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Les Romanesques est une comédie en trois actes et en prose représentée pour la première fois sur la scène de la Comédie-Française le 21 mai 1894. C'est le premier succès théâtral d'Edmond Rostand.Dans cette comédie, Rostand met en scène un MUR, personnage muet . Ce mur sépare deux jardins, et deux jeunes amoureux, Percinet et Sylvette, dont les pères habitent des maisons voisines...
Do you want to find out which family served as inspiration for the acclaimed TV show The Sopranos?If you want to uncover the secrets of one of the most notorious criminal organizations in American history, then you need to read this book.Within these pages is a riveting and in-depth exploration of the shadowy history of the DeCavalcante family, from their origins to their ultimate downfall.Inside The DeCavalcante Mafia Crime Family, discover:The origins of the DeCavalcante family and how they established themselves as a major player in the New Jersey underworld.How the DeCavalcante family influenced The Sopranos's characters and storylines, along with the similarities between the real-life Sopranos and the fictional characters portrayed in the show.The violent and ruthless tactics used by the DeCavalcante family to maintain their power and influence.The family's connections to other major Mafia organizations, including the Gambino and Lucchese families.The numerous law enforcement efforts to bring the family to justice, including the landmark Operation Heat case.The impact the DeCavalcante family had on organized crime in New Jersey and beyond.Whether you are a true-crime enthusiast or interested in the history of organized crime, this book is one that you don't want to miss out on.From illegal gambling to drug trafficking and extortion, The DeCavalcante Mafia Crime Family reveals the truth of this family's involvement in some of the most heinous crimes in New Jersey history.
Starting from found thermal camera recordings, the filmmaker and artist Stefan Kruse (b. 1987) made his experimental, essayistic documentary film A Lack of Clarity (2020). This book, titled after the film, transposes Kruse's dream-like documentary from screen to page. The resequencing of film stills and subtitles presents an alternate view into the social control mechanisms and evolving digital technologies that face an expanding field of what is visible (and controllable) in the contemporary city. A Lack of Clarity, designed and edited in close collaboration with Kruse, includes 200+ stills from the film, as well as essays by Volker Pantenburg and Rémi Lauvin.
Narrating has an extraordinary power that stretches out past simple stories; it shapes points of view and fills in as an impetus for motivating change. At its center, narrating is a major human encounter, rising above societies, dialects, and ages. Whether passed on through antiquated oral practices, composed writing, or present day sight and sound stages, stories can shape discernments, touch off sympathy, and prepare people and social orders towards positive changes. The effect of narrating on forming points of view lies in its capacity to give assorted perspectives and stories. From the perspective of characters and plots, stories give a window into various lives, societies, and encounters. They challenge assumptions, expand understanding, and encourage compassion by permitting crowds to stroll in the shoes of others. This sympathetic association, produced through narrating, is a strong power in separating generalizations and encouraging a more comprehensive and empathetic perspective. Also, narrating has the unmatched ability to motivate change by taking advantage of the close to home center of people. Stories have the ability to bring out a scope of feelings, from bliss and giggling to distress and examination. These profound reactions are a demonstration of the narrator's art as well as act as an impetus for reflection and activity. A convincing story can possibly mix compassion and ignite the craving for positive change, inciting people to reexamine their points of view, mentalities, and ways of behaving. In different domains, from writing and film to reporting and promotion, narrating has been saddled as a device for social change. Stories that shed light on friendly treacheries, ecological issues, or basic freedoms infringement have the intensity to assemble general assessment and electrify aggregate activity. By winding around a charming story, narrators can cause to notice squeezing matters, motivating people to draw in with significant causes and add to positive cultural movements. In the present interconnected world, narrating has advanced through computerized stages, online entertainment, and virtual spaces, enhancing its span and effect. The democratization of narrating permits different voices to be heard, encouraging a worldwide trade of stories that test, move, and interface individuals across borders. From grassroots developments to worldwide drives, narrating keeps on being a powerful power for prompting change and cultivating a common feeling of humankind. Fundamentally, the force of narrating to shape points of view and rouse change is a demonstration of its persevering through significance in the human experience. As we keep on exploring the intricacies of our interconnected world, perceiving and outfitting the capability of narrating becomes a social and creative undertaking as well as a way to cultivate grasping, sympathy, and an aggregate obligation to positive change.
