V1.0
YOUR GUIDE TO SLAYING THE BEASTS OF THE WRITING WORLDDo the "beasts" of the writing life trouble you? Fear, self-doubt, overwhelm, the inferiority complex, and more?If so, you're not alone. These "beasts" of the writing world want to destroy writers everywhere, but they can only hurt us if we let them. This guide will teach you to do battle with the beasts that are sure to show up in your writing career. It will teach you to slay them once and for all. ¿Fight fear with every ounce of your being¿Beat burnout at its own game¿Overcome feelings of inadequacy and self-doubt¿And more!If you struggle with the "emotional" part of being a writer, The Indie Author Bestiary will be your sword. This unique book takes the emotional challenges of writing, converts them into monsters, and teaches you how to defeat them.Are you ready to conquer the beasts of the writing world?V1.0
This collection contains Volumes 8-11 of the groundbreaking, behind-the-scenes series of a working writer's journey!Ever wondered what bestselling authors think about on a daily basis?M.L. Ronn is the author of many books of fiction and nonfiction. This book series is a diary of all the lessons he's learning as he navigates how to master the craft of writing, marketing, and running a profitable publishing business.Most writers don't talk about the everyday lessons they learn because they might seem mundane, boring, or obvious. Many only start talking about their success once they've achieved it.This book is the exact opposite: it's about a writer learning how to be successful and documenting the process.The ideas in this book are what writers discuss over beers at writing conferences. They're insider ideas-you may find them interesting and useful on your journey to becoming a successful writer.V1.0
El almanaque fue uno de los impresos más populares del Antiguo Régimen en Europay en América, a cuyas cifras de venta solamente se acercaba la Biblia. En este volumen,se examina la trayectoria editorial y textual de esta singular publicación desde suscomienzos hasta el siglo XVIII, momento en el que experimenta su periodo de máximoapogeo. En particular, se estudia con detenimiento el almanaque literario, unatipología que conoce una especial fortuna en España, Italia y Portugal.En resumen, este libro pretende arrojar algo de luz acerca de la naturaleza del almanaque,contribuyendo así a escribir un capítulo inolvidable de la Historia de la culturaeditorial europea.
Published guides an author from start to finish on making a decision on the path to follow for publishing, as well as how to self-publish at no cost. We walk through the steps for print on demand publishing, audio publishing, e-publishing, and more. We provide you choices and alert you to the many scams awaiting the uninitiated. We strongly urge you not to pay a subsidy publisher and the flags to watch for in a contract or conversation if a publisher claims to be traditional or commercial. You'll learn about:What you need to know to break through the traditional publishing wall and get your first publishing contractHow to land an agent who will give you the best chance to succeedSimple guidelines for crafting a synopsis that will help sell your novelWhat pitfalls to avoid that can get your novel rejected before it's readTips for negotiating your first contractThe most effective way to brand yourself so that both readers and publishers associate your name with the type of fiction you writeIn this powerful small book, podcaster and blogger heather teysko outlines not just the practical options for making money in the new online economy, including newsletters, merchandise, and ads, but also leads with the mindset shifts necessary to be open to the abundance that is available.It's a little book jammed with big ideas and actionable plans for anyone who wants to make a living with their words, or creative passions.
If you're looking for a comprehensive tool to help you begin your self-publishing journey, you've picked up the right book! The Self-Publishing Checklist lists five steps to encourage you through the major action steps of book production. Whether you're a new writer or a veteran writer looking to move your passion to the next phase as a printed product; this book is a simple approach to understanding the overall needs for publishing on your own with confidence.
Are you an author struggling to make a name for yourself in the crowded world of book marketing? Do you want to avoid the most common mistakes that authors make when promoting their books? Then look no further than "Top 10 Mistakes Authors Make Marketing Their Books" by B Alan Bourgeois. As an award-winning author and author advocate with years of experience in the publishing industry, Bourgeois has seen it all when it comes to book marketing. In this insightful guide, he shares the top 10 mistakes that authors make and provides practical advice on how to avoid them. Whether you're a first-time author or a seasoned pro, "Top 10 Mistakes Authors Make Marketing Their Books" is the essential guide for taking your book marketing to the next level. With Bourgeois's expert guidance, you'll learn how to identify your target audience, build a strong online presence, engage with readers, and leverage book reviews to increase sales. Don't let common marketing mistakes hold you back from the success you deserve. Get your copy of "Top 10 Mistakes Authors Make Marketing Their Books" today and start marketing your book like a pro!
