Scenekunst

Listed in: Books > Entertainment. Poetry, Stories & Lyrics. 52 titles set in fantasy, mystery, fiction, suspense, romance & action/adventure. 'Silver & a Dream' one of fifteen lyrics, is about living in a dream world about someone who fascinates you, and you'll find dreaming is a great part of a day. There is an audition for a play where the seats are packed, though when the cast hopefuls are introduced to the crowd in this story, they're only concern is to make it back on stage, as they too, one by one will join the crowd in a dressed up fashion created by a director who brings the cast to a frozen in time like standstill, he calls his place 'forever morning theatre.' Love, determination, chimera, optimism; 19 poems peppered throughout this just enough Easter eggs encounter.

La escritura de cada artículo devela un posicionamiento personal que da cuenta del compromiso de las y los artistas-pedagogos que escriben este libro, el cómo a partir de sus propios intereses y búsquedas de prácticas que amplíen sus campos de acción son llevadas a cabo en ejercicios escénicos artísticos y pedagógicos. Es así como se despliegan ante nuestros ojos temas como la máscara, el circo, la actuación, reflexiones acerca de la pedagogía, ejercicios escénicos en las escuelas, la voz, el caminar y el resistir. Todas temáticas y problemáticas tratadas a partir de una mirada contemporánea y comprometida con la realidad sociopolítica-cultural.

Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities.Chapter 7, "Alienation, Abjection and the Mobile Postcolonial City: Public Transport in Ousmane Sembène¿s ¿Niiwam¿ and Yvonne Veräs Without a Name" is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This edited collection is the first book-length critical study of the Showtime-Sky Atlantic television series Penny Dreadful (2014-2016), which also includes an analysis of Showtime¿s 2020 spin-off City of Angels. Chapters examine the status of the series as a work of twenty-first-century cable television, contemporary Gothic-horror, and intermedial adaptation, spanning sources as diverse as eighteenth and nineteenth-century British fiction and poetry, American dime novels, theatrical performance, Hollywood movies, and fan practices. Featuring iconic monsters such as Dr. Frankenstein and his Creature, the ¿bride¿ of Frankenstein, Dracula, the werewolf, Dorian Gray, and Dr. Jekyll, Penny Dreadful is a mash-up of familiar texts and new Gothic figures such as spiritualist Vanessa Ives, played by the magnetic Eva Green. As a recent example of adapting multiple sources in different media, Penny Dreadful has as much to say about the Romantic and Victorian eras as it does about our present-day fascination with screen monsters. Hear the authors talk about the collection here: https://nrftsjournal.org/monsters-all-are-we-not-an-interview-with-julie-grossman-and-will-scheibel/

This book is a comprehensive anthology comprising essays on women film directors, producers and screenwriters from Bollywood, or the popular Hindi film industry. It derives from the major theories of modernity, postmodern feminism, semiotics, cultural production, and gender performativity in globalized times. The collection transcends the traditional approaches of looking at films made by women filmmakers as ¿feminist¿ cinema, and focuses on an extraordinary group of women filmmakers like Ashwini Iyer Tiwari, Bhavani Iyer, Farah Khan, Mira Nair Vijaya Mehta, and Zoya Akthar. The volume will be of interest to academics and theorists of gender and Hindi cinema, as well as anybody interested in contemporary Hindi films in their various manifestations.

This book focuses on the characters that populate the Game of Thrones universe and on one of the most salient features of their interaction: violence and warfare. It analyses these questions from a multidisciplinary perspective that is chiefly based on Classical Studies. The book is divided into two sections. The first section explores Martin¿s characters as the mainstay of both the novels and the TV series, since the author has peopled his universe with three-dimensional intriguing characters that resonate with the reader/audience. The second section is devoted to violence and warfare, both pervasive in the Game of Thrones universe. In particular, the TV series¿ depiction of violence is explicit, going beyond the limits that have seldom been traversed in primetime television i.e. the execution of Ned Stark, the ¿Red Wedding¿ and ¿Battle of the Bastards¿. In the Game of Thrones universe, violence is not only restricted to warfare but is an everyday occurrence, a result of the social and gender inequalities characterising the world created by Martin.