"This collaborative history testifies to the central part theatre has played in French culture for over a thousand years. Through a range of diverse contributions, it places centre-stage the genders, ethnicities and classes that have had to wait in the wings both of theatres and of theatre history"--
The various sub segments of technology along with the application of science have merged together in such a way that they are able to endorse a lot of progress for the human civilization. The Same combination of these two research oriented fields has also made their contribution to enhancing the application of communication and long distance signal transmission. Today any kind of distance means nothing, as long as the science and technology applications are made to work in the best possible way. This book is a primary source for those who find Ham radio operations interesting and they want to try it on their own. So you will see that the outline of this book is formulated with all the basic content so that the interested readers can start up their journey very well. What you will find in this book:Things to build and work onThings to doThings to participate inEssential reference informationShort and to the point discussionsFrom the moment you buy your Pi, to the actual playing with your ham shack this book will guide you through the whole process of learning to install, configure, and operate with Raspberry Pi in order to enjoy the coolest hobby in the world.
With the first appointment of the outstanding performance artist Marina Abramovic to the Pina Bausch Professorship at the Folkwang University of the Arts, the focus in the 2023-23 academic year was placed on transdisciplinarity, artistic daring and social awareness.The project supervised by Abramovic, entitled "Free Interdisciplinary Performance Laboratory (FIPL)", was realised in a class put together by her, in which she brought together over 20 students from the fields of music (classical and jazz, instrumental, vocal and composition), dance, design, photography, (physical) theatre and directing. The students developed individual or collective concepts for performances and learnt how to develop a long-term performative work form in an experience-based process. In a workshop entitled "Cleaning the House", which was organised according to a method developed by Marina Abramovicmethod developed by Marina Abramovic, the students developed a sense of the presence required in performances, including the exploration of their individual physical and mental limits. The outstanding performance artist Marina Abramovic was the first holder of the new Pina Bausch Professorship at the Folkwang University of the Arts in Essen in 2022/23. She focused on transdisciplinarity, artistic daring and social awareness. In her Free Interdisciplinary Performance Laboratory (FIPL), Abramovic brought together over twenty students from the fields of music, dance, design, photography, (physical) theater and directing. Over two semesters, they realized artistic-performative projects that dealt with agency, resilience and body awareness and explored physical and mental boundaries.
1930 hatte im Großen Schauspielhaus in Berlin, dem von Max Reinhardt als "Theater der Fünftausend" konzipierten Bau, ein Stück Premiere, das nicht nur bei Kritikern und Publikum größten Zuspruch fand, sondern dem auch eine beispiellose Nachkriegskarriere in der deutschsprachigen Theaterlandschaft beschieden war: "Im weißen Rößl", ein von dem Regisseur Erik Charell und dem Autor Hans Müller umgearbeitetes Lustspiel von Oscar Blumenthal und Gustav Kadelburg, das im Stil der Charell-Revue mit Musik von Ralph Benatzky, Robert Stolz, Robert Gilbert u. a. den Berlinerinnen und Berlinern eine ländlich-exotische (und erotische) Alpenidylle in die Hauptstadt zauberte. Durch die Kette an Aufführungen, die seit 1930 bis in die Gegenwart hinein nicht abreißt, erfuhr das Werk eine Vielzahl an Neufassungen, die mit ihren Zugängen nicht nur Plot, Musik und Ästhetik immer wieder aktualisierten, sondern, zumal in Produktionen wie in der "Bar jeder Vernunft" in Berlin (1994) oder der Verfilmung von Christian Theede (2013), auch die Rezeptionsgeschichte des Stückes mitreflektieren. Dieser Band thematisiert neben Deutungen, Figuren und der Aufführungsgeschichte des Werkes auch Aspekte der Verfilmungen.