Artists, booksellers, editors, designers, publishers and scholars contemplate the futures of the book formWhat is the future of the book? And what is the future of books on art, design and architecture, and cultural-critical publications? The editors of this volume asked more than 100 international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers, printing houses, distributors, booksellers, historians and art historians, critics, policymakers, editors, students and many others enthusiastically share their views, looking ahead five, 20 or 72 years (to the year 2100). At times utopian or wildly fantasizing, at other times contemplating realistic scenarios, in both text and images, Future Book(s) will prove exciting reading for anyone who loves books and/or is involved in books and cultural content. Each of the 12 sections of this publication is designed by a different young designer, to celebrate its scope and diversity.Contributors include: Alice Twemlow, Annelys de Vet, Annet Dekker, Antje von Graevenitz, Berend Strik, Brad Haylock, Carolyn F. Strauss, Elisabeth Klement, Els Kuijpers, Ernst van Alphen, Florian Göttke, Geert Lovink, Guy Cools, Helen Westgeest, Hicham Khalidi, Janneke Wesseling, Janwillem Schrofer, Joke Robaard, Joost Grootens, Jorinde Seijdel, Kitty Zijlmans, Laura Pappa, Martijn van Nieuwenhuijzen, Max Bruinsma, Megan Patty, Christa-Maria Lerm Hayes, Mieke Bal, Pascal Gielen, Rafael Rozendaal, Rini Hurkmans, Robin Kinross, Ruben Pater, Rudi Laermans, Simon Franke and Yasmine Ostendorf.
The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.
THE SINGLE BEST TOOL EVERY ENTREPRENEUR NEEDS TO BUILD, BOOST, AND GROW THEIR BUSINESS. Authority and Credibility. Brand recognition.The ultimate business card.
This collection profiles understudied figures in the book and print trades of the seventeenth century. With an equal balance between women and men, it intervenes in the history of the trades, emphasising the broad range of material, cultural, and ideological work these people undertook. It offers a biographical introduction to each figure, placing them in their social, professional, and institutional settings. The collection considers varied print trade roles including that of the printer, publisher, paper-maker, and bookseller, as well as several specific trade networks and numerous textual forms. The biographies draw on extensive new archival research, with details of key sources for further study on each figure. Chronologically organised, this Element offers a primer both on numerous individual figures, and on the tribulations and innovations of the print trade in the century of revolution.
Are you ready to generate more money from your book? Would it be nice to create multiple streams of unlimited income? This book is not another something-for-nothing product that will offer some easy way to sit on your assets and wait for the money to come it. Instead, this book is going to provide you with the Fundamental S.T.E.P.S. (Systematic Thinking to Execute Plans for Success). In $5k The Write Way the author discusses how to generate $5,000 with your book, but the goal is not the $5k. The goal is to learn the system. Once you understand the system to create $5,000, all you'll need to do is rinse, repeat, and increase. This book will give you the raw facts of bookselling. It's not pretty and it's not easy, but it will guarantee lasting success and allow authors to meet any sales goals they set.
"Can I pick your brain?" That's usually how it starts. Many aspiring authors have asked me the burning question over the past 10 years as an independent publisher. During those conversations, I offered my expertise, knowledge, tips, and lessons I've learned along the way. Sometimes their "brain pickers" are surface and easy to answer. Other times, they are more complicated and may require a few tools to find a resolution. For the first time ever, I'm putting it all out on the table. Can I Pick Your Brain? explores everything from marketing misconceptions to proven writing methods and a recount of the various client experiences I've had as a publisher. Do you need practical tips on how to start your book and see it through to the publishing finish line? Here's your chance to pick my brain for an intimate how-to guide filled with true stories, a-ha moments, and practical applications.
An experimental and radical commentary on the publishing industry, the centrepiece of this book is an autoethnographic comic erotic thriller about the Frankfurt Book Fair, self-published under the pseudonym Blaire Squiscoll. The critical edition enriches the novella with essays, annotations, and creative assemblages.