"Perhaps today we learn the answer to one of humanity's biggest and most universally, yes, if I may say so, a UNIVERSALLY shared question: ARE WE ALONE?"Fascist dictator, Benito Mussolini, got his hands on a flying saucer after it crash landed on June 13, 1933.Together, Mussolini and the Pope (Pius XI, first Sovereign of Vatican City), must keep this alien intelligence top secret from the world, at all costs...OGGETTO METALLICO is a KNOCKOUT OF THE PARK in more ways than one... A SMASHING NEW COMEDY; the JOKE'S ON US...THE POPE: My God, look at yourselves! Look at what we have become! The alien wasn't our problem. For millennia, the aliens have never been our problem... Our problem is recognizing every being's inalienable right to Peace and Dignity! Perhaps, millennia from now, when we master our understanding of this, we will be civilized enough to become free citizens, not of nations, or even of Earth, but free citizens of the Universe!(Beat.)MUSSOLINI: What you just said should be quoted somewhere.THE POPE: Thank you.REDACTED: But it won't be quoted somewhere, or anywhere else. And that goes for all of you. REDACTED REDACTED REDACTEDPEDRO: I wish you good luck.REDACTEDBEAUTIFUL WOMAN: But this man is dead? And he was flying? Like, elevating?REDACTEDPETTYBONE: My wife throws things all the time...REDACTEDHARVEY: Say more about this piano-playing chicken...UNINTELLIGIBLELookit: we may move on with our lives, if we can, but we can never tell another soul on Earth about THIS. Ever. The only thing you can ever say you saw here was an oggetto metallico.(Echoes) oggetto metallico, a metal object, possibly a meteor...REDACTEDMUSSOLINI: I will have you SHOT.

This perceptive, entertaining book celebrates a century of genre films, everything from comedies and musicals to war pictures, sports sagas, horror movies, science fiction, and film noir. Richly illustrated, it moves with ease from analysis of theme and style to consideration of historical context, social significance, and production background. Film historian James Stratton writes in a vivid, conversational style that will appeal to students, film buffs, and general readers. One of the book's special features is that it brings fresh insight to such familiar titles as Swing Time, Gilda, Air Force One, and Batman Begins while introducing readers to lesser-known, equally rewarding treasures like Five Came Back, The Hitch-Hiker, Prime Cut, Eight Below, and Let Me In. Panoramic in scope, this highly informative account weighs the contributions of stars, directors, writers, cinematographers, and all the various other studio artists and technicians who have shaped the film genres still popular today. James Stratton has written several books about films and filmmakers and lives in southern California.

Short stories, a few poems. From true stories of a biographical nature to whole cloth made of yarn spun from golden unicorn foal mane trimmings

A SUPERB NEW AMERICAN VERSION.Of the many translations of Chekhov's THREE SISTERS for the English-speaking world, this one is very likely the Funniest.The footnotes alone are a useful and humorous compendium of notes and anecdotes.A DEFINITIVE NEW VERSION OF CHEKHOV'S VAUDEVILLE."Chekhov wrote Three Sisters in Yalta, and then rewrote it in early autumn in Moscow. He spent two to three days on each act, but there were significant breaks between the acts. With complete sincerity he said that he had written a VAUDEVILLE, and was taken aback at our amusement of this definition of Three Sisters..." - these words were written in 1917 by Nemirovich-Danchenko, co-founder of the Moscow Art Theatre (MAT) along with Stanislavski. "Given the ensemble playing, the friendliness of the performance, and maturity of form, Three Sisters was always seen in the theatre as the best of the Chekhov productions."

Viola didn't survive the shipwreck.This is what happens to Shakespeare's original text of TWELFTH NIGHT when its heroine, its 'beating heart,' is marauding through it as a ZOMBIE.WARNING: Let all who read this know that Shakespeare's Twelfth Night is a masterful comedy from the greatest English playwright of all time, perhaps Shakespeare's finest comedy, which Twelfth Night of the Living Dead does not intend to modernize or (belches) improve. However,When it strikes you that the original text can and does survive as one-by-one its characters are turning into zombies... And when it becomes clear that the sheer self-involvement of some characters transcends all need for earthly dialogue... And when one of the characters has been famously threatening revenge for more than 400 years... ...it seems like a worthwhile endeavor to massacre (not just cut) Shakespeare's text in order to see the silly creature-feature 'show within the show.' "If music be the FOOD of LOVE," Slay On.