Sammen med journalist Dorthe Løwendahl Bomann udforsker Niels Hausgaard, hvordan vi har fortalt historier til hinanden, siden vi sad om lejrbålet for 350.000 år siden, hvorfor nogle historier er bedre end andre, og hvad de betyder for os som individer og i en større sammenhæng. Historiefortælling har haft en særlig betydning for Niels Hausgaard, lige siden han lå under spisebordet og lyttede til en langsom rumlen af voksne stemmer i sit barndomshjem. Som en af landets mest populære entertainere har han gennem et halvt århundrede fortalt om stort og småt og mangt og meget fra Hirtshals til København. Som han skriver: "Vi skal fortælle historier, finde vores fælles materiale. Når vi tør blotte os, være selvironiske og forlade tomgangssnakken, viser vi hinanden tillid, så berører vi hinanden. Og så ånder vi i takt." Udgivelsen er en storskrift-udgave til svagsynede i serien MAGNUMBØGER Lindhardt og Ringhof.
This is a reference book on the Scotland Yard series of short films, from 1953-61. All 39 black and white films, which were released in cinemas ahead of the main feature, are included, along with years of release, complete cast lists, numerous photographs, directorial credits, running times, and a story synopsis for each film.
"El Trato de Argel" es una obra teatral escrita por Miguel de Cervantes que destaca por su cautivadora narrativa y su profundo impacto emocional. Esta pieza maestra del Siglo de Oro español nos sumerge en un cautiverio lleno de intrigas, esperanza y desafíos.La trama se desarrolla en el cautiverio de dos jóvenes españolas, Zoraida y Leonisa, en la ciudad de Argel. A través de la pluma magistral de Cervantes, somos testigos de las complejas relaciones entre cautivos y captores, donde se entrelazan el amor, la traición y la lucha por la libertad.La riqueza de los personajes, desde el valiente y apasionado Cristiano hasta el astuto e intrigante Mustafá, crea una trama emocionante que mantiene al espectador en vilo. Cervantes teje magistralmente la tela de la historia, explorando las profundidades de la condición humana y la resistencia frente a la adversidad."El Trato de Argel" no solo ofrece una narrativa cautivadora, sino que también refleja la agudeza de Cervantes para explorar temas universales, como la libertad, el amor y la redención. Esta obra continúa siendo una fuente inagotable de reflexión y deleite para aquellos que buscan sumergirse en la genialidad literaria del autor.
Dorothea Eitel versteht das Choreografieren als einen Akt, der auf einer bewusst entschiedenen Lebenshaltung als Künstler:in, Unternehmer:in und Mensch basiert, um als einzigartige Künstlerpersönlichkeit mit Hilfe methodischer und unternehmerischer Werkzeuge und Skills, genuine Gestaltungen hervorzubringen. Durch Experimente und Momentaufnahmen können Leser:innen für sich selbst herausfinden, wer sie als Mensch sind, was sie als Künstler:innen in die Welt bringen möchten und wie sie mit Hilfe von kollaborativen, co-kreativen und kollektiven Methoden und Werkzeugen aus dem agilen Management und dem intentionalen Gemeinschaftsleben teamorientiert planen, arbeiten und gestalten können.Dieses Buch wurde von einer Choreografin, jedoch nicht ausschließlich für Choreograf:innen geschrieben. Auch andere Künstler:innen und selbst andere Branchen können hier fündig werden für ihre Arbeit als Kreative, Lehrende, Raumhalter:innen und Visionär:innen.Das Buch ist ein Füllhorn, um neue Praktiken kennenzulernen und noch unerforschte Wege zu beschreiten. Es ist Anleitung, Fragenkatalog, philosophische Abhandlung, Autobiografie, Erfahrungsbericht, Ideen- und Materialsammlung sowie Quelle für die eigene weiterführende Forschung. Es ist Impulsgeber, Mutmacher, ein Tritt in den Hintern, Inspiration, Provokation, Wissensquelle.
Hanns Eisler was Arnold Schönberg's favourite pupil. He worked intensively with Bertolt Brecht andcomposed the GDR's national anthem. Veronika Eberhart's artistic study focuses on the years 1938to 1948, which the composer spent together with his wife Lou(ise) in exile in Los Angeles. Shortlyafter their arrival, the two became the focus of FBI investigations. They were bugged and followed.In 1947, Eisler was finally called before the House Un-American Activities Committee (HUAC), and ayear later he and his wife were deported from the USA. The book contains images from Eberhart'slatest film Garten sprengen (2022) and a series of new sculptural and photographic works thatcan be seen in her exhibition at the IKOB Museum of Contemporary Art in Belgium.Veronika Eberhart is an artist, filmmaker, and musician.
