Litteraturstudier: generelt

Narratives of Women¿s Health and Hysteria in the Nineteenth-Century Novel looks extensively at hysteria discourse through medical and sociological texts and examines how this body of work intersects with important cultural debates to define women¿s social, physical, and mental health. The book sketches out prominent shifts in cultural reactions to the idea of diffused agency and the prized model of the interiorized, individual person capable of self will and governance. Melissa Rampelli takes up the work of Jane Austen, Charles Dickens, George Eliot, and Thomas Hardy, showing how the authors play with and manipulate stock literary figures to contribute to this dialogue about the causes and cures of women¿s hysterical distress.

The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the ¿golden age¿ era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.

Explores the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared.

"The Norwegian 'treason trials' were the most extensive post-war 'reckoning' with wartime collaboration in all of Europe. This study examines how the Norwegian authorities envisaged, implemented and interpreted these trials, from the first planning efforts of the early 1940s to the debates over their legacies during the 1960s"--

Sex, Celibacy, and Deviance is the first major study to explore the Song of Songs (or Song of Solomon) in Victorian literature and art. As the Bible's only erotic poem, the Song of Songs is the canonical Judeo-Christian book about love, furnishing the Victorians with an authoritative and literary language for love, marriage, sex, mourning, and religious celibacy. Duc Dau adopts a queer and feminist lens to consider how Victorians employed and interpreted the Song of Songs in their work. How did writers and artists fashion and, most importantly, challenge the norms of gender, romantic love, and marriage? Spanning the early Victorian era through the first two decades of the twentieth century, Sex, Celibacy, and Deviance considers the works of Charlotte Brontë, Thomas Hardy, Christina Rossetti, John Gray, Michael Field, Edward Burne-Jones, and Simeon Solomon alongside two lesser-known figures: Irish-born Scottish artist Phoebe Anna Traquair and the Catholic religious leader Augusta Theodosia Drane. By addressing the relevance of the Song of Songs in light of shifting and conflicting religious and social contexts, Dau provides a fresh perspective on Victorian literature, religion, and culture.

Migration and Creation in Aztec and Maya Literature provides a new perspective on migration and creation episodes in the Popol Vuh of the Quiché Maya Indians of highland Guatemala, demonstrating that they are largely borrowed from Aztec sources. These findings upend previous interpretations resulting from the widely held belief that the Popol Vuh is the most "authentic" Maya book. Victoria Bricker¿s careful historical analysis explains the origin of these borrowings, which stemmed from the expansion of the Aztec empire southward from the Central Valley of Mexico into the highlands of what is today the Mexican state of Chiapas and continuing into highland Guatemala as far south as the town of Utatlán, whose rulers then intermarried with members of the Aztec royal family.This innovative volume explores new ground, comparing Aztec pictorial representations of migration with Maya written descriptions of the same events and showing that they have much in common. Bricker¿s exploration of creation narratives demonstrates that the Aztec treatment of multiple creations is more coherent than the Popol Vuh version because it describes the end of each creation before embarking on a new creation, whereas the Popol Vuh version refers to the end of all creations only once. Bricker also provides a new interpretation of creation texts from the archaeological sites of Quirigua and Palenque that challenges models suggesting that the Precolumbian Maya, like the Aztecs, believed in multiple creations. Students of Latin American history will find fresh insights regarding interactions and cultural contact in Late Prehispanic Mesoamerica in Bricker¿s study. Victoria Bricker, one of the most accomplished scholars in the field of Mesoamerican studies, presents a fascinating hypothesis about creation legends in this new book. Synthesizing references to Mesoamerican migration and creation accounts in the Colonial period and ethnographic literature, she concludes that the multiple creation events recorded in the Popol Vuh, a colonial-period Quiché Maya text, were derived from Central Mexican traditions. Bricker finds no evidence for multiple creation events in Classic period Maya texts, and suggests that the narrative recorded in the Popol Vuh was probably transferred from the Aztec outpost in Zinacantán, Chiapas, to Quiché nobility, who aspired to increase their status by linking their creation narrative to Aztec accounts. This book provides a stimulating new look at the exchange of ideas across Mesoamerica, and will certainly lead scholars to reexamine the often-claimed link between the Popol Vuh and Classic Maya iconography.¿Dr. Susan Milbrath, Emeritus Curator of Latin American Art and Archaeology Florida Museum of Natural History, University of Florida, GainesvilleThis is an extraordinary book. Only Victoria Bricker¿with her mastery of Maya linguistics, hieroglyphics, and colonial sources, and her knowledge of Aztec texts¿could have compared Aztec and Maya creation literature in the probing and thoughtful way she has. The short chapters, each with its clear focus, carry her analysis naturally forward to a deeper understanding of the Popol Vuh and, indeed, much migration and creation literature in Mesoamerica.¿Dr. Elizabeth Hill Boone, Professor Emerita, Tulane University