Issue 2 of EASTERN HEROES FILM FRENZY is a SHOGUN ASSASSIN SPECIAL EDITION, boasting an all-new Lone Wolf and Cub cover illustration by comic book artist Russell Fox!SHOGUN ASSASSIN (1980) is a cult favourite that is famous for its vivid, blood-spraying carnage, impeccable use of voice-overs, gorgeous cinematography, fascinating feudal Japanese setting, lethal wooden perambulator, and thrilling electronic score!The SHOGUN ASSASSIN features include...VOICE OF THE WOLF CUBAn interview with Gibran Evans: the voice of Daigor¿!MASTER OF POSTERSA chat with poster artist superstar Jim Evans! He speaks about creating movie & rock posters, and he describes how he helped to bring SHOGUN ASSASSIN to the screen! Jim also shares an exclusive anecdote linking SHOGUN ASSASSIN with a certain Arnold Schwarzenegger movie...MANGAA lowdown on the utterly brilliant LONE WOLF AND CUB comics!MAGNIFICENT MEMORABILIASuper-collector Hector Martinez shows us his mouth-watering SHOGUN ASSASSIN collection of goodies!SHOGUN ASSASSIN OVERVIEWA look at what makes the film so bloody good!LIGHTNING DISCS OF DEATHSHOGUN ASSASSIN and LONE WOLF AND CUB Blu-rays, DVDs, and box sets are reviewed and rated!Also in this issue...GODZILLA - KING OF THE KAIJUA 16-page dive into the cinematic world of the monster king! BRUCEPLOITATIONDavid Gregory, director of the amazing documentary ENTER THE CLONES OF BRUCE, helps celebrate the upcoming release of a Severin Films Bruceploitation boxset by sharing some fine poster images, plus some quotes from Bruce Li, Bruce Le, Dragon Lee, and Bruce Liang: the cool, legendary Bruceploitation actors that appear in David's film!FILM REVIEWSLoads of reviews of movies from Japan, China, South Korea, Hong Kong, India, and the Philippines, plus a look at a whole herd of Chinese creature features too!GIANT MONSTERS POSTER GALLERYA truly astounding selection of movie posters illustrated by the late, great, uber-talented Japanese artist Noriyoshi Ohrai!

¿Das menschliche Gesicht gilt einerseits als subtiler, ¿schwacher Code¿, das sich im Alltag den Deutungen der menschlichen Wahrnehmung immer wieder zu entziehen scheint. Andererseits wird gerade in Medien wie dem Film das Gesicht strategische eingesetzt, um unterschwellig Botschaften zu vermitteln. Die Bild-Werdung des Menschen hat, wie diese Arbeit zeigt, nicht erst mit dem Aufkommen von Diktaturen seine ¿Unschuld¿ verloren. Aber erst im Modus seiner Lesbarmachung, als still gestelltes Bild wie es in Form der Großaufnahme im Film zur Geltung kommt, kann es als scheinbare Evidenz seine manipulierende Funktion einnehmen.Ob in Deutschland, Italien oder Russland ¿ alle diese Diktaturen wollen sich zu Beginn des 20. Jahrhunderts der Arbeiterschaft versichern, um ihre ideologischen Ziele zu verwirklichen. Das kulturell und symbolisch vorgeprägte Gesicht, muss daher für die Propaganda umcodiert werden. Dem immer noch weit verbreiteten Verdikt der ¿Gleichschaltung¿ wird jedoch in diesem Buch differenziert gegenübergetreten: Die Möglichkeiten des Gesichts, es für unterschiedlichen historischen Konstellationen und Herausforderungen anzupassen und zu instrumentalisieren, machen es zu einem facettenreichen Medium für rhetorische Strategien.

Mae West is one of the true icons of show business, enjoying success on stage and in movies. She created her character, wrote her own dialog, and understood self-promotion. An innately talented entertainer, Mae began working on stage as a small child and was still pursuing creative endeavors in the last year of her life. This book concentrates on her movie work, and although she only made 12 movies, they are what we have to represent her work. Her best movies were edgy and challenging along with being entertaining, and have lived on as classics. ABOUT THE AUTHORJames L. Neibaur is a film historian and scholar who has written over 35 books and hundreds of articles, essays, and reviews for various film magazines and website blogs.

For your reading pleasure. These four screenplays in Volume 2 were written over a two-decade period. La Gare Miramar The Karmic Khromosome The Dharma Kings

A brand-new visual odyssey from Accidentally Wes Anderson, authorised by the legendary filmmaker, taking readers on stunning adventures to every continent and sharing idiosyncratic and oddly moving human tales along the way.