This book focuses on two commercial radio stations, Radio Luxembourg and Europe n°1, which were popular institutions in Western Europe throughout the Long Sixties, working across media and broadcasting transnationally. It argues that the existence of an overarching ¿dispositif ¿ of commercial radio stations enabled them to operate on various dimensions and differentiated them from other broadcasters. The book therefore answers current calls in media history to look beyond national and single-medium borders and contributes to the cultural and media history of Western Europe.
The power of the mantra lies in its ability to bring individuals to a state where they can reflect upon their inner selves. The use of repetitive sacred utterances allows one to access the divine.Mantras allow individuals to access their inner selves in a very powerful way. Repeating sounds considered sacred allows one to access the divine. The word "mantra" is derived from Sanskrit and simply means a sacred sound.In yoga practice, mantras play a key role. Typically, practitioners of yoga chant mantras at the beginning and end of a yoga session. Here, I have created a collection of mantras that are used in a variety of yoga traditions: Patanjali, Vinyasa, Kundalini Yoga. I also include several Buddhist mantras which are usually used at the end of a yoga session when Metta meditation is done.This songbook is suitable for any keyboard musical instrument: piano, synthesizer, accordion, melodica, even for percussion instruments such as xylophone or marimba.Also, I added a QR code to all songs. Follow the link and listen to the rhythm before beginning to play.CONTENTS:Adi Mantra. Kundalini YogaAsatoma Sadgamaya (version 1)Asatoma Sadgamaya (version 2)Ashtanga Vinyasa Opening Yoga MantraAshtanga Vinyasa Closing Yoga Mantra.Ganesha MantraGayatri MantraGreen Tara MantraGuru BrahmaJay Mata KaliKali Durgai Namo NamahLakshmi MantraLokah Samastah Sukhino BhavantuMaha Mrityunjaya MantraMoola Mantra. Kundalini YogaOm Aim Hrim Klim Chamundaya Viche NamahaOm Mani Padme HumOm Namah ShivayaOm Namo Bhagavate SivanandayaOm Sarve Bhavantu SukhinahOm Shakti OmOm Shri Durgayai NamahaShiva Shankara. Bhakti YogaShiva Shiva ShambhoShivananda Namah OmSiri Gayatry Mantra (Ra Ma Da Sa). Kundalini YogaSurya Gayatri Yoga MantraSurya NamaskarTriple Mantra. Kundalini YogaYoga Sutra
Regisseur Ulrich Seidl erhitzt die Gemüter, seit er Filme dreht: Nicht erst mit SPARTA, seinem jüngsten Film, der wegen seiner Produktionsbedingungen von den Medien skandalisiert worden ist, hat Seidl für viel Aufruhr gesorgt: Seine Dokus TIERISCHE LIEBE, IM KELLER oder SAFARI erregten die Öffentlichkeit ebenso wie seine Spielfilme HUNDSTAGE, IMPORT/EXPORT und eben SPARTA. Filmjournalist und Regisseur Matthias Greuling (DER BAUER ZU NATHAL) hat Seidl über viele Jahre seiner Karriere journalistisch begleitet. Seine Aufzeichnungen aus 20 Jahren, von Interviews über Filmkritiken und Berichte, verdichtet der Autor in diesem umfassenden und doch auf wesentliche Aspekte des Seidl'schen Schaffens fokussierten Kompendium eines filmkünstlerischen Schaffens der Sonderklasse.