Marta Tomczok presents all Polish postmodern novels about the Holocaust, starting with "The First Splendor" by Leopold Buczkowski and ending with "The Suspected Dybbuk" by Andrzej Bart. She also presents their rich relationships with selected foreign-language prose, which intensified especially at the turn of the 20th and 21st centuries. The culmination of the entire trend is a discussion around two novels: "Tworki" by Marek Bienczyk and "Fly Trap Factory" by Andrzej Bart, which reveals the aestheticizing and post-memorial profile of Polish postmodernization and its advantage over the historiosophical trend. This monograph is not only the first such collection of post-Holocaust postmodern novels, but also the first comprehensive study of postmodernism in the literature about the Holocaust, which, thanks to comparative analysis, tries to analyze and explain the circumstances of the appearance and later disappearance of this trend from cultural landscape of the world and Poland.

Esta investigación opera con los productos culturales que se encuadran en las poéticas del fin del mundo, las distopías, las crisis actuales provocadas por fenómenos naturales o por la intervención del ser humano en el deterioro físico, así como las visiones apocalípticas que en nuestros días intentan explicar la deriva del planeta y reflexionar sobre la situación pre y pospandémica. Asimismo, se tratan algunos aspectos relacionados con estos problemas actuales alrededor de conceptos asociados a la ecocrítica.Desde la segunda mitad del siglo XX y las primeras décadas del actual, transitan por la literatura y el pensamiento de América Latina muchos textos distópicos, centrados en las consecuencias de la posmodernidad, la globalización, el nuevo orden económico, social y político mundial, las nuevas tiranías, el cambio climático y las plagas y pandemias, que se explicitan en géneros como la ciencia ficción, el cyberpunk, las ecodistopías, los apocalipsis y postapocalipsis, campos abiertos y muy bien cosechados sobre todo en la narrativa de nuestra América. En este ensayo, tras un panorama general, se integran las dos líneas fundamentales: una dirigida a las distopías, las crisis generales, apocalipsis y desastres, y otra cercana a problemas de ecocrítica y ecoliteratura, en la que se alojan reflexiones sobre los ámbitos naturales, rurales y selváticos.

'A first-rate biography of the man, the writer and the lover' DAVID HOCKNEY'Bucknell's research is impressive and her judgements astute' GUARDIANAn engrossing new biography of the man whose writings about 1930s Berlin made him famous. From the editor of Isherwood's diaries and letters.Christopher Isherwood rejected the life he was born to and set out to make a different one. Heir to an English estate, he flunked out of university, moved to Berlin, was driven through Europe by the Nazis, and circled the globe before settling in Hollywood.There he adopted a new religion and continued to form the friendships - including an astounding number of romantic and sexual ones - through which he discovered himself.Using a wealth of unpublished material, Christopher Isherwood Inside Out tells how the traumas of his father's death in World War I and his failure to protect his German lover from the Nazis were healed by his life as a monk in the 1940s, enabling him to commit unflinchingly to a sexually open relationship in the 1950s, and to come out as a 'grand old man' of the gay rights movement in the 1970s.With this new biography, enriched by unlimited access to Isherwood's partner Don Bachardy, Katherine Bucknell shows how Christopher Isherwood achieved a uniquely inspiring personal life. He effected lasting change in our culture, through both his literary works and the way he lived.'The best biography I've ever read . . . Every page is full of surprises' EDMUND WHITE'It's hard to imagine a better qualified candidate for this task than Katherine Bucknell' THE TIMES'A fast-paced story of an extraordinary life and a broadly illuminating history of vast cultural changes' EDWARD MENDELSON

This book takes a close look at Shakespeare's engagement with the flurry of controversy and activity surrounding the concept of conversion in post-Reformation England. For playhouse audiences during the period, conversional thought encompassed a markedly diverse, fluid amalgamation of ideas, practices, and arguments centered on the means by which an individual could move from one category of identity to another. In an analysis that includes chapter-length readings of The Taming of the Shrew, Henry IV Part I, The Merchant of Venice, Othello, and The Tempest, the book argues that Shakespearean drama made a unique and substantive intervention in public discourse surrounding conversion, and continues to speak meaningfully about conversional experience for audiences in the present age. It will be of particular benefit to students and scholars with an interest in theatrical history, performance theory, theology, cultural studies, race studies, and gender studies.