BLOTLAGT er et film- og kulturhistorisk essay, som undersøger 100 års filmiske tematiseringer af krop og moral i spændingsfeltet imellem avantgarde, mainstream og exploitation. Bogen giver originale læsninger af udvalgte film med løbende udblik til forsknings- og kulturhistorien samt et historisk overblik over den vestlige genrefilms portrætteringer af vold, sex og kropslig grænseoverskridelse. Over hundrede titler berøres fra den tidlige tonefilm til nutidens produktioner, og bogen rummer udfoldede analyser af filmene Freaks (1931), Two Hundred Maniacs! (1964), The Last House on the Left (1972) og Hostel (2005).Grafiske fremstillinger af sex, vold, deformitet og normbrud har altid været forbundet med kontrovers og opstand. I BLOTLAGT lægger forfatteren forargelsen til side og spørger den grænseoverskridende genrefilm, hvad den egentlig vil os med sine afrevne lemmer og anmassende nærbilleder af kroppens kulturelt fortrængte hemmeligheder. I filmenes visioner af desperation, liderlighed, sadisme, kød og blod findes nemlig en fiktion, hvor eviggyldige spørgsmål om etik, samfund, køn, krop, ånd og medmenneskelighed bringes til påtrængende og usentimental genforhandling med den samtid, som filmene er en del af.

Eastern Heroes Vol 2 No.2SHAW BROTHERS SPECIALINSIDE THIS ISSUELU FENG INTERVIEW THE LETHAL FORCE BEHIND THE VENOMS LEGACY INTERVIEW BY Robert Jefferson & Simon PritchardTHE RISE OF THE SHAW BROTHER STUDIOSODE TO GALLERYAlan Donkin Look at the posters of the 'Venoms Mob'CHANG CHEH'S POISONSTHE TUMULTUOUS HISTORY OF THE VENOMSBy Brian BankstonPLUSWU JINGFROM HONG KONG HOPEFULTO MAINLAND HERO.BY Paul BramhallCINEASIAUNLEASHING THE MAGIC OF ASIAN Cinema Asia.By Simon PritchardBILLY JACKCELEBRATING AND KICKS TO THE FACEBy Jason McNeil

Much has been written about the aesthetics of the television series Hannibal and its devoted fans, and some have discussed its philosophical ideas and its Gothic characteristics, but until now there has been no in-depth reading of the show as a fairy tale. However, the show positions itself as a fairy tale in its third season. Recognizing it as a fairy tale provides an understanding of its appeal and forces us to consider its lessons. Like a fairy tale, Hannibal plays with time and reality and teaches its audience about their world and how to survive in it. From the show, the audience learns both the importance and the danger of family and friends, the complicated nature of humanity containing the capability for good and evil, and the arbitrariness of society's definitions and taboos. As a fairy tale, it draws its viewers in and encourages them not only to come back time and again but to retell and even add to the story.

The Homer Simpson-esque stereotype has been a persistent trope in cartoons since programming aimed directly at children and adolescents began. Young viewers are exposed to the incapable and incompetent ""hapless father"" archetype on a regular basis, causing both boys and girls to expect the bare minimum of fathers while mothers hold the responsibility for all domestic and parenting work. Cartoons rely heavily on toxic stereotypes for ratings, when in fact, healthy representations of fathers are just as successful in maintaining viewership. Eleven essays, written by scholars from around the world, investigate the topic of fatherhood as it is represented in children's animated television shows. Main themes that emerge include absent and negligent fathers, single fathers, generational shifts within families, and raising the standard of fathering by creating secure bonds between father and child. The authors uncover problematic fathers, imperfect yet redemptive fathers, and fathers who embody idealized parenting traits through some of our most beloved animated dads. This collection demonstrates the impact that media representations of father figures have on young viewers and argues for better role models.

This is a reference book on the TV series Petrocelli. The series ran on N.B.C. from 1974 until 1976. This book provides all 44 episodes (plus the pilot film) in date order, complete cast listings, numerous photographs, directorial credits, and a story synopsis for each episode

* A complete production history of this fascinating program, including memories and quotes from Richard Carlson, Frederic Ziv, and others.* A complete episode guide listing in extreme detail, all 117 episodes in production order, including dates they were filmed, complete cast lists, where each scene was filmed on location throughout California, and other pieces of trivia so detailed it'll make your head swim.* Reprints of story ideas and suggestions that just never fleshed out into a feasible television episode.* Internal correspondence between Philbrick and the television producer so you can see first hand exactly what kind of involvement the real Philbrick had with the production of this series.* Background information about Philbrick's book, including reprints of book reviews, and Philbrick's opinions about how his involvement with the F.B.I. founded the book, and how the book changed his life.* Brief critical essays about other Anti-Communist films including RED PLANET MARS (1952), I WAS A COMMUNIST FOR THE F.B.I. (1951), and INVASION U.S.A. (1951) to name a few, and their influence and comparison with the I LED THREE LIVES series.* Plus much, much more!