A TIMES BOOK OF THE YEAR 'A small masterpiece. There is something funny, notable or awe-inspiring on every single page' Jenny Colgan, SpectatorA joyful celebration of books the perfect gift for bibliophiles, word lovers and anyone who's ever wondered, should you judge a book by its cover? We love the words in books but what about the words on them? How do they work their magic? Here is a book about the ways books entice us to read them: their titles, quotes, covers and, above all, blurbs via authors from Jane Austen to Zadie Smith, writing tricks, classic literature, bonkbusters, plot spoilers and publishing secrets. It's nothing less than the inside story of the outside of books.And it answers questions like: Why do some authors hate blurbs so much they burn their own books? Should all adjectives be murdered? Is blurbing sometimes maybe lying? Is it true that (checks jacket) you need an animal on a book's cover to make it a bestseller? What are the most terrible blurbs of all time? Join Penguin publishing word wizard Louise Willder five thousand blurbs written, mostly avoiding the phrase ';unputdownable tour-de-force' to discover why we should judge a book by its cover. Even this one. (It's an unputdownable tour-de-force.)';The bookiest book about books you'll ever read I loved it' Lucy Mangan ';Truly delightful...I couldn't have had more fun' Benjamin Dreyer ';Very funny, erudite and profound. A delight!' Nina Stibbe
*AGATHA AWARD WINNER FOR BEST NON-FICTION!**ANTHONY AWARD NOMINEE FOR BEST NON-FICTION!* AUTHOR OVERBOARDPublishing a book can be scary. Figuring out how to promote it can be straight-up frightening. When the seas of book promo make you feel adrift in unfriendly tides, keeping your head above water can be difficult. Enter PROMOPHOBIA, a collection of essays that just might save the life of your book.SINK OR SWIMDivided into categories: Identifying Your Niche, Book Community, Social Media, Online Promo, Publicity, Connecting with Readers, Going On Your Own or Participating with a Group, Events, and Thinking Outside the Box, PROMOPHOBIA will open your eyes to the opportunities around you. The contributing authors share their personal experiences about what's worked for them (and in a few humorous cases, what didn't) to provide a beacon. You're no longer in the dark. You're not swimming alone.If you've ever wondered if you could have done more for your latest book launch, then this book is for you. If you're tired of relying on the same old strategies release after release, then this book is for you. If you want to readjust your sails and angle for a fresh gust of wind to carry you farther on your writing journey, then this book is for you.A RISING TIDE LIFTS ALL BOATSThis is not a how-to book. It's an anecdotal anthology of essays about seeing possibilities, building connections, believing in our work, making mistakes, totally f*ing up, and trying something new. It is a collection of stories told over smoothies at the gym or drinks at the bar, shared with the same spirit of community that infuses Sisters in Crime.The next time you find yourself swimming in dark promotional waters, read an essay or two from PROMOPHOBIA. Instead of drowning in fear, you'll find yourself saying, "I'm going to need a bigger book."--ABOUT SISTERS IN CRIMESisters in Crime is the premier crime writing association focused on equity and inclusion in our community and in publishing. Founded in 1986 to represent and advocate for women crime writers, we celebrate and honor this history with our name while we continue to work for all who share our commitment to and love for a vibrant, inclusive community. Our 4,500+ members enjoy access to tools to help them learn, grow, improve, thrive, and reinvent if necessary. They also gain a community of supportive fellow writers and readers, both peers to share the peaks and valleys of writing, and mentors to model the way forward.
"Writer and writing coach at Harvard Business School Mark Rennella offers practical advice for students and budding writers in The One-Idea Rule-focused on a simple principle and designed to bolster writers' confidence and skills, helping to level the playing field between beginners and those with more experience"--
«The contribution of Dr Doerr¿s book is beyond measure. Her research relies on highly sophisticated methodology with invaluable practical applications in academic style editing for scholars who are non-native speakers of English. Academic Style Proofreading stands to become vital for readers from across the globe engaged in scholarly publication.»(John Casey Gooch, Associate Professor of Rhetoric and Literature, University of Texas at Dallas, USA)«This book explicates the roles of hybridised professions in academic publishing and offers a fresh and thought-provoking corpus stylistics analysis of academic style proofreading. The author starts an important and timely conversation about explanations and treatment of academic style in the spirit of moving towards a more inclusive international academic discourse community. Its insights will be an invaluable resource to academics and publishing professionals alike.»(Karen Dwyer, PhD, Lecturer (Teaching) in Modern English Grammar and Research Methodology, University College London)In the current international context, it is increasingly required to write not only «correctly» but also in accordance with the stylistic expectations of the academic community. However, because academic style and its standards are only mentioned ¿ if not glossed over ¿ in textbooks and journal guidelines, many non-native students and scholars receive their linguistically correct papers with recommendations to «revise the English» but are unable to comprehend where the problem lies or how to address it. Moreover, change in and confusion among the language professionals who are in a position to assist these scholars ¿ that is, revisors, copyeditors and proofreaders ¿ impedes any clarity in terms of who should rework academic style before submission and publication.This volume seeks to unpack the concept of «academic style proofreading» and its components through a multifaceted analysis including methodologies such as terminology, corpus stylistics and error analysis. This is intended to define the purpose and intricacies of this new aspect of academic writing and present common errors in academic style, as well as possible proofreading solutions, in economics and the humanities. In doing so, the book presents an assessment of the issues, methods and implications of academic style proofreading for research, professional and educational purposes.
This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.
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