Serial storytelling has the advantage of unlocking rather than simplifying the complexities of digital culture. With their worldbuilding potential, TV series open up new artistic horizons, particularly for the dystopian genre. Situated at the nexus of dystopia, complex TV, and a metamodern cultural logic, Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias offers readers novel insights into the dynamics of serial dystopias in the contemporary streaming landscape. Introducing the term 'complex serial dystopias' to describe series that allow audiences to engage with the dystopian premise from multiple angles, the book examines four Anglo-American series, including Black Mirror, Mr. Robot, Westworld, and Kiss Me First. The in-depth analyses trace the variety of ways in which these series offer critical reflections on the human-technology entanglement in digital culture.

Der Dorotheenstädtische Friedhof in Berlin ist zwischen Hegels Tod und der Gegenwart allmählich zu einem Mausoleum deutscher Kulturgeschichte geworden. Er bezeugt steinern die Größe deutscher Literatur und Philosophie wie die Irrungen und Wirrungen deutscher Geschichte. In sieben Porträts von dort Begrabenen (Hegel, Bonhoeffer, Heinrich Mann, Brecht, Marcuse, Heiner Müller und Christa Wolf) wird ihr letzter Lebensabschnitt, werden ihre letzten Werke, ihre Auseinandersetzungen mit dem nahen Tod, ihre Beerdigungen und ihr Nachleben dargestellt. Ihre Endzeiten reflektieren das Ende der Goethezeit, den Widerstand gegen den Nationalsozialismus, das Exil und das Scheitern der sozialistischen Hoffnungen, die sich mit der DDR verbanden.

Long hailed as a masterwork of modern German literature, The Book of Hours (1905) marks the origin of Rainer Maria Rilke's distinctive voice and vision-where clarity of diction meets unexpected imagery, where first-person poetry discovers its full lyric possibility. In these audacious poems, a devout but intimately candid speaker addresses an ultimately unknowable deity. "What will you do, God, when I die?" Rilke's speaker asks, passing through love, fear, guilt, anger, bewilderment, loneliness, tenderness and exaltation in his search for meaning.In this dual-language edition, Edward Snow, "the most trustworthy and exhilarating of Rilke's contemporary translators" (Michael Dirda, The Washington Post), makes Rilke's achievement accessible as never before in English. Snow combines striking fidelity to the German text with an uncanny ability to convey not just its tones and cadences but the captivating psychological presence that animates Rilke's best poems. Mystical and moving, The Book of Hours retains its power to astonish.

"Two centuries after Percy Shelley's death, his writings still resonate with pressing societal issues. This collection explores Shelley's remarkable collaboration with audiences across spaces and times. This title is part of the Flip it Open programme and may also be available Open Access. Check our website Cambridge Core for details"--

Verrechtlichungsprozesse von Literatur stellen als Kollisionsfall von Kunstfreiheit und allgemeinem Persönlichkeitsrecht nicht nur für die Jurisprudenz eine Herausforderung dar. Auch die Fiktionstheorie findet im besonderen Redestatus und den Fiktionslizenzen der Literatur ein reiches Feld. Die vorliegende Studie widmet sich systematisch anhand tatsächlich verhandelter Fälle und mit Blick auf neuere Fiktionsansätze der Frage, ob fiktionalen Texten Persönlichkeitsrechtsverletzungen angelastet werden können. Hierfür wird ausgehend von der Referenzstruktur fiktionaler Literatur untersucht, in welchen Fällen sich Elemente in der Darstellung literarischer Figuren auf reale Personen beziehen lassen und infolgedessen justiziabel werden können.