Frühere Textversionen und unfertige Übersetzungen von "Communicate EinFach"Russische, chinesische, englische, deutsche, spanische, italienische, portugiesische, arabische, französische Texteprevious text versions and unfinished translations of 'Communicate EinFach'Russian, Chinese, English, German, Spanish, Italian, Portuguese, Arabic, French texts
A chilling twist on the "cursed film" genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.The man who played "The Thin Kid" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions--demons of the past be damned.But at what cost? Horror Movie is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion
"Comedic Material Canvas: Grins with Stories" is a vivid investigation into the complex masterfulness of humor, an excursion that unfurls across the immense spread of comedic articulation. Envision a material where chuckling comes to fruition, and stories wake up with the lively strokes of mind, parody, and certifiable human experience. This one of a kind venture rises above the ordinary limits of parody, welcoming crowds to draw in with the rich embroidery of chuckling that rises above social, transient, and semantic limits. At its pith, "Comedic canvas Painting" is a festival of the different structures and styles that humor takes. Like a breathtaking painter using a brush, this try exemplifies stand-up, sketch parody, mocking stories, and, surprisingly, the immortal appeal of droll. Each stroke on this comedic material adds to an orchestra of chuckling, a melange of comedic flavors that reverberate with a wide crowd. From the unpretentious subtleties of observational parody to the intense strokes of parody testing cultural standards, this venture paints with a range that catches the quintessence of the human experience. This comedic investigation is something other than a presentation; an intuitive encounter connects with crowds on a significant level. The material isn't static yet a dynamic, developing space where comics and entertainers interface personally with their crowd. The giggling turns into a common language, an extension that unites people from various different backgrounds, joining them in the aggregate delight of humor. "Comedic Material Composition: Grins with Stories" is likewise a demonstration of the masterfulness of the entertainers and entertainers included. They are not just performers but rather talented specialists who, with their novel voices, immaculate timing, and keen perceptions, add to the making of this living material. Every entertainer is a narrator, a painter adding their unmistakable shades to the general work of art of chuckling. In this task, the comedic material stretches out past the customary stage. It consolidates different mediums, from live exhibitions in satire clubs to computerized stages that contact a worldwide crowd. This inclusivity guarantees that the chuckling filled stories are open to a different range of watchers, separating obstructions and uniting individuals through the widespread language of humor. As crowds draw in with "Comedic Material Canvas: Smiles with Stories," they set out on an excursion that rises above simple entertainment. It is an investigation of the human condition, an impression of society's complexities, and a festival of the strength tracked down in chuckling. The material turns into a mirror, mirroring the idiocies, delights, and difficulties of life, all painted with the brushstrokes of merriment. Basically, "Comedic Canvas Painting " is an imaginative undertaking that goes past diversion - it's a tribute to chuckling, a festival of stories, and a sign of the persevering through force of humor to interface, elevate, and make enduring recollections. Whether through the nuances of wit or the loud chuckling evoked by actual satire, this comedic material makes a permanent imprint, welcoming crowds to participate in the immortal delight of shared giggling.
Basketball is a fun and fitness-promoting sport. To be successful in this sport, players need to develop some fundamentals. These fundamentals are footwork, timing, and body awareness.FootworkFootwork refers to the movement of a player's feet. A player with good footwork can move around the court efficiently, dribble, and shoot.To develop good footwork, players should practice footwork drills. These drills teach players how to control their foot movements and stay safe on the court.TimingTiming is the ability of a player to know when to do an action. A player with good timing can choose the right time to stop dribbling, shoot, or rebound.To develop good timing, players should practice timing drills. These drills teach players how to make quick decisions and take actions at the right time.Body awarenessBody awareness is the ability of a player to know their body's position and direction. A player with good body awareness can position themselves correctly on the court and know how to maneuver around other players.To develop good body awareness, players should practice body awareness drills. These drills teach players how to control their bodies and move efficiently on the court.
In the vibrant city of Radiant Grove, a young black queen named Amara discovers she possesses the power to bridge the seen and the unseen, unlocking a journey of spiritual awakening and societal transformation. As the Luminary Haven blooms under Amara's guidance, her dual mission of providing a haven for gifted youth and deciphering warnings from the spiritual realm unfolds into a legacy of light. This captivating tale explores the delicate dance between the physical and spiritual, leading to a peaceful revolution that transcends borders. Join Amara on a transformative journey that illuminates the enduring power of inner understanding, creativity, and the pursuit of a harmonious existence.
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