Legendary film director Robert Wise called the Whistler features, "examples of budgetfilmmaking at its very best." Noted B movie historian Don Miller cited them as, "the bestB pics of the period from Columbia." Famed film critic/historian Leonard Maltin referredto the series as "one of the most unusual- and one of the best mystery series of the30's and 40's. . ."Based on J. Donald Wilson's hit radio suspense program featuring ironic tales ofterror spun by a mysterious host, The Whistler film series consisted of eight motion picturesproduced by Columbia Pictures between 1944 and 1948 starring legendary, AcademyAward-nominated actor, Richard Dix. Although manufactured quickly andcheaply to fill the bottom half of a mandatory double bill, The Whistler films were suspenseful and well made, engendering wide popularity and surprising critical acclaim. Today historians and movie aficionados frequently cite them for their innovation and style-and as early examples of film noir.This is the story of the making of this landmark Columbia series, and the manyextraordinary individuals who pooled their singular talents to make eight lowbudget movies into film classics. Included are rare profiles of 50 Whistler filmmakers:actors, directors, writers, and technicians.

Hopalong Cassidy starred legendary actor William Boyd and Andy Clyde as his sidekick. Rediscover the Old Time Radio series with all the Hopalong Cassidy prose, motion pictures, comic books, and newspaper comic strip stories, as well as full details of the 104 half-hour radio adventures that hold up as well today as when they were first broadcast in 1950-1952. Features include the Mutual, and later CBS, networks series, its background, producers, performers, writers, sponsors, story lines, and merchandising in detail seldom seen. Illustrations include rare advertisements, photographs, and press kits. Foreword by Western author, Loren D. Estleman. 148 pages.Radiogram:Hopalong Cassidy of the Airwaves Rides Again in New BookThose prolific editors at BearManor Media in Albany, GA continue to dazzle OTR fans with books on such diverse and unusual subjects as comic strips on radio, the story of the series Straight Arrow, and biographies of Walter Tetley, Agnes Moorehead and Jerry Colonna, seemingly leaving no stone unturned with regard to golden age of radio.BearManor Media's latest excursion into old-time radio involves a look at one of radio's most beloved cowboys, Hopalong Cassidy. In Jingle of the Silver Spurs: The Hopalong Cassidy Radio Program, 1950-1952, author Bernard A. Drew examines, in depth,the genesis and recording of the radio drama series, which began broadcasting in 1948 and ended in 1950 after which the series went into television. The half-hour western was syndicated through Commodore Productions, and heard mostly on Mutual stations.William Boyd, who had played the silver-haired good guy who dressed in black in a series of films beginning in 1935 with Hop-A-Long Cassidy-reissued later and better known today as Hopalong Cassidy Enters-and ending in 1948 with Strange Gamble, starred in the series with Andy Clyde offered an ideal blend of rangeland crime puzzles and good humor, with Boyd's belly laugh and Clyde's braying wheeze delighting family members young and old.Drew notes that, "Hopalong Cassidy was an iconic character, particularly when Bill Boyd brought him to television in the early 1950s." He also writes that, "The radio show was a small piece of an enormous merchandising effort which included not only films and television shows but new hardcover fiction books, comic books, and every conceivable piece of merchandise a youngster could want - from trading cards to lamps to bed sheets to toy six-guns. There is still a huge Hoppy fan audience who should be curious about another aspect of their hero's career."Drew's book follows screen actor William Boyd's negotiations with Cassidy creator Clarence E. Mulford as well as Boyd's agreement with Commodore Productions. The book also includes a complete Mutual Broad-casting System press kit for the radio show, and provides a complete list of all 104 programs complete with plot description.

The Twilight Zone (1959-1964) anthology series created by Rod Serling presented a series of unrelated drama, psychological thriller, fantasy, science fiction, suspense, and horror stories that often concluded with a macabre or unexpected twist. The show has survived, and now the original scripts can finally be revealed. The unique scripts by principal writers Rod Serling, Charles Beaumont, Richard Matheson, and Earl Hamner give a rare look into the creative minds behind these imaginative tales: "The Chaser" (1960) by Robert Presnell, Jr."The Trouble With Templeton" (1960) by E. Jack Neuman"Long Distance Call" (1961) by William Idelson"Dead Man's Shoes" (1962) by OCee Ritch"I Dream of Genie" (1963)by John Furia, Jr."Pattern For Doomsday"by Charles Baumont (an unproduced script) Andrew Ramage analyses include a scene by scene commentary and biographical information about these writers.