Das Buch widmet sich der Erforschung von ¿lyrischen Selbstentwürfen¿, also lyrischen Texten, die Textmerkmale aufweisen, auf Grund derer LeserInnen mit guten Gründen annehmen können, dass diese eine literarische Selbstthematisierung ihres Verfassers oder ihrer Verfasserin darstellen. Verschiedene literaturwissenschaftliche Grundannahmen ¿ insbesondere der konventionalisierte Anspruch, ¿lyrisches Ich¿ und AutorIn streng zu unterscheiden ¿ haben eine umfängliche Auseinandersetzung mit ihnen bis in die Gegenwart erschwert. Ausgehend von Widersprüchen, Inkonsistenzen oder Leerstellen bisheriger Interpretationspraktiken und theoretischer Konzepte zielt die Studie darauf, eine Theorie des lyrischen Selbstentwurfs auszuarbeiten und hierdurch lyrische Werke, die eine Referenz auf ihren Autor oder ihre Autorin anbieten, stärker in das Bewusstsein der Literaturwissenschaft zu rücken und als eigene Textsorte klarer zu konturieren. Aus diesen Zielsetzungen folgt der zweiteilige Aufbau der Untersuchung: Teil I unterwirft etablierte Praktiken, Theorien und Begriffe einer kritischen Revision, Teil II schließt auf Basis der erfolgten Bestandsaufnahme ausgemachte konzeptuelle Lücken, entwickelt ergänzende Analysebegriffe, zeigt ihre Verwendungsmöglichkeiten an konkreten Beispielen auf und bindet die zunächst abstrakt bleibenden Ausführungen an konkrete Texte zurück, wodurch zugleich die Vielfalt der existierenden Erscheinungsformen der betrachteten Gattung veranschaulicht wird. Damit ist die Arbeit vor allem als literaturtheoretische Grundlagenforschung einzuordnen, liefert darüber hinaus aber auch Interpretationen exemplarischer Textbeispiele (u.a. von Oswald von Wolkenstein, Goethe, Droste-Hülshoff, Brecht, Rilke, Jandl, Mayröcker, Jan Wagner). Die kritischen, forschungsgeschichtlich und praxeologisch perspektivierten Fragen fokussieren sich unter anderem auf die Begriffe des ¿lyrischen Ichs¿, des ¿Sprechers¿, des ¿abstrakten Autors¿, auf bisherige Versuche einer Positionsbestimmung der Lyrik zwischen Fiktionalität und Faktualität und auf die Marginalisierung der Lyrik innerhalb der Autobiographieforschung.

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The English language has no specific word for the parent that has lost a child. There exist words for orphan, widow and widower, but there is no word that captures and conveys this tragic type of loss. It has been eleven years since Diane Foley's son, the American journalist James Foley, was kidnapped in northern Syria, and nearly ten since that day in August 2014 when she would learn that he had been murdered by ISIS in a public beheading that would ricochet in video around the world. A whole decade. Time rushes past. And yet, for Diane, that moment is unending. In American Mother, legendary author Colum McCann tells Diane's story as she recalls the months of his captivity, the efforts made to bring him home and the days following his death, in which Diane came face to face with one of the men responsible for her son's kidnapping and torture. A testament to the power of radical empathy and moral courage, American Mother takes us inside one woman's extraordinary journey to find connection in a world torn asunder, and to fight for others as a way to keep her son's memory alive.

While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations.

Infrastructure comprises a combination of sociotechnical, political, and cultural arrangements that provide resources and services. The contributors to this volume show, in their respective fields, how infrastructures are both generative forces and the materialized products of quotidian practices that affect and guide people's lives. Organized via shared conceptual foci, this volume demonstrates infrastructuralist perspectives as an important transdisciplinary approach within the humanities.

In the early twenty-first century, the concept of citizenship is more contested than ever. As refugees set out to cross the Mediterranean, European nation-states refer to 'cultural integrity' and 'immigrant inassimilability,' revealing citizenship to be much more than a legal concept. The contributors to this volume take an interdisciplinary approach to considering how cultures of citizenship are being envisioned and interrogated in literary and cultural (con)texts. Through this framework, they attend to the tension between the citizen and its spectral others - a tension determined by how a country defines difference at a given moment.

Den franske revolution, Napoleon i Ægypten, Tusind og én nat, rejseberetninger fra Konstantinopel, Kairo, Palæstina og Algeriet er forskellige spor i europæisk kultur fra starten af det 19. århundrede. Interessen for Orienten var forbundet med kolonial stormagtspolitik på de asiatiske og afrikanske kontinenter, men også med entusiastisk udforskning af østlig kultur og oversættelser af persiske, tyrkiske, indiske og arabiske klassiske tekster til europæiske sprog. J.W. Goethe drømmer sig tilbage til barmakidernes storhedstid i Bagdad, Lord Byron fortæller dramatiske haremshistorier med noter om egne oplevelser i Tyrkiet, H.C. Andersen er fortryllet i Konstantinopel, Alexandre Dumas omgiver sin helt, Greven af Monte-Cristo, med et spind af gåder, der har at gøre med grevens skjulte fortid i Orienten. Orienten som horisont favner det 19. århundredes europæiske orientinteresse i bredden og viser, hvordan fascinationen af den orientalske verden går hånd i hånd med aktuelle spørgsmål og anliggender i den europæiske kontekst. I bogens kapitler behandles berømte og mindre kendte engelske, franske, tyske og nordiske forfatteres orient-fortællinger og bidrag til en stadig aktuel diskussion om Europas selvforståelse i forhold til nabokulturerne i Øst.

Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.

A new approach to the visual arts in the work of John Donne

New and exciting scholarship on medieval and early modern English culture in all its diversity.

Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning.

Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change.