Udvidet returret til d. 31. januar 2025

Saints, Miracles, and Social Problems in Italian Renaissance Art - Diana Bullen Presciutti - Bog

Bag om Saints, Miracles, and Social Problems in Italian Renaissance Art

"In this book, Diana Bullen Presciutti explores how images of miracles performed by mendicant saints-reviving dead children, redeeming the unjustly convicted, mending broken marriages, quelling factional violence, exorcising the demonically possessed-actively shaped Renaissance Italians' perceptions of pressing social problems related to gender, sexuality, and honor. She argues that depictions of these miracles by artists-both famous (Donatello, Titian) and anonymous-played a critical role in defining and conceptualizing threats to family honor and social stability. They also presented the mendicant saint as both potent thaumaturge and efficacious 'social worker'. Drawing from art history, history, religious studies, gender studies, and sociology, Presciutti's interdisciplinary study reveals how miracle scenes-whether painted, sculpted, or printed-operated as active agents of 'lived religion' and social negotiation in the spaces of the Renaissance Italian city"--

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781009300834
  • Indbinding:
  • Hardback
  • Sideantal:
  • 350
  • Udgivet:
  • 4. maj 2023
  • Størrelse:
  • 182x28x254 mm.
  • Vægt:
  • 975 g.
  • 8-11 hverdage.
  • 11. december 2024
På lager
Forlænget returret til d. 31. januar 2025

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Beskrivelse af Saints, Miracles, and Social Problems in Italian Renaissance Art

"In this book, Diana Bullen Presciutti explores how images of miracles performed by mendicant saints-reviving dead children, redeeming the unjustly convicted, mending broken marriages, quelling factional violence, exorcising the demonically possessed-actively shaped Renaissance Italians' perceptions of pressing social problems related to gender, sexuality, and honor. She argues that depictions of these miracles by artists-both famous (Donatello, Titian) and anonymous-played a critical role in defining and conceptualizing threats to family honor and social stability. They also presented the mendicant saint as both potent thaumaturge and efficacious 'social worker'. Drawing from art history, history, religious studies, gender studies, and sociology, Presciutti's interdisciplinary study reveals how miracle scenes-whether painted, sculpted, or printed-operated as active agents of 'lived religion' and social negotiation in the spaces of the Renaissance Italian city"--

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