Twelve Untold Tales of Gary Cooper, Patsy Kelly, Pola Negri, Robert Taylor, Zeppo Marx, Quentin Crisp, The Grapes of Wrath, "Our Gang," Rock Hudson, Soupy Sales, and more. A Work of Non-Fiction by Richard Lamparski Author of the eleven volume Whatever Became of...? series and Hidden Hollywood: Where the Stars Lived, Loved & Died and Manhattan Diary.

Badpuppy MagazineAuthor of the eleven volume Whatever Became of…? series, interviews and stories with and about the great actors and actresses of yesteryear, Richard Lamparski reveals incredible, but true, heretofore untold stories of some of the stellar stars he has met, some of whom became good friends and others who did not. With other 40 illustrations and fascinating stories, Richard kicks some closet doors wide open, reveals the dirt on others, and praises some of the celebrities any gay person of worth will know about to some degree. If you want an intimate look deep inside Hollywood, told with great skill, humor and empathy, add this wonderful book to your "must-read" list. With chapter titles like "The Queen of Sex," "The Absolute Worst Story I know," "A Rainy Afternoon in Beverly Hills," and "Lassie's Master," how could you pass this one by? Hollywood Diary is definitely a keeper!Movie MemoriesYet another great read has come my way with the newly published Hollywood Diary, Twelve Untold Tales by Richard Lamparski (best known for his excellent series of books entitled Whatever Became of…?). Once I started this fascinating 175 page tome, I just couldn't put it down, with its untold tales of the likes of Patsy Kelly, Gary Cooper, Robert Taylor, Mae West, Rock Hudson, Zeppo Marx, Pola Negri, Martin Kosleck, Darla Hood (of Our Gang), Richard Cromwell and a most touching story of the casting of Ma Joad in The Grapes of Wrath - a choice between Jane Darwell and Beulah Bondi, two of Hollywood's best character actresses ever. There are several "eyebrow lifting" moments here and there, but overall it is always highly entertaining, and illustrated throughout. I highly recommend this book, and can't wait to read Mr. Lamparski's companion volume, entitled Manhattan Diary which promises to be another frank and explosive read.

Would Brad Pitt and Julia Roberts be the superstars they are today if they had not been turned down for roles on soap operas?Would Everybody Loves Raymond ever have been created if Ray Romano hadn't been fired from Newsradio?Would the character of Fonzie have become such a pop culture icon in the 1970s if it had been played by Micky Dolenz?How different would Lisa Kudrow's career have turned out if she had not been turned down for a spot on Saturday Night Live?MICKEY ROONEY AS ARCHIE BUNKER and Other TV Casting Almosts answers these questions and many more.Mickey Rooney was producer Norman Lear's first choice for the starring role of Archie Bunker on All in the Family. Worried about the public's reaction to the bigoted character, he turned the role down. Carroll O'Connor was cast and became a star.TV's most famous and infamous casting decisions are explored in MICKEY ROONEY AS ARCHIE BUNKER and Other TV Casting Almosts. You'll read the stories behind the choices that have altered the course of TV history. Inside you'll learn many fun facts including:Katie Holmes was the first choice to play Buffy the Vampire SlayerRosie O'Donnell auditioned for Elaine on SeinfeldGene Hackman was rejected for the part of Mike BradySandra Bullock didn't have the right look for BaywatchLara Flynn Boyle was considered to play Carrie Bradshaw on Sex and the CityThe shows are listed alphabetically from According to Jim to Zorro. This book lets you imagine how different your favorite shows could have been.

This book investigates the role that cinemas in Brazil, Chile and Argentina have played in reconstructing memories of the most recent military dictatorships. These countries have undergone a distinctive post-dictatorship experience marked by unprecedented debates about human rights violations, the silencing of victims and accountability for state crimes. Meanwhile, politically committed filmmakers have created an extensive body of work addressing the dictatorship and its aftermath. This book employs a transnational and comparative approach to examine the strategies that these filmmakers have used to render visible what has remained hidden, to make reappear what has disappeared, and to reinterpret historical actors and events from a contemporary perspective. Through attention to the specific properties of the medium and the socio-historical context in which films have been made, it describes the different cinematic modes of remembering that emerged in response to wider memory frameworks in